Comment – Page 8
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Critical acclaim only half the battle
Do Sky’s quality, esoteric titles have more mainstream potential?
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Living through the Blitz
Dr Emilia Chodorowska explains how telling personal stories was integral to Windfall Films’ doc series
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TV must be beyond reproach
Industry has to work tirelessly on its duty of care responsibilities
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Sky’s post-Thrones plan
The next steps for Sky Atlantic are vital now Game of Thrones’ watch has ended, says Stephen Arnell
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Cancellation is painful - but it doesn’t have to be the end
Like The Bletchley Circle, a good idea can find a new life elsewhere, says Jake Lushington
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A little reality is good for drama
Our fictional team wanted to play in a real tournament, so we put it in the show, says Sam Talbot
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The PSBs have a secret weapon
Live entertainment is where broadcasters have an advantage over FAANGs, says Alan Tyler
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Winter’s coming for dull drama
GOT has much to teach us – but only if broadcasters are ready to listen, says Steven D Wright
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Linear schedule is far from dead
Audience buzz generated by a weekly fix is still a powerful tool
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Factual series come back to the fore
“International TV distribution is in an interesting place right now”
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Production in Ireland is set to boom
The UK’s impending exit from Europe will shine a light on the country’s burgeoning production sector, says Larry Bass
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Put climate at the heart of TV
Environmental message must reach viewers in an entertaining way, says Aaron Matthews
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Why I revisited the Ripper case
Re-examining the investigation reveals much about attitudes of the time, says Liza Williams
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How 60 Days On The Streets gives rough sleepers a voice
Our hard-hitting series puts to bed the myths surrounding homelessness, says Jamie Seal
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A new balancing act emerges
Escalating tariffs and declining budgets bring a new set of pressures
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Feature docs take centre stage
Primetime scheduling positions for C4’s Three Identical Strangers and Leaving Neverland could point to a new era
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Our faith in Malaysia paid off
Filming Strike Back in an emerging market was challenging but worth it, says Kenton Oxley
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BBC1 is boldly redefining mainstream comedy
Alan Partridge’s high-profile return is a victory for both performer and character, while Fleabag’s new slot points to an exciting future
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TV has a duty to lead debate
It’s important to clear space in the schedule to address the issues of the day, says Guy Davies
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One size doesn’t always fit all
Adapting to each market has made All Together Now an international success, says James Fox