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Desiree Ibekwe learns how Fremantle got production of its Australian soap back on track
Talkback’s debut Netflix commission offers a light-hearted take on abstinence at a time when most under-25s are suffering terrible ‘blue balls’
Leading acquisitions execs discuss how rapid growth in the international content market is effecting their business
Drama is on a high but how much is this success benefiting producers?
‘Most producers are concentrating on positive formats’
The drama boom battle for content
Sending warring families to extreme locations
High-end dramas like Victoria and Versailles were big sellers this year, alongside risqué dating formats such as Undressed and Love Island, while consolidation continued.
The training available to those from under-represented groups
There was no breakout hit at this year’s Mipcom, but themes around conflict resolution, secrets and ageing emerged. Manori Ravindran takes a closer look at the shows that stood out
From location and choice of director through to the show itself, Borderline was all about getting the best out of improvisation, says Zoe Rocha
Following a record-breaking 2014, this year was dominated by ITV and All3Media’s further landgrabs. All eyes are now on 2016 for real structural change, reports Neil Midgley
With spoof programmes like Sun, Sea And Sex With My Parents, we wanted to gently send up the contemporary TV landscape, says executive producer James Longman
We had to bring a cartoon classic right up to date while keeping the charm of the original. Making sure the gags didn’t get lost in translation was a challenge too, says Ben Ward
Boundless’ small production team had to work as hard as our subjects in our global adventure
Frontline doctors and ambulance staff battle against the clock to treat emergency injuries
Semi-improvised dialogue and a documentary shooting style give C5’s police drama an edgy, contemporary feel
Joining Michael Portillo as he embarks on a new set of train journeys, using the European Bradshaw Guide as his inspiration, Cassie Farrell finds that timing is everything.
Syco boss Simon Cowell talks to Chris Curtis about the ‘miraculous’ success of the Got Talent format - and how he stops it getting stale.
Talkback’s new managing director tells Jake Kanter why the recession has been good for the Celebrity Juice producer.
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