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Creating an Uproar about threatened wildlife

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Conservationist and TV presenter Chris Morgan reveals how he has turned his passionate wildlife expertise into a content production operation

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The best of the best

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What makes the production companies nominated for Best Independent Production Company at the 2020 Broadcast Awards stand out?

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Why Disney’s streaming gamble is paying off

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Years spent investing in top-notch IP and technology has armed Disney+ with the tools to win the streaming wars, says Tom Dods

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Women in TV: new talent in conversation

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Emerging writer-director Tiana Linden and screenwriter Lauren Bishop reveal what inspires their work and their biggest achievements to date

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Streamers lure advertising revenue

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Broadcaster VoD services are attracting advertisers as audience measurement improves, OMD’s Carl Connaughton tells Tim Dams

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How productions avoid safety hazards

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Managing the many safety risks involved in complex productions requires a systematic approach and needs early planning, says Jamie Fewster

Global Production Map 2019

Global production: the big questions answered

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Barclays’ Lorraine Ruckstuhl and Tom Dods explore the BI Global TV Production Map 2019 and assess the implications of consolidation

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How much TV can one person watch?

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Netflix’s first-mover advantage over new SVoDs rivals may give it the edge in the saturated world of content, writes Barclays’ Tom Dods

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Brexit checklist: what you need to know

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Barclays’ Lorraine Ruckstuhl provides a useful step-by-step guide of what producers must consider if the UK exits the EU

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Fixed rig: the rise of the robot

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Developments in technology and kit price drop are driving advances in fixed-rig camera techniques, says Gavin Smith

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More must be done to encourage women into media

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The industry is improving but still needs to invest time and energy into increasing the female work force, says Lorraine Ruckstuhl

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How will a no-deal Brexit impact broadcasting?

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The UK’s television business and wider creative industries must be protected if a no-deal Brexit materialises, writes Tom Dods

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Making large-scale factual production simple

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The challenge of planning and production of complex, large-scale scale programmes is tough, but there are several shortcuts, writes Gavin Smith

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SVoD production finance and the role of a modern media banker

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Tobias Jaeger talks to Barclays’ Lorraine Ruckstuhl about her career journey and supporting the media sector

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Biofuel: turbocharging TV’s sustainability push

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Renewable energy can be a straight ‘drop-in’ replacement for diesel used in generators, writes Lorraine Ruckstuhl

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Ensuring your insurance policy works

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Understanding the complexities of insuring a production properly is vital and companies like Integro can help, writes Barclays’ Richard Woolford

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Rogan's pursuit of purpose and integrity

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The husband and wife team behind Rogan Productions on why they aim for productions of purpose, perspective and craft

Global Production Map 2019

Global TV Production Map

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The shape of the consolidated world

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‘TV advertising remains hugely powerful’

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Delivering ‘a disproportionate competitive advantage’ to clients is the goal in an era of changing viewing habits

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How broadcasters keep drama ticking

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This week’s Broadcast Intelligence Commissioner Index event shone a light on the strategies broadcasters are going to land the best drama

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Curious kicks on with BBC3

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Dov Freedman explains to Adrian Pennington the thinking behind BBC3’s scheduling of Britain’s Youngest Football Boss

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Avoiding the crisis in a drama

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Peter La Terriere of Film Finances tells Adrian Pennington why bonding productions is useful in an era of high-end television

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Free up your cash for production

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Barclays has developed a receivable purchase capability specifically for the TV space

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Raw Cut turns on the blue lights in Wales

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Steve Warr tells John Elmes about expanding Raw Cut’s factual operations with Cardiff offshoot Tomos TV

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Why Netflix is the SVoD to beat

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Barclays relationship director Tom Dods on challenges to the streaming giant’s dominance

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World Productions wins prestigious award

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The producers of Save Me and Bodyguard named best independent production company at the 2019 Broadcast Awards

The Crown

What the UK television sector is facing in 2019

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Barclays’ head of media Lorraine Ruckstuhl on what she learnt at the Westminster Media Forum debate on the future of the UK TV sector

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Bringing young Mormons to Facebook

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Filming the dating lives of young Mormons stretched our teams but we achieved our goals, writes James Burstall

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The contenders: Barclays Best Independent Production Company

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The producers vying for the Broadcast Awards 2019 Best Independent Production Company, sponsored by Barclays, reveal the secrets of their success

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Video: 2019 Outlook

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Lorraine Ruckstuhl, Barclays head of media, shares her thoughts on the challenges and opportunities in the sector for 2019

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BlueBolt: the gold standard in business

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VFX house wins Barclays-sponsored WFTV Business Award

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How to co-produce in Asia

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Ahead of Singapore’s Asia TV Forum this week, Amanda Groom of The Bridge gives an overview of Asian co-production market

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Barclays doubles SVoD fund to £200m

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Fund has provided UK producers with more than £100m in 18 months

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Nurturing the Greenshoots of sustainable filming

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Greenshoot is an organisation helping to move the UK film, TV and production industry towards more environmentally friendly ways of working

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Sargent-Disc: TV’s unsung a-lister

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Charting 32 years of the production management specialist. By Tim Dams

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Streamers lure advertising revenue

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Broadcaster VoD services are attracting advertisers as audience measurement improves, OMD’s Carl Connaughton tells Tim Dams

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Jane Featherstone: I’m in the business of people

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WFTV Business Award winner tells Tim Dams why focusing on real issues is the key to creating stronger dramas

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How productions avoid safety hazards

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Managing the many safety risks involved in complex productions requires a systematic approach and needs early planning, says Jamie Fewster

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Industry thrives in changing market

The rise of the SVoDs means there are more buyers than ever for UK programming, but smaller indies face growing competition

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Global Production Map 2019

Global TV Production Map

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The shape of the consolidated world