Speechmatics launches Advanced Punctuation

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The new feature delivers highly accurate placements of full stops, commas, question marks and exclamation marks


Why isn't your distribution platform bringing in clients?

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Complete survey for recommendations from ONE on how to boost your site


Reimagining Localisation

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ZOO Digital has launched its cloud-based Localisation Ecosystem to provide content owners with a 360-degree approach to localisation


Fixed rig: the rise of the robot

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Developments in technology and kit price drop are driving advances in fixed-rig camera techniques, says Gavin Smith


Automating subtitles and translation

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Speechmatics and Limecraft have teamed up to create a cost-effective automated solution for making closed captions and translated subtitles

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More must be done to encourage women into media

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The industry is improving but still needs to invest time and energy into increasing the female work force, says Lorraine Ruckstuhl

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How will a no-deal Brexit impact broadcasting?

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The UK’s television business and wider creative industries must be protected if a no-deal Brexit materialises, writes Tom Dods


British Sign Language - celebrating 10 years

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Reaching every Deaf BSL user with more of the BSL content they love to watch

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Creating a northern powerhouse

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Leeds’ successful bid to house C4’s national HQ has been a catalyst for creativity as new companies move in & opportunities for talent grow

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How to get on the path to television success

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NFTS graduate Lucy Smith is one of Edinburgh’s Ones to Watch 2019. She explains how the MA course helped her become one of TV’s ‘best and brightest’

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Making large-scale factual production simple

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The challenge of planning and production of complex, large-scale scale programmes is tough, but there are several shortcuts, writes Gavin Smith


Developing the UK skills base

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How Sargent-Disc is ensuring the next generation have the skills needed to maintain the UK production sector’s competitive edge


Gain the skills to be a better boss

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ScreenSkills is offering training in areas such as crewing up, running a team & dealing with harassment to tackle a lack of experienced managers


Cardiff: A capital place for TV production

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Cardiff has become a major centre for UK drama – and with everyone pulling together, it can grow in factual too, says Clare Hudson

The Victim

Scotland welcomes the world

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Since its launch, Screen Scotland has championed local talent & boosted its profile. Exec Dir. Isabel Davis reflects on a successful first year


Tips for casting brands as your partners

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With a wealth of experience successfully integrating brands into films and TV shows, BEN reveal the do’s and don’ts

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SVoD production finance and the role of a modern media banker

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Tobias Jaeger talks to Barclays’ Lorraine Ruckstuhl about her career journey and supporting the media sector


Biofuel: turbocharging TV’s sustainability push

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Renewable energy can be a straight ‘drop-in’ replacement for diesel used in generators, writes Lorraine Ruckstuhl


What next for TV advertising?

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A panel of industry experts gathered in Cannes to discuss how television can rise to the challenges of the digital, on-demand world

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The Welsh dragon is set to roar

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Home to several hit dramas and with a well-established production base, Cardiff is now creating a diverse and socially inclusive industry

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Finecast: Audience data is the key

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As viewers switch to on-demand, accurate audience data is more important than ever – and a new measurement tool from Finecast could be the answer


Liverpool shoots for the stars

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With a new production fund and a studios complex in the pipeline, the Liverpool Film Office wants to build on the city’s film and TV heritage

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How ScreenSkills is providing support every step of the way

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Training body has a range of programmes to help those in the industry move up the career ladder


Backing a British success story

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UK indies have been breaking taboos and conquering the globe since 1982 – but that success didn’t happen by chance and must be protected


Ensuring your insurance policy works

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Understanding the complexities of insuring a production properly is vital and companies like Integro can help, writes Barclays’ Richard Woolford


Liverpool targets drama

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To mark its 30th anniversary, the Liverpool Film Office has set up a fund to attract more scripted productions to the city


Rogan's pursuit of purpose and integrity

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The husband and wife team behind Rogan Productions on why they aim for productions of purpose, perspective and craft

Global Production Map 2019

Global TV Production Map

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The shape of the consolidated world

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How a Motion Graphics & Titles diploma can kickstart your career

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Course leader Hugo Hansell explains the benefits of receiving the NFTS diploma

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Opening doors to the industry

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ScreenSkills’ In-house Runners Programme offers paid placements with top production companies for those who would otherwise miss out on a TV career


‘TV advertising remains hugely powerful’

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Delivering ‘a disproportionate competitive advantage’ to clients is the goal in an era of changing viewing habits


ITV Content Delivery: creating a Northern powerhouse

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ITV Content Delivery has established itself as the home of content digitisation, restoration and delivery in northern England

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How broadcasters keep drama ticking

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This week’s Broadcast Intelligence Commissioner Index event shone a light on the strategies broadcasters are going to land the best drama

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Curious kicks on with BBC3

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Dov Freedman explains to Adrian Pennington the thinking behind BBC3’s scheduling of Britain’s Youngest Football Boss

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Adapting to the changing role of Mip TV

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There are still many opportunities at Mip TV as April is prime buying time and distributors need to strike while buyers are most engaged

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GoT leaves lasting skills legacy

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With ScreenSkills’ support, the HBO drama has brought hundreds of workers into the industry and helped transform Belfast’s production infrastructure

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Why we must support indies across the UK

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With broadcasters committed to producing more out-of-London shows, Pact can provide the tools and support to help nations and regions indies thrive

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How we help indies meet the challenges of scaling up

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Sargent-Disc’s suite of applications helps indies explore bigger opportunities


Avoiding the crisis in a drama

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Peter La Terriere of Film Finances tells Adrian Pennington why bonding productions is useful in an era of high-end television

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Free up your cash for production

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Barclays has developed a receivable purchase capability specifically for the TV space

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Raw Cut turns on the blue lights in Wales

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Steve Warr tells John Elmes about expanding Raw Cut’s factual operations with Cardiff offshoot Tomos TV

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Tuning in to Cardiff’s creative buzz

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Ruth Pitt finds a feast of creativity awaiting media delegates heading to the Creative Cities Convention


Why Netflix is the SVoD to beat

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Barclays relationship director Tom Dods on challenges to the streaming giant’s dominance

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How to find the right sound in 2019

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A selection of key TV hitmakers reflect on modern TV music themes and finding the right tune for viewers

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Comedy is no laughing matter

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Nations and regions renaissance will be centre stage at Creative Cities Convention


World Productions wins prestigious award

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The producers of Save Me and Bodyguard named best independent production company at the 2019 Broadcast Awards

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Rugby Football Union and IBM move on AI & cloud for fan engagement

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IBM’s Andrew Crisp outlines how his company is working with English rugby’s governing body

The Crown

What the UK television sector is facing in 2019

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Barclays’ head of media Lorraine Ruckstuhl on what she learnt at the Westminster Media Forum debate on the future of the UK TV sector

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Bringing young Mormons to Facebook

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Filming the dating lives of young Mormons stretched our teams but we achieved our goals, writes James Burstall


Arrowing in on targeted ads

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With addressable ads gaining a foothold in TV, our roundtable panel discuss how the medium can complement linear campaigns and grow TV as a whole

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The contenders: Barclays Best Independent Production Company

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The producers vying for the Broadcast Awards 2019 Best Independent Production Company, sponsored by Barclays, reveal the secrets of their success

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Video: 2019 Outlook

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Lorraine Ruckstuhl, Barclays head of media, shares her thoughts on the challenges and opportunities in the sector for 2019

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Taking on the Big City Challenge

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Could your city be the next to host the Creative Cities Convention?

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BlueBolt: the gold standard in business

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VFX house wins Barclays-sponsored WFTV Business Award

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How to co-produce in Asia

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Ahead of Singapore’s Asia TV Forum this week, Amanda Groom of The Bridge gives an overview of Asian co-production market


Barclays doubles SVoD fund to £200m

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Fund has provided UK producers with more than £100m in 18 months

The Crown

Nurturing the Greenshoots of sustainable filming

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Greenshoot is an organisation helping to move the UK film, TV and production industry towards more environmentally friendly ways of working


Splice are open for business in Cardiff

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Independent post-production company Splice offers online and offline editing, dubbing and grading at two facilities in London.

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Sargent-Disc: TV’s unsung a-lister

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Charting 32 years of the production management specialist. By Tim Dams

Mipcom 2018

Barclays detects top trends from Mipcom

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Barclays relationship manager Tom Dods identifies the key international TV trends from the Croisette this year

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Clean-tech batteries can power location shoots

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A pioneering new technology could provide the industry with a more sustainable power source on location


Take your career to the next level

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Skills and training programmes supported by ScreenSkills help deepen the TV industry’s talent pool & enable those working in it move up the ladder

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Supporting green-tech disrupters can have ‘unreasonable’ impact

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Changing the way businesses operate for the better


More support for Scottish indies

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Screen Scotland’s new Broadcast Content Fund has been created to shoulder some of the financial risk and aid TV projects in the nation

What Do Buyers Want

What Buyers Want - Buyers Survey 2018

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This year’s Buyers Survey acted as a platform for buyers to talk about frustrations, opportunities, challenges and predictions for the future of the industry, with a specific focus on the distribution process.


Why is ONE the platform of choice for so many leading distributors at MIP?

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ITV Studios, Keshet and DRG are the latest distribution companies to join the ONE by Rawnet platform


Breaking the mould in wildlife filmmaking

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Naturalist Catherine Capon on producing wildlife documentaries via social media

One Rawnet

What is ONE by Rawnet?

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ONE is set to power the distribution efforts of some of the top distribution companies at this October’s MIPCOM, but what exactly is it?

Songs of praise

Out of London, into the limelight

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Has the time finally come for indies in the nations and regions to truly shine? Nick Edwards reports


Everything in ONE place

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With its user-friendly design and in-depth buyer insights, Rawnet’s digital programme sales platform is attracting the attention of major distributors