Features – Page 419
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FeaturesIBC 08: Making Super Hi-Vision a reality
NHK has a three-year plan designed to take the various R&D projects that are key to bringing SHV to a broadcasting reality.
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FeaturesIBC 08: Camera, action
The broadcast industry's technology buyers will be dusting off their chequebooks and heading to IBC, Amsterdam's annual kitfest next week. Nicola Brittain gives the lowdown on what will be making waves
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FeaturesIBC 08: Solving storage
Storage and content management has become a pressing issue for broadcasters and post companies dealing with tapeless workflows.
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FeaturesCreative Review - Scene Stealers
Titles that show two teenagers exchanging their teen-tribe identity, including chavs, posh, hip-hop, plastic and goth.
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FeaturesCreative Review - When we left Earth: the NASA missions
Sound design and mixing that pull together sound for the six-part series which was created on three continents.
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FeaturesCreative Review - Promos for Deadliest Catch
Graphics that reflect the extremely cold and dangerous conditions faced by the crew.
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FeaturesReevell's Ratings: Autumn season starts with a grim outlook
This September is the start of a watershed season for commercial broadcasting. Just as grim revenue forecasts cast a shadow over the schedules, Ofcom is set to remould the PSB landscape.
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FeaturesDigital Focus: Sky 1 and BBC3
Gladiators: the Legends Return on Sunday at 8pm delivered a big result for the newly rebranded Sky One with 960,000/5% share in digital homes.
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FeaturesBehind the News: ‘Nursery slope' channels
BBC1 is able to draw on BBC2, BBC3 and radio for hit shows, while Channel 4 uses dedicated new talent slots. So what can ITV do to nurture new shows?
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Behind The ScenesOn location: A Place of Execution
Executive producer Sandra Jobling on recreating the past without cliché - or the benefits of HD.
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FeaturesInterview: Trisha Goddard
After 10 years in British television Trisha Goddard's daytime chatshow career continues to flourish. However, a relaxed exclusivity deal means she is now looking to move into primetime.
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Features
ITV1 gets vote of confidence in authored Clunes doc
Authored documentaries are all the rage with ITV's factual team, and given the performance of the recent Martin Clunes: a Man and his Dogs, it's easy to see why.
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FeaturesEureka!: Chop Socky Chooks (Aardman for Cartoon Network)
Director Sergio Delfino on the multiple battles to put together a children's CG kung fu show.
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FeaturesBehind the news: ‘nursery slope' channels
BBC1 is able to draw on BBC2, BBC3 and radio for hit shows, while Channel 4 uses dedicated new talent slots. So what can ITV do to nurture new shows?
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FeaturesFormat Focus: Smartest Guy in Town
Contestants can stay in their home town to compete in a new gameshow from the US.
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FeaturesCreative Review - Hairspray: the School Musical
Titles, designed by Beautiful TV, reflecting the show's influences: Hairspray, High School Musical and the West End.
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FeaturesCreative Review - Films for handover ceremonies
A film for the Olympics and Para Olympics depicting Britain as multicultural, urban, humorous and “punching above its weight”.
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FeaturesCreative Review - BBC News graphics
Titles and content graphics for the BBC News Channel's daily entertainment show.
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FeaturesEntertainment can tick the public service box
So Peter Fincham isn't a big fan of Ofcom. In his keynote address at the Edinburgh Television Festival, ITV's director of television launched an attack that wasn't so much thinly veiled as completely unveiled and gloves off on Ofcom's Public Service Broadcasting Report.
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FeaturesDigital Focus: Films, X Factor and football
One of the eternal debates we have in the TV industry is whether viewers watch channels or programmes.