ONE BORN

Fixed rig: the rise of the robot

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Developments in technology and kit price drop are driving advances in fixed-rig camera techniques, says Gavin Smith

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More must be done to encourage women into media

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The industry is improving but still needs to invest time and energy into increasing the female work force, says Lorraine Ruckstuhl

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How will a no-deal Brexit impact broadcasting?

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The UK’s television business and wider creative industries must be protected if a no-deal Brexit materialises, writes Tom Dods

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Making large-scale factual production simple

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The challenge of planning and production of complex, large-scale scale programmes is tough, but there are several shortcuts, writes Gavin Smith

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SVoD production finance and the role of a modern media banker

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Tobias Jaeger talks to Barclays’ Lorraine Ruckstuhl about her career journey and supporting the media sector

More from Barclays

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Ensuring your insurance policy works

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Understanding the complexities of insuring a production properly is vital and companies like Integro can help, writes Barclays’ Richard Woolford

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Rogan's pursuit of purpose and integrity

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The husband and wife team behind Rogan Productions on why they aim for productions of purpose, perspective and craft

Global Production Map 2019

Global TV Production Map

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The shape of the consolidated world

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‘TV advertising remains hugely powerful’

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Delivering ‘a disproportionate competitive advantage’ to clients is the goal in an era of changing viewing habits

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How broadcasters keep drama ticking

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This week’s Broadcast Intelligence Commissioner Index event shone a light on the strategies broadcasters are going to land the best drama

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Curious kicks on with BBC3

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Dov Freedman explains to Adrian Pennington the thinking behind BBC3’s scheduling of Britain’s Youngest Football Boss

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Avoiding the crisis in a drama

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Peter La Terriere of Film Finances tells Adrian Pennington why bonding productions is useful in an era of high-end television

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Free up your cash for production

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Barclays has developed a receivable purchase capability specifically for the TV space

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Raw Cut turns on the blue lights in Wales

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Steve Warr tells John Elmes about expanding Raw Cut’s factual operations with Cardiff offshoot Tomos TV

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Why Netflix is the SVoD to beat

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Barclays relationship director Tom Dods on challenges to the streaming giant’s dominance

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World Productions wins prestigious award

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The producers of Save Me and Bodyguard named best independent production company at the 2019 Broadcast Awards

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What the UK television sector is facing in 2019

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Barclays’ head of media Lorraine Ruckstuhl on what she learnt at the Westminster Media Forum debate on the future of the UK TV sector

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Bringing young Mormons to Facebook

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Filming the dating lives of young Mormons stretched our teams but we achieved our goals, writes James Burstall

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The contenders: Barclays Best Independent Production Company

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The producers vying for the Broadcast Awards 2019 Best Independent Production Company, sponsored by Barclays, reveal the secrets of their success

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Video: 2019 Outlook

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Lorraine Ruckstuhl, Barclays head of media, shares her thoughts on the challenges and opportunities in the sector for 2019

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BlueBolt: the gold standard in business

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VFX house wins Barclays-sponsored WFTV Business Award

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How to co-produce in Asia

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Ahead of Singapore’s Asia TV Forum this week, Amanda Groom of The Bridge gives an overview of Asian co-production market

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Barclays doubles SVoD fund to £200m

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Fund has provided UK producers with more than £100m in 18 months

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Nurturing the Greenshoots of sustainable filming

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Greenshoot is an organisation helping to move the UK film, TV and production industry towards more environmentally friendly ways of working

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Sargent-Disc: TV’s unsung a-lister

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Charting 32 years of the production management specialist. By Tim Dams

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Barclays detects top trends from Mipcom

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Barclays relationship manager Tom Dods identifies the key international TV trends from the Croisette this year

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Clean-tech batteries can power location shoots

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A pioneering new technology could provide the industry with a more sustainable power source on location

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Supporting green-tech disrupters can have ‘unreasonable’ impact

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Changing the way businesses operate for the better

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Breaking the mould in wildlife filmmaking

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Naturalist Catherine Capon on producing wildlife documentaries via social media

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Volunteering with Orangutans in Borneo

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Catherine Capon travelled to Indonesia to investigate how the BOS Foundation are helping orphan orangutans learn the skills to go back to the wild

Songs of praise

Out of London, into the limelight

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Has the time finally come for indies in the nations and regions to truly shine? Nick Edwards reports

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Ashley Walters: the SLNda man

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The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows

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albert – working towards greener film and TV

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Uniting the TV and film production and broadcast industry to create an environmentally sustainable approach

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Barcroft: turning TV upside down

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Seeing success from developing digital shows that become long-form series

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Pinewood takes leading role on sustainability

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Setting a target of cutting its carbon footprint by half by 2030

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Breaking the mould in wildlife filmmaking

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Naturalist Catherine Capon on producing wildlife documentaries via social media

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Ashley Walters: the SLNda man

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The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows

Global Production Map 2019

Global TV Production Map

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The shape of the consolidated world

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Industry thrives in changing market

The rise of the SVoDs means there are more buyers than ever for UK programming, but smaller indies face growing competition

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Global Production Map 2019

Global TV Production Map

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The shape of the consolidated world