Features – Page 401
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Features
Creative Review - Bookaboo
Front and end sequences produced by Blue-Zoo for the CITV kids show.
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FeaturesHow do I cut costs from my indie?
Q: I have been asked to make suggestions about how to trim costs from the running of my independent production company. What sort of areas should I be looking at as a way of saving?
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FeaturesTips for ensuring that limited budgets ends up on the screen
Q: I am about to start production managing a 104 part studio-based magazine show commission which has a basic budget of£50,000 an hour. Do you have any tips to ensure that as much of this limited budget ends up on the screen as possible?
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FeaturesAdvances in audio production
Q: What advances in audio production are you most anticipating in the next few years that will make life easier for producers?
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FeaturesWhat are the advantages of delisting?
Q: What are the advantages of delisting a publicly-quoted media stock? Why is this happening more and more and what do I stand to gain as a shareholder?
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FeaturesHow to negotiate with mobile operators
Q: In developing content for mobile how do you approach negotiating with mobile operators. Can you negotiate your own deal or is it case of simply accepting the mobile platform's established revenue split?
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Features
Inside Track: Vincent Létang
Vincent Létang is head of advertising, at media analysts Screen Digest
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Features
How we... got from splash to screen in a month
Executive producer Alison Turner on pilots in purdah and finding a Kwik Fit for Airbuses.
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Features
Behind the scenes at ... Sky News Radio
Sky News RadioNumber of staff 22 full and part-timeLocation Sky News HQ, OsterleyKey staff Andy Ivy, editor; James Sillars, deputy editor; Kat Wright, duty editor; Lee Stott, sports editor; Jon Bennett, showbiz editor; Pauline Singh, newsroom coordinatorMain operating areas Providing news for UK commercial radio stationsNumber of years in operation ...
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Features
Production training: Before they were famous
Businesses across the broadcast industry are finding, nurturing and developing the hot young talent of the future through mentoring programmes, as Robert Gray explains.
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Behind The Scenes
On Location: Red Riding
Director Julian Jarrold on revisiting the 1970s for the first in C4's Red Riding trilogy.
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The Broadcast InterviewLaura Mackie, ITV Drama
The director of ITV Drama talks to Kate McMahon about budgets, bonnets and why she’s still on the lookout for ideas that are ambitious and different.
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Features
Eureka!: Moving on with the living dead
Producer Jonathan Pope on his journey from Cornish beaches to a zombie-filled plane.
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Features
Analysis: The dawn of discount drama
With programme budgets under pressure, can drama, which is at risk of being seen as a luxury, be made on a budget? Broadcast asks six producers how they might beat the cuts.
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Features
The buyer: Kathryn Rice
Kathryn Rice is senior vice-president, European sales and acquisitions, Fireworks International.
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Features
BBC Drama: Never mind the bonnets
Adaptations of classics are still BBC Drama Production's bread and butter, but now they're jostling for position with a new generation of bold contemporary series.
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Features
Creative Review - Law and Order
Using the Arriflex D-21 to match the UK version of the criminal justice drama with the American original.
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Features
Creative Review - 10 Biggest Tracks Right Now
Idents and bumpers produced for a strand that runs across various MTV channels.
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FeaturesCan music be licensed across all digital platforms with one agreement?
Q: In a world of cross platform content can music be licensed across all platforms with one agreement or do all separate platforms, from online to VOD to mobile, have to be negotiated separately?
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FeaturesIs a one-stop-shop a false economy in audio?
Q: Traditionally I have used a specialist audio facility to do the dub on my programmes, but am looking at a cheaper one-stop-shop deal as a way of trimming the production budget. Is this a false economy?