Features – Page 396
-
Features
Inside Track: Drama shooting
Milan Krsljanin, business development manager at Arri Media, on drama shooting formats.
-
Features
How We... shot high-speed marine police chases
Series producer Will Henshaw tells how he abandoned fashion and learned not to drown.
-
-
Features
Post technology: Faster, cheaper, smoother
Facilities are under ever greater pressure to ensure a return on any investment in technology. Adrian Pennington reports on how post manufacturers are appealing to their bottom line.
-
Features
The Buyer: Alex Fraser
Alex Fraser is the vice-president of sales and acquisitions at IMG Entertainment.
-
Features
Digital Agencies: Building interactive relations
Broadcast indies are forging strong links with digital agencies to fully exploit cross-platform opportunities. Adrian Pennington examines what six major players have to offer.
-
Features
Why the high-end doc is an endangered species
Documentary-maker Norma Percy has argued that it's never been tougher to fund ambitious projects. We ask programme-makers about the realities of funding documentaries today.
-
Features
Behind the Scenes at ... Discovery Networks
Discovery Networks InternationalNumber of staff 550Location West London
-
Features
My Career: Sam Bickley
Sam Bickley, executive producer, factual at DCD Media-owned Prospect Pictures.
-
FeaturesWhat advantages does the AVC-Intra codec offer?
As a seasoned user of DVCPro HD what advantages does the AVC-Intra codec offer me?
-
-
Features
What next for MediaCityUK?
How will ITV's decision to pull out of moving its Manchester operation to Salford's MediaCityUK affect the project's ambition to be a creative hub.
-
Features
Eureka!: Red Dwarf: Back to Earth
Advances in digital ushered in a new era for Red Dwarf, says co-creator Doug Naylor.
-
Features
How we ... accessed the Foster murder mansion
Executive producer Roger Graef on death, data security and filming a family tragedy.
-
Behind The Scenes
On Location: Endgame
Producer Hal Vogel on filming Endgame, a political thriller based on South Africa's struggle.
-
-
FeaturesAre producers getting better at working with brands over AFP?
With the growth of branded content and advertiser-funded programmes, are producers getting better at working with brands or are there still frequent misunderstandings?