All the editions of Broadcast TECH

Storm Chasers (January / February 2014)

Broadcast Tech Jan / Feb 2014

  • Going mobile: how news crews covered the floods
  • BVE spotlight: the must-see seminars
  • Games consoles: the battle between Xbox One and Playstation 4

 

Battling the storm (November/December 2013)

  • Going it alone: the kit at the heart of the latest VFX facilities
  • On location: the life and times of a digital imaging technician
  • Fast turnaround: how to get high-profile subject matter on air quickly

Technology Survey 2013

  • Production: Storage and tapeless acquisition are key areas of investment
  • Post: Post houses are preparing for delivery of file-based programmes
  • Playout: With software replacing hardware there is pressure on prices

The Tech that Changed TV (August/September 2013)

Broadcast Tech AugSep

Broadcast Tech AugSep

  • Top 25: The products that changed the way we make TV
  • Comux: Under the bonnet of the local TV playout operation  
  • IBC preview: Who’s showing what at the annual tech fest

Creative Capital (June/July 2013)

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  • Soho past, present and future: can the area sustain its status as the creative heart of the post industry
  • Sky chief technology officer Didier Lebrat: staying ahead of the pack
  • Ready for kick-off: the innovative tech at the heart of the BT Sport Production Hub

Secrets of the self-shooters (March/April 2013)

Broadcast TECH March April 2013

Broadcast TECH March April 2013

Broadcast TECH March April 2013

  • Self-shooters: Rory Peck recognised cameramen share their secrets
  • Profile: BBC S&PP chief Anna Mallett on relocating from Television Centre
  • Fixed-rig: How to make a fly-on-the-wall documentary with scale and intimacy

Cutting Crew (January/February 2013)

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  • Vision mixers: mixing, wiping and switching - the art of the vision mixer explained by four exponents of the craft
  • Instant replay: From sport to entertainment, Joop Janssen looks at the road ahead for EVS
  • A vision for audio: how to make sure your content complies with incoming loudness regulations

Capturing Creativity (November/December 2012)

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  • Studio Sound: The trials of capturing audio on light-entertainment shows
  • Profile: Avid chief executive Gary Greenfield on asset-based workflows
  • Picture perfect: What hurdles need to be overcome before we can watch 4K at home?

Where’s The Tech Sector Spending Its Cash (July / August 2012)

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  • Technology Survey: Where’s the tech sector spending its cash?
  • Restoration: the ever-increasing number of HD channels has created a buoyant restoration market
  • Nearline storage: as file-based acquisition puts strain on storage systems we examine the latest solutions

Sounds Dramatic (May / June 2012)

 

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  • Technology Survey: Where’s the tech sector spending its cash?
  • Restoration: the ever-increasing number of HD channels has created a buoyant restoration market
  • Nearline storage: as file-based acquisition puts strain on storage systems we examine the latest solutions

Going For Gold (March / April 2012)

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  • An in-depth look at the London 2012 Olympics
  • Leading VFX companies reveal their tricks of the trade
  • Behind the scenes of an underwater light entertainment shoot

Making The Grade (Jan / Feb 2012)

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  • How post houses are dealing with decreasing budgets and indies enticed by cheaper editing kit
  • The complexities of delivering files to multiple platforms
  • How the UK’s top colourists provide polish for high-end dramas

The Look Of Film (November / December 2011)

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  • The latest high-end cameras and their implications post facilities
  • The technology used by the nominees in this year’s Promax awards