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The audience is there and the potential for growth and investment is huge, says Sarah Greene
SVoD giant urges UK producers to pitch more ideas and stresses its European autonomy
Whether to use library music, commercial tracks or commission a bespoke score?
Like contestants on The Circle, we all put on a front to seem more likeable, says Steven D Wright
Events like the 1969 Manson murders will always fascinate audiences, says Richard Dale
Training body research reveal non-scripted production skills gap
SART extends primetime ban to include animation, documentary and sports
Entering the world of New Order
Edinburgh survey reveals fears of spiralling production costs as scrap for slots intensifies
‘I want to meet with broadcasters and commissioners to appeal to them to broaden their inclusivity criteria’
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