
Barclays
We were the first UK bank to have a dedicated Media team. Thirty years later, we can offer your business the experience that comes from working with the sector’s leading businesses. By working with many top broadcasters, independent TV companies and global marketing services networks, we have gained valuable knowledge, experience and contacts that can benefit your business.
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Branded content boom: why digital channels count
Advertisers are following viewers to VoD and social media services and smart companies are taking advantage
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Podcast: Are we drowning in premium TV streaming platforms?
Emma Bartholomew in conversation with Pulse Films – president scripted, Jamie Hall & Barclays relationship director - Tom Dods
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Pandemic puts SVoDs in charge
Big-ticket movie launches and ease of use means streamers are attracting subscribers faster than ever, says Tom Dods
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What does the Restart Scheme mean for the TV sector?
The government insurance scheme will be great for confidence in uncertain times and shows the industry is open for business, says Charlotte Sanders
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Coronavirus has changed everything for TV
Some people have stopped watching linear television without even realising it, says Tom Dods
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VFX shows resilience through Covid-19 crisis
While the coronavirus has drastically reduced work for VFX companies, the industry has quickly adjusted, says Lorraine Ruckstuhl
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In Business: bringing Gangs of London to the small screen
Pulse Films found Barclays financing integral to the big-budget Sky Atlantic drama production
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How indies can adapt their content to flourish after Covid-19
The government has laid out a roadmap for loosening the lockdown, but production companies still face big challenges in getting back to work
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Supporting UK content creation
Discover how Barclays is helping to fund productions and boosting the creative sector
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The value of good mental health
Why the mental health of employees and freelancers is vital to UK film and television
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Supporting the evolution of TV
With 30 years’ experience, Barclays specialist media team is continuously evolving to keep pace with a rapidly changing production industry
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Creating an Uproar about threatened wildlife
Conservationist and TV presenter Chris Morgan reveals how he has turned his passionate wildlife expertise into a content production operation
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The best of the best
What makes the production companies nominated for Best Independent Production Company at the 2020 Broadcast Awards stand out?
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Why Disney’s streaming gamble is paying off
Years spent investing in top-notch IP and technology has armed Disney+ with the tools to win the streaming wars, says Tom Dods
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Women in TV: new talent in conversation
Emerging writer-director Tiana Linden and screenwriter Lauren Bishop reveal what inspires their work and their biggest achievements to date
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Streamers lure advertising revenue
Broadcaster VoD services are attracting advertisers as audience measurement improves, OMD’s Carl Connaughton tells Tim Dams
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Jane Featherstone: I’m in the business of people
WFTV Business Award winner tells Tim Dams why focusing on real issues is the key to creating stronger dramas
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How productions avoid safety hazards
Managing the many safety risks involved in complex productions requires a systematic approach and needs early planning, says Jamie Fewster
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Global production: the big questions answered
Barclays’ Lorraine Ruckstuhl and Tom Dods explore the BI Global TV Production Map 2019 and assess the implications of consolidation
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How much TV can one person watch?
Netflix’s first-mover advantage over new SVoDs rivals may give it the edge in the saturated world of content, writes Barclays’ Tom Dods