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Nurturing the Greenshoots of sustainable filming

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Greenshoot is an organisation helping to move the UK film, TV and production industry towards more environmentally friendly ways of working

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Splice are open for business in Cardiff

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Independent post-production company Splice offer online and offline editing, dubbing and grading at two facilities in London.

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Sargent-Disc: TV’s unsung a-lister

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Charting 32 years of the production management specialist. By Tim Dams

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Barclays detects top trends from Mipcom

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Barclays relationship manager Tom Dods identifies the key international TV trends from the Croisette this year

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Clean-tech batteries can power location shoots

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A pioneering new technology could provide the industry with a more sustainable power source on location

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Take your career to the next level

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Skills and training programmes supported by ScreenSkills help deepen the TV industry’s talent pool & enable those working in it move up the ladder

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Supporting green-tech disrupters can have ‘unreasonable’ impact

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Changing the way businesses operate for the better

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More support for Scottish indies

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Screen Scotland’s new Broadcast Content Fund has been created to shoulder some of the financial risk and aid TV projects in the nation

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What Buyers Want - Buyers Survey 2018

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This year’s Buyers Survey acted as a platform for buyers to talk about frustrations, opportunities, challenges and predictions for the future of the industry, with a specific focus on the distribution process.

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Why is ONE the platform of choice for so many leading distributors at MIP?

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ITV Studios, Keshet and DRG are the latest distribution companies to join the ONE by Rawnet platform

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Breaking the mould in wildlife filmmaking

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Naturalist Catherine Capon on producing wildlife documentaries via social media

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What is ONE by Rawnet?

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ONE is set to power the distribution efforts of some of the top distribution companies at this October’s MIPCOM, but what exactly is it?

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Out of London, into the limelight

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Has the time finally come for indies in the nations and regions to truly shine? Nick Edwards reports

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Everything in ONE place

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With its user-friendly design and in-depth buyer insights, Rawnet’s digital programme sales platform is attracting the attention of major distributors

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​A game changer for dubbing

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Learning to produce and direct like a pro

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Students on the NFTS Directing & Producing Television Entertainment MA hone their skills using industry-standard kit

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Living the work/life dream in Leeds

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As decision-time approaches over the host city for the new C4 National HQ, Leeds’ movers and shakers describe their experiences of growing a business in the city

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Ashley Walters: the SLNda man

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The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows

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Future-proofing drama success

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If high-end British drama is to continue to thrive, big-budget productions may need to contribute more to training the next generation

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Top tips for brand integration

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How producers can take full advantage of brand partnerships without compromising their creativity

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albert – working towards greener film and TV

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Uniting the TV and film production and broadcast industry to create an environmentally sustainable approach

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Barcroft: turning TV upside down

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Seeing success from developing digital shows that become long-form series

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Helping Leeds youngsters shine

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Screenwriter Kay Mellor and doc maker Anna Hall lend their support to the #4sparks campaign

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Pinewood takes leading role on sustainability

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Setting a target of cutting its carbon footprint by half by 2050

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Share your thoughts on the distribution cycle

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ONE by Rawnet report will reveal key trends impacting the current and future broadcast marketplace

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Chocolate spreads unconventional model

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Video production company’s business model leads the way

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Impact of the drama boom

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Leading UK producers discuss the knock-on effects of a surging market and ways in which the high-end drama levy is being used to alleviate them.

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Tackling the green agenda

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Research suggests TV industry can better promote efforts to address sustainability and environmental issues

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Komixx on the kids TV conundrum

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Komixx Entertainment on how to finance programming that kids and young adult audiences want. Nick Edwards reports

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Give your career a jump start

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Study or work – what’s the best way to learn the TV craft?

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Reaching out to the regions

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Creative Cities Convention director Ruth Pitt detects a new wave of creative optimism in Britain’s big cities

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Interview: Jane Root, Nutopia

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The Nutopia founder discusses two of her most ambitious series to date

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Targeted advertising heralds new era of collaboration

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Rival UK broadcasters discuss collaboration, competition and building addressable advertising to challenge online platforms

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Sundog aims to build SVoD relationships

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Indie taps into Barclays’ £100m SVoD fund

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Profile: Indielab

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Giving independent production companies a helping hand

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How Barclays can help

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Barclays has been providing dedicated support to the film and television industries for over 30 years

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Three Arrows aims to make its mark

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Treasure Champs indie explains to Ann-Marie Corvin how Barclays has helped shape its services around the requirements of children’s TV

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The need for upfront funding has never been greater

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Clover’s MD Tracey Doran-Carter explains to Ann-Marie Corvin how Barclays is helping the indie fund future projects

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Creative Cities Convention preview

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Leeds hosts new industry event in April

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Everything in ONE place

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ONE by Rawnet makes it easier for sellers to connect with buyers

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What does the year ahead have in store for production companies?

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Lorraine Ruckstuhl, head of media at Barclays, shares her outlook for the television production sector in 2018 and beyond

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Meeting all your music needs

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With award-winning composers on our books and the rights to more than 250,000 songs, we can help you find the perfect score