Rev

Post Molinare

Client Big Talk Productions

Brief Provide picture and audio post for the comedy’s 6 x 30-minute third series.

How it was done Series three moved to the Alexa and matching the establishing shots and GVs that were shot over the previous two series on a 2/3-inch camera was a challenge for senior colourist Gareth Spensley.

He added defocusing vignettes in the grade to mimic the 35mm lenses, and softened the contrast to match the LogC acquisition of the Alexa footage.

The third series is set in spring rather than winter, which required Spensley to subtly shift the greenery and skies with secondary keys and grads.

Exteriors were given a spring-like appearance by online editor Des Murray, who added plates of blossom and daffodils captured by director Peter Cattaneo.

Watch it Mondays, 10pm, BBC2