Whisper boys

Whisper: our assets are our people

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When the pandemic hit, the sports producer doubled down on protecting staff jobs and “eking out that little bit more” than its rivals

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What’s next in global media M&A?

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How do the likes of Netflix and Comcast react to the recent mega-mergers that have reshaped global media, asks Tom Dods


Best Indie nominees: Plimsoll Productions

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The Bristol-based factual giant produced cutting-edge shows for everyone from Apple TV+ and Netflix to the PSBs

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Pandemic puts SVoDs in charge

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Big-ticket movie launches and ease of use means streamers are attracting subscribers faster than ever, says Tom Dods

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Coronavirus has changed everything for TV

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Some people have stopped watching linear television without even realising it, says Tom Dods

Green screen VFX

VFX shows resilience through Covid-19 crisis

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While the coronavirus has drastically reduced work for VFX companies, the industry has quickly adjusted, says Lorraine Ruckstuhl

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In Business: bringing Gangs of London to the small screen

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Pulse Films found Barclays financing integral to the big-budget Sky Atlantic drama production

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Creating an Uproar about threatened wildlife

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Conservationist and TV presenter Chris Morgan reveals how he has turned his passionate wildlife expertise into a content production operation

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The best of the best

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What makes the production companies nominated for Best Independent Production Company at the 2020 Broadcast Awards stand out?

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Why Disney’s streaming gamble is paying off

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Years spent investing in top-notch IP and technology has armed Disney+ with the tools to win the streaming wars, says Tom Dods

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Women in TV: new talent in conversation

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Emerging writer-director Tiana Linden and screenwriter Lauren Bishop reveal what inspires their work and their biggest achievements to date

Jane featherstone

Jane Featherstone: I’m in the business of people

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WFTV Business Award winner tells Tim Dams why focusing on real issues is the key to creating stronger dramas

Global Production Map 2019

Global production: the big questions answered

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Barclays’ Lorraine Ruckstuhl and Tom Dods explore the BI Global TV Production Map 2019 and assess the implications of consolidation


Fixed rig: the rise of the robot

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Developments in technology and kit price drop are driving advances in fixed-rig camera techniques, says Gavin Smith

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More must be done to encourage women into media

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The industry is improving but still needs to invest time and energy into increasing the female work force, says Lorraine Ruckstuhl


Global tv production map

Global TV Production Map

The shape of the consolidated world



albert – working towards greener film and TV

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Uniting the TV and film production and broadcast industry to create an environmentally sustainable approach

The Crown

What the UK television sector is facing in 2019

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Barclays’ head of media Lorraine Ruckstuhl on what she learnt at the Westminster Media Forum debate on the future of the UK TV sector

Mormon Love

Bringing young Mormons to Facebook

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Filming the dating lives of young Mormons stretched our teams but we achieved our goals, writes James Burstall