Comment – Page 4
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Funny factual can educate by stealth
Humour can be the most potent weapon in confronting unpalatable truths, says Emily Hudd
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Where are all the female crew?
We need to create a more flexible environment where woman can thrive, says Colleen Flynn
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Industry’s old rules fading fast
Bravely embracing new creative freedom is the only way to thrive
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Sky plays a blinder with cricket
FTA showcase will serve it well – but don’t expect too many repeats
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Gazing into the past and future
Genuinely distinctive content is best response to a host of challenges
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Time to shine the spotlight on teens
Our new British Academy Children’s Awards category recognises investment in teen programming, writes Helen Blakeman
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C4 youth strategy is working
Focus on online and on-demand will help keep the broadcaster relevant, says Kate Bulkley
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BBC burned by over-75s debacle
Corporation must stand its ground and fight back in PR battle
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Critical acclaim only half the battle
Do Sky’s quality, esoteric titles have more mainstream potential?
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Young editors need more support
This key role needs to be seen as a positive and creative career choice, says Andrew Sheldon
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Nations and regions indies have bigger stories to tell
N&R commissioning is improving at last - but beware unconscious bias, says Claire Mundell
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Rights revolution needs new rules
Industry needs to build consensus on how shows are exploited
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Linear schedule is far from dead
Audience buzz generated by a weekly fix is still a powerful tool
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Are PSBs up for the SVoD fight?
As more streaming services launch, broadcasters are learning to push back, says Kate Bulkley
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How 60 Days On The Streets gives rough sleepers a voice
Our hard-hitting series puts to bed the myths surrounding homelessness, says Jamie Seal
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Teaming up to beat the SVoDs
VoD and joint ad platforms can help broadcasters carve out a healthy future, says Kate Bulkley
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A new balancing act emerges
Escalating tariffs and declining budgets bring a new set of pressures
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Britbox: hard work starts here
Platform is the right step for the PSBs, but the challenges are huge
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Feature docs take centre stage
Primetime scheduling positions for C4’s Three Identical Strangers and Leaving Neverland could point to a new era