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ITV Content Delivery: creating a Northern powerhouse

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ITV Content Delivery has established itself as the home of content digitisation, restoration and delivery in northern England

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How broadcasters keep drama ticking

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This week’s Broadcast Intelligence Commissioner Index event shone a light on the strategies broadcasters are going to land the best drama

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Curious kicks on with BBC3

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Dov Freedman explains to Adrian Pennington the thinking behind BBC3’s scheduling of Britain’s Youngest Football Boss

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Adapting to the changing role of Mip TV

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There are still many opportunities at Mip TV as April is prime buying time and distributors need to strike while buyers are most engaged

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Liverpool targets drama

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To mark its 30th anniversary, the Liverpool Film Office has set up a fund to attract more scripted productions to the city

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GoT leaves lasting skills legacy

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With ScreenSkills’ support, the HBO drama has brought hundreds of workers into the industry and helped transform Belfast’s production infrastructure

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Why we must support indies across the UK

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With broadcasters committed to producing more out-of-London shows, Pact can provide the tools and support to help nations and regions indies thrive

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How we help indies meet the challenges of scaling up

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Sargent-Disc’s suite of applications helps indies explore bigger opportunities

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Avoiding the crisis in a drama

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Peter La Terriere of Film Finances tells Adrian Pennington why bonding productions is useful in an era of high-end television

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Free up your cash for production

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Barclays has developed a receivable purchase capability specifically for the TV space

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Raw Cut turns on the blue lights in Wales

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Steve Warr tells John Elmes about expanding Raw Cut’s factual operations with Cardiff offshoot Tomos TV

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Tuning in to Cardiff’s creative buzz

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Ruth Pitt finds a feast of creativity awaiting media delegates heading to the Creative Cities Convention

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Why Netflix is the SVoD to beat

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Barclays relationship director Tom Dods on challenges to the streaming giant’s dominance

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How to find the right sound in 2019

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A selection of key TV hitmakers reflect on modern TV music themes and finding the right tune for viewers

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Comedy is no laughing matter

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Nations and regions renaissance will be centre stage at Creative Cities Convention

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World Productions wins prestigious award

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The producers of Save Me and Bodyguard named best independent production company at the 2019 Broadcast Awards

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Rugby Football Union and IBM move on AI & cloud for fan engagement

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IBM’s Andrew Crisp outlines how his company is working with English rugby’s governing body

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What the UK television sector is facing in 2019

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Barclays’ head of media Lorraine Ruckstuhl on what she learnt at the Westminster Media Forum debate on the future of the UK TV sector

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Bringing young Mormons to Facebook

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Filming the dating lives of young Mormons stretched our teams but we achieved our goals, writes James Burstall

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Arrowing in on targeted ads

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With addressable ads gaining a foothold in TV, our roundtable panel discuss how the medium can complement linear campaigns and grow TV as a whole

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The contenders: Barclays Best Independent Production Company

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The producers vying for the Broadcast Awards 2019 Best Independent Production Company, sponsored by Barclays, reveal the secrets of their success

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Video: 2019 Outlook

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Lorraine Ruckstuhl, Barclays head of media, shares her thoughts on the challenges and opportunities in the sector for 2019

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Taking on the Big City Challenge

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Could your city be the next to host the Creative Cities Convention?

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BlueBolt: the gold standard in business

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VFX house wins Barclays-sponsored WFTV Business Award

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How to co-produce in Asia

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Ahead of Singapore’s Asia TV Forum this week, Amanda Groom of The Bridge gives an overview of Asian co-production market

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Barclays doubles SVoD fund to £200m

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Fund has provided UK producers with more than £100m in 18 months

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Nurturing the Greenshoots of sustainable filming

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Greenshoot is an organisation helping to move the UK film, TV and production industry towards more environmentally friendly ways of working

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Splice are open for business in Cardiff

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Independent post-production company Splice offers online and offline editing, dubbing and grading at two facilities in London.

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Sargent-Disc: TV’s unsung a-lister

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Charting 32 years of the production management specialist. By Tim Dams

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Barclays detects top trends from Mipcom

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Barclays relationship manager Tom Dods identifies the key international TV trends from the Croisette this year

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Clean-tech batteries can power location shoots

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A pioneering new technology could provide the industry with a more sustainable power source on location

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Take your career to the next level

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Skills and training programmes supported by ScreenSkills help deepen the TV industry’s talent pool & enable those working in it move up the ladder

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Supporting green-tech disrupters can have ‘unreasonable’ impact

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Changing the way businesses operate for the better

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More support for Scottish indies

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Screen Scotland’s new Broadcast Content Fund has been created to shoulder some of the financial risk and aid TV projects in the nation

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What Buyers Want - Buyers Survey 2018

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This year’s Buyers Survey acted as a platform for buyers to talk about frustrations, opportunities, challenges and predictions for the future of the industry, with a specific focus on the distribution process.

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Why is ONE the platform of choice for so many leading distributors at MIP?

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ITV Studios, Keshet and DRG are the latest distribution companies to join the ONE by Rawnet platform

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Breaking the mould in wildlife filmmaking

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Naturalist Catherine Capon on producing wildlife documentaries via social media

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What is ONE by Rawnet?

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ONE is set to power the distribution efforts of some of the top distribution companies at this October’s MIPCOM, but what exactly is it?

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Out of London, into the limelight

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Has the time finally come for indies in the nations and regions to truly shine? Nick Edwards reports

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Everything in ONE place

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With its user-friendly design and in-depth buyer insights, Rawnet’s digital programme sales platform is attracting the attention of major distributors

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​A game changer for dubbing

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Learning to produce and direct like a pro

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Students on the NFTS Directing & Producing Television Entertainment MA hone their skills using industry-standard kit

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Living the work/life dream in Leeds

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As decision-time approaches over the host city for the new C4 National HQ, Leeds’ movers and shakers describe their experiences of growing a business in the city

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Ashley Walters: the SLNda man

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The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows

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Future-proofing drama success

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If high-end British drama is to continue to thrive, big-budget productions may need to contribute more to training the next generation

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Top tips for brand integration

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How producers can take full advantage of brand partnerships without compromising their creativity

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albert – working towards greener film and TV

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Uniting the TV and film production and broadcast industry to create an environmentally sustainable approach

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Barcroft: turning TV upside down

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Seeing success from developing digital shows that become long-form series

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Helping Leeds youngsters shine

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Screenwriter Kay Mellor and doc maker Anna Hall lend their support to the #4sparks campaign

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Pinewood takes leading role on sustainability

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Setting a target of cutting its carbon footprint by half by 2030

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Share your thoughts on the distribution cycle

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ONE by Rawnet report will reveal key trends impacting the current and future broadcast marketplace

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Chocolate spreads unconventional model

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Video production company’s business model leads the way

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Impact of the drama boom

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Leading UK producers discuss the knock-on effects of a surging market and ways in which the high-end drama levy is being used to alleviate them.

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Tackling the green agenda

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Research suggests TV industry can better promote efforts to address sustainability and environmental issues

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Komixx on the kids TV conundrum

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Komixx Entertainment on how to finance programming that kids and young adult audiences want. Nick Edwards reports

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Give your career a jump start

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Study or work – what’s the best way to learn the TV craft?