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Byrne, BritBox and a fresh prince
Broadcast looks back on a year of SVoD launches, licence fee rows and a car-crash interview
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Industry must get to grips with disability experience
More collective work is essential for TV to reach its off-screen targets, says Deborah Williams
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A postcard from Tokyo
The World Congress of Science and Factual Producers highlights myriad opportunities and looming challenges in specialist factual, says Ed Stobart
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Netflix must adapt to flourish
With just a single revenue stream, the streamer is in a tough spot, says Simon Woodcock
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Less is often more with drama
Returning series have their place but let’s champion shorter tales too, says Anthony Kimble
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A new era for natural history
Growing interest from the US will shape the genre for years to come, says Stephen McQuillan
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Time to end TV’s #DiversityFails
Diverse make-up of those at the top is the only way to effect real change, says Marcus Ryder
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Capturing Berlin’s freedom, thirty years on
History was unfolding around us as the wall came down – but we’d lost a former PM in the gents, recalls former Newsnight producer Steve Anderson
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Bucking the consolidation trend
Indie employees taking ownership can improve culture and productivity, says Rhodri Evans
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Viewers expect access anywhere
Tech offers a solution for when EU portablity rules no longer apply, says Charlie Johnson
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Why Samira Ahmed deserves compensation
The Newswatch host’s case is not just about gender equality. It questions what value the BBC places on journalism, says her predecessor Raymond Snoddy
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Why investors still back Netflix
It’s right to question the SVoD’s debt burden, but its model is sound, says Linda Sullivan
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Collaboration and innovation are key as ad revenues fall
Broadcasters and advertisers can turn a vicious circle into a virtuous one, says Richard Lawson
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Diversity should be baked into the DNA of our shows
Sky 1 comedy In The Long Run shows what can be done if we try, says TriForce Creative Network’s Jimmy Akingbola
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A new angle on the slave trade
Getting Samuel L Jackson on board means our series will be seen, says Simcha Jacobovici
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Shunning stereotypes is crucial
What constitutes great casting is hard to define but easy to overlook, says Tim Whitwell
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Listen to the experts in sound
Think you already know what great audio content can do for TV? Wrong, says Tim Hammond
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The BBC has lost its way on diversity and inclusion
Upholding complaints about Naga Munchetty’s comments sends a worrying message to staff and viewers, says Marcus Ryder
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Rising to the challenge
“The Broadcast Distributors Survey 2019 throws up several examples of how the UK market is adapting to global deal-making”
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Is British TV in a mid-life crisis?
Uncomfortable questions are being asked about the future of public service broadcasting. They deserve a proper hearing, says Jonathan Thompson