Post-production uncovered – Page 2
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NewsPost-production uncovered: Goodbye Kansas on See (Apple TV+)
VFX house provided 50 shots for third series of Jason Momoa drama
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NewsPost-production Uncovered: I Am A Killer (The Finish Line for Netflix)
The Finish Line finishing artist Steve Alexander explains his work on the documentary series
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NewsPost-production uncovered: MPC on Guillermo Del Toro’s Pinocchio (Netflix)
VFX studio provided over 650 shots, including CG environments, stylized FX simulations and CG crowd simulations
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NewsPost-production uncovered: BlueBolt on My Policeman (Prime Video)
VFX house delivered 152 shots for 1950s drama starring Harry Styles and Emma Corin
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NewsPost-production uncovered: Storm on Hans Zimmer: Hollywood Rebel (BBC)
Picture finishing editor Paul Ingvarsson reveals the work behind bringing the composer’s story to screen
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NewsPost-production uncovered: Lux Aeterna on Our Universe (Netflix)
VFX house worked with the BBC Studios Science Unit on the six-part docuseries
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NewsPost-production uncovered: Vine FX on War Of The Worlds (Disney+)
VFX house worked on over 1,300 shots for series three
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NewsPost-production uncovered: Freefolk on Fate: The Winx Saga (Netflix)
Lead vendor completed 340 shots for second series
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NewsPost-production uncovered: UPP & Goldcrest on All Quiet On The Western Front (Netflix)
Goldcrest and Universal Production Partners worked with VFX studio DoublePlusGood on WW1 film
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NewsPost-production uncovered: The Embassy on Warrior Nun (Netflix)
Creative studio completed over 800 VFX shots for the show’s second series
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NewsPost-production uncovered: Union on Pistol (Disney+)
VFX house was the sole vendor for Danny Boyle’s Sex Pistols tale, producing over 600 VFX shots
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NewsPost-production uncovered: MPC on Pinocchio (Disney+)
MPC provided pre and postvis production as well as over 920 VFX shots
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NewsPost-production uncovered: Picture Shop on Wild Babies (Netflix)
Picture Shop used an ACES pipeline for the conform, pre-grade online, grade and online
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NewsPost-production uncovered: BlueBolt on Becoming Elizabeth (Starz)
VFX studio created 400 VFX shots for eight-part drama
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NewsPost-production uncovered: Untold & One Of Us on The Sandman (Netflix)
One Of Us provided 240 shots, while Untold supplied over 360 for Neil Gaiman adaptation
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NewsPost-production uncovered: Goodbye Kansas on Locke & Key (Netflix)
VFX house delivered 65 shots over three episodes for final series
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NewsPost-production uncovered: Goldcrest Post on The Baby (HBO/Sky)
Goldcrest completed the grade, conform and finish for the HBO Original horror comedy series
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NewsPost-production uncovered: MPC on Prey (Disney+)
MPC provided over 600 VFX shots for the 20th Century Studios production
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NewsPost-production uncovered: Union on Moon Knight (Disney+)
It was the VFX house’s first outing with Marvel
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NewsPost-production uncovered: Company 3 on Our House (ITV)
Post house oversaw delivery of the conform, grade and finish for four-part series