Drama Comment – Page 5
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Sky needs to build on successes
Failure of shows to match their first runs is a persistent problem, says Stephen Arnell
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All aboard the drama train
Is the genre in danger of going off the rails? asks Stephen Arnell
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There’s a new game in town
It’s all about green-lighting projects at speed, says Kate Bulkley
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Time to bulk up or fall behind
Context is everything for AT&T/Time Warner merger, says Kate Bulkley
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Producers could find silver lining to the Brexit cloud
Government may offer generous tax breaks following Brexit, says Alistair Bambridge
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Kids and careers are compatible
If we’re given the opportunity, we can have both, says Mahalia Belo
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Which drama has the might to take Downton’s crown?
Broadcasters have backed series they think will equal drama’s success, says Stephen Arnell
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Big doesn’t always mean better
Don’t let drama’s scale fixation squeeze out the middle ground
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BBC drama can only thrive with ambitious leadership
Whoever takes the helm will need to have strong creative vision - and a thick skin
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Putting new talent on the right path
It’s time to untangle the often impenetrable routes in the profession, says Bryan Elsley
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Sky needs dramas that can get the nation talking
Pay-TV giant’s splurge on original content has yet to pay dividends, says Stephen Arnell
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Building the long tail of TV drama
Letting viewers choose how to watch your shows expands their reach over time, says Gary Davey
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Historical accuracy is paramount in period drama
An obsession with weather and an ear for slang have helped Julie Summers ensure ITV’s WW2 drama Home Fires is authentic.
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Reinventing drama for Kenya
Lisa Sabina Harney’s debut as a series director took her to Nairobi, with a mission to empower women on- and off-camera.
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Dramatic accuracy helps OJ drama hit the mark
Detail makes for gripping viewing, says the editor of the BBC’s coverage of the 1995 trial
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Is this really a golden age of UK drama?
To be on the same footing as international rivals, we need original stories, says Peter Ansorge