Features – Page 397
-
FeaturesIs shooting HD worth the trouble and expense?
Is the trouble and expense of shooting HD worth it when most programmes won't be broadcast in HD quality?
-
FeaturesHow can we search engine optimise our programme launches?
How do we “search engine optimise” our programming website to ensure that our forthcoming series gets maximum exposure?
-
FeaturesWhat are the benefits of AVC-Intra compression?
As a seasoned user of DVCPro HD what advantages does the AVC-Intra codec offer me?
-
Features
Creative Review - Nat Geo Wild branding
An on-air campaign created by Devilfish and Medialuna that reinforces the channel as a provider of high-quality wildlife programming.
-
Behind The Scenes
On Location: DJ Scott Mills hangs out with the Hoff
Series producer Kevin Lane on filming a celebrity fan getting to know his American idol
-
Features
MipTV: Brave faces in crunch times
Optimistic executives at MipTV were busy chasing a ‘rights margin'
-
Features
The Buyer: Amanda Stevens
Amanda Stevens is head of acquisition and digital media at Comedy Central
-
Features
Spin-offs: The art of spinning a fresh story
As ITV heads to MipTV with an Ant and Dec Saturday Night Takeaway spin-off, Broadcast asks five past masters what makes a good second take on an original idea
-
Features
Eureka!: Reclaiming the meaning of cool
How director Anthony Wall unearthed the jazz jewels nestled in the BBC archives.
-
Features
Behind the Scenes at ... Whizz Kid Entertainment
Whizz Kid EntertainmentNumber of staff 15Locations LondonKey staff Malcolm Gerrie, chief executive; Lisa Chapman, managing director and executive producer
-
The Broadcast InterviewBen Stephenson, controller, BBC drama commissioning
The BBC’s top drama commissioner is happy to engage with his critics but won’t be deflected from offering shows that appeal to all audiences.
-
Features
My Career: Jonathan Richards
Jonathan Richards is programme director for LBC 97.3 and group head of news for Global Radio.
-
FeaturesDo's and Don'ts of user generated content
We have been asked to produce an entertainment show based around user generated content clips. Do you have any do's and don'ts?
-
FeaturesCan I make sure metadata integrates smoothly in the edit?
How can I make sure that the metadata we record in camera will integrate smoothly with our choice of NLE workflow?
-
FeaturesWill the BBC's FastClear service make rights clearance easier?
Will the BBC's FastClear service, which allows indies to clear music rights themselves thank to BBC/PPL/PRS blanket agreements, make the process of clearing rights less problematic?
-
FeaturesImpact of Project Canvas
What impact is the BBC, ITV and BT's Project Canvas likely to have on the uptake of on-demand media?
-
FeaturesThe best websites for information on professional cameras?
Q: Can you recommend the best websites where I can find the latest on new and up coming cameras from a range of manufacturers?
-
FeaturesTips for hiring the right distributor
Increasing distribution turnover is one of our key aims to beat the credit crunch. How can we make sure we hire the right distributor?
-
FeaturesWhich media are the priorities with multiplatform?
In a world of multiplatform production I've been advised to cover all the bases. But with limited resources, which are the most important bases to cover?
-
Features
Creative Review - In Shackleton's Footsteps
Audio and finishing on a documentary about descendants of Ernest Shackleton and his team as they retrace the steps of the failed 1909 South Pole expedition.