Behind the scenes green screen war table

48 hours to Victory, Channel 4

Time constraints and Covid restrictions couldn’t stop us bringing this historical series to life, says producer Nick Watts

Camilla Arnold Series Producer See HEar

Time to ‘open doors’ for deaf media professionals

See Hear series producer Camilla Arnold urges TV industry to do more to recruit deaf people

Paddy, Christine & Lucy Wilcox

Paddy and Christine McGuinness: Our Family And Autism, BBC1

Raw’s Dilys McCaffrey on how her autism helped her connect with contributors

Owen Peters recording sound New Forest

New Forest, Smithsonian Channel

Patience was key to bringing our doc to the screen, says producer and director Sarah Cunliffe


Broadcast Sport Leaders’ Forum: The future of sports broadcasting

Sky Sports’ Steve Smith and Discovery Sports’ Scott Young focusing on the most important issues in the fast-changing sector in 2021

cloud security

How remote cloud working enhances security

Jon Mason, CEO and co-founder of Hotspring on the security advantages of remote working in VFX

Annalisa Dinnella

End Credits: Annalisa Dinnella

The Sex Education writer on stand-up, sleeper trains and Italian food

Big Zuu’s Wrap Clash

Growth of social content opens doors to smaller indies

Opportunities are emerging as broadcasters bid to reach younger audiences


Glued to the Screen: Alma’s Not Normal

This awkward, hilarious show deals sensitively with some dark subjects without ever creating a sense of hopelessness, says Llinos Griffin-Williams


Adopt the ‘grow-pro’ model to give a leg up to smaller indies

Both sides would benefit if the bigger players were required to join forces with smaller firms to land a commission, says Faraz Osman

freddie mercury the final act

Freddie Mercury: The Final Act, BBC2

How a breakfast TV interview changed this documentary from a ‘making of’ film to a WTF film


Analysis: Landmark deal on climate content

Broadcasters & streamers came together at Cop26 and pledged to ensure that issues surrounding climate change are given a higher profile

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Black talent need chances to make it in the mainstream

Commissioning for Black History Month is one thing, but diverse casting all year round would make a bigger difference, says Fatima Salaria

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Queens of Rap, Channel 4

Director Poppy Begum on why working with an all-female crew for this hip hop doc was ‘like being in the girls’ toilets at clubs’

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Practical challenges make commissioning so hard

Our survey suggests that being swamped by email poses more problems than fostering creativity


GamesMaster: Rewriting the code for TV gaming

How the producers of the C4 reboot kept the original’s DNA while updating the format for gamers raised on esports and Twitch

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Social realism is helping broadcasters in SVoD battle

Series like C4’s It’s A Sin would never be greenlit by an SVoD – but they should, says Danny Brocklehurst


Focus Group: How are you making productions greener and more sustainable?

Jannine Waddell, Saunders Carmichael-Brown, Sarah Cunliffe and Kyran Speirs reveal what their firms are doing to help the climate


The truth about taking risks

There are shades of grey in the tussle between pushing boundaries & employing copycat strategies


Indie relations

Commissioner Survey: execs have their say on producers, pitching and peers


Commissioner Survey: in a nutshell

‘Commissioners will always be the subject of debate and speculation, but this is their chance to tell their own side of the story’


Who took part?

Broadcast’s inaugural Commissioner Survey provides comprehensive insight into the market, with 40% of programming decision-makers taking part

Sex Education S3 (25)

The biggest challenges

Respondents are philosophical about the impact of SVoD budgets and say genuine partnerships with indies are key to facing industry challenges

Ben Frow index

Commissioner's Survey: The Commissioners’ Commissioners

Respondents name the commissioner they respect most


Inside the pitch

Commissioners reveal what they really think about the ideas they receive and why so many projects fall at the first hurdle

Shaun the Sheep: The Flight Before Christmas

Gallery: Christmas on the BBC

Click to view a selection of programme highlights unveiled by the BBC for the festive season

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Bullying isn’t just about ‘a few bad apples’

The issue is systemic, according to the authors of Bectu’s report into unscripted management practices


Go green or go home: sustainability in media productions

Craig Wilson, product evangelist at Avid, on how you can reduce the costs of TV production while reducing the carbon impact it has on the planet

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How Jamie Johnson tackled racism for CBBC

It was time our children’s football drama addressed the issue, says Anita Burgess

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Gallery: The Cockfields

Selection of images from the second series of the Yellow Door Productions comedy for Gold


Why Strictly’s ‘silent dance’ was so important

Rose Ayling-Ellis and Giovanni Pernice’s extraordinary routine reminds producers why purposeful entertainment is so powerful, says Matt Campion

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Comment: It's time for a mass migration to the cloud

Neil Anderson at Codemill explains how a cloud-native way of working adds efficiency, scalability and remote accessibility


Tackling the talent crunch

Systemic change is needed, but cross-industry collaboration & a wider talent pool can help ease the problem in the medium term

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End Credits: Jo Enyori

Woodcut Media’s head of development on Prince, Yorkshire and David Hockney


In My Skin helped me unpick a lifetime of shame

BBC3 drama’s return shows truth is essential to successful scriptwriting, says Kayleigh Llewellyn

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5 News prepares to do things differently

As C5 prepares tonight’s expanded 60-minute bulletin, editor Cait FitzSimons talks reaching underrepresented audiences…and reporting extreme weather


Inside the Care Crisis with Ed Balls, BBC2

Gaining access to care homes meant more than sensitive filming - we had to earn respect by helping out, says Orlando Robinson

A House Through Time

Glued to the Screen: A House Through Time

The effort, skill and expertise involved in making David Olusoga’s BBC2 series come over clearly in every episode, says Claire McArdle

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Virtual Post opens new Brighton facility

In addition, David Swanson has been appointed as the new head of post-production


The power of the sports doc

A panel of leading sports producers discuss the growth of the genre, how it is evolving and what makes a successful film

Sky Sports

Sports Production Company of the Year: Sky Sports

‘Sky Sports offers best-in-class coverage and now stands out as a vehicle for change’

Finding Jack Charlton

Editor’s Choice: Finding Jack Charlton

‘It sets a new benchmark in high-quality factual sports content and will be held in the highest esteem for years to come’

Mark Pougatch

Sports Presenter of the Year: Mark Pougatch

‘His hosting of the Euros really showed the journey he has come on as a presenter’


Special Recognition: Bryan Henderson and the Sky Sports Cricket team

‘The Hundred TV coverage treated the cricket with respect, while bringing fun elements into the mix and ensuring newcomers weren’t left confused’

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NEP TV Sporting Moment of the Year: Tom Daley & Matty Lee’s gold-winning dive at the Tokyo 2020 Olympics

As voted for by Broadcast Sport readers rather than the industry panels that judged other categories

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YouTube Channel of the Year: Somerset County Cricket Club

‘The content is the perfect mix of sporting highlights and interesting stories’

F1 Drive to Survive

Sports Documentary of the Year (Series): Formula 1: Drive to Survive

‘It has broken down the walls around an extremely insular sport and brought younger followers to F1’

Tackling Racism

Sports Documentary of the Year (Up to 60 minutes): Micah Richards: Tackling Racism

‘Brilliant access to Micah and his life dealing with racism in football. This film leaves a lasting impact’

BT, Frank Warren Story

Sports Documentary of the Year: Make It or Die Trying - The Frank Warren Story

‘It just had so much pace and was packed with character, story and purpose’

Toky 2020 Lets Go There

Sports Commercial of the Year: Tokyo 2020 - Let’s Go There

‘The film is incredibly creative, with brilliant attention to detail. It’s a joy to watch’

Emma Hayes

Pundit of the Year: Emma Hayes

‘Hayes was a role model for young girls and women aspiring to work in the football industry’

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Best Use of Fan Engagement: The Hundred: Avatars

‘They really matched the brand of The Hundred and what it was trying to achieve in terms of engaging a whole new fan base with the sport’

Six Mexico Major

Best Esports Event of the Year: Six Mexico Major

‘This was an ambitious task, but the team pulled it off. The expert use of tech made this entry a standout winner’

The Avatars

Best Sports Graphics for a Live Production: The Hundred: Avatars

‘It brought a new dimension to the game, and the app was perfect for younger audiences’

The Paralympics

Best Sport Production of the Year (Quadrennial): The Paralympics

‘C4 and Whisper brought the emotion onto our TVs. They had a tough job on their hands but what a job they did’

Extreme E

Best Sport Production of the Year: Extreme E

‘An incredible technical feat that represents the future of production and a better future for our planet’

Today in Tokyo

Best Sport Entertainment Programme: Today in Tokyo

‘Hugely entertaining and engaging for a broad audience. This was my gold medal winner’

Sky Sports hate wont win

Best Social Media Campaign

‘It is a campaign that will reach a massive audience with a clear, captivating and moving message’

BBC Sport 2020 Tokyo closer

Best Post-Production For Sports Project

‘The editor who did this vast amount of work absolutely nailed it with every detail’

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Best Original Content by a Rights Holder: Whistle Watch

‘Brilliant, original, creative content that leaves you smiling every time. Enjoyable even for people who aren’t rugby mad’

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Best Lockdown Production: Goodwood Speedweek

‘This lockdown event was an incredible success and proves that necessity is the mother of invention’

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A+E Studios retools scripted with ex-Amazon exec

Lucia Gervino joins in leadership restructure at production arm of A+E Networks


Al Murray: Why Do the Brits Win Every War?

Avalon’s Sky History show takes a humorous look at Britain’s involvement in historical conflicts

The Money Maker

Black hosts shouldn’t be seen as ‘risks’

My Channel 4 series The Money Maker was a rare example of a black business expert on British TV, says Eric Collins


Mipcom: back to business

A quieter market in Cannes doesn’t deter buyers from developing fruitful partnerships and striking content deals

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Comparable data will benefit the commercial broadcasters

A cross-media measurement service puts TV in a better position to compete for advertising with the online giants, says Kate Bulkley

Peter Bazalgette Lindsay Hoyle Nancy Pelosi

Distinctive domestic content is key to our national identity

Streamers have brought more choice but the PSB model must be protected, says Peter Bazalgette


Interview: Joel Wilson & Jamie Campbell turn UK drama up to Eleven

The Sex Education execs on how a Netflix greenlight transformed the fortunes of their production company

Baby Surgeons

Focus Group: Is specialist factual in a healthy place?

Danny Horan, Caterina Turroni, Siobhan Sinnerton and Steve Evanson make their case


It Takes a Flood, ITV

With COP26 underway, the urgency of Docsville’s feature on flooding in Britain has never been clearer, says Dan Dewsbury

BTS Charlie Adiya

Time to stop undervaluing our production managers

They are the backbone of every show and their worth must be acknowledged and properly rewarded, says Lorraine Heggessey


Timing feels right for reset of freelancer relations

Unprecedented demand for crew sits uneasily with the relentless pressure of many productions


Why do so many shows feature violence against women?

‘Would it really be so hard today to come up with imaginative new plots that don’t involve the brutalisation and murder of women?’


BBC rises to the eco challenge

Head of commissioning for science and natural history Jack Bootle aims to make the genre more environmentally friendly and avoid shows feeling ‘samey’

Colin Butfield

Saving the planet is TV’s greatest task

Climate change is the big challenge of our future, so where are all the programmes reflecting its importance, asks Studio Silverback’s Colin Butfield

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How Irvine Welsh & Dougray Scott created BritBox’s Crime

The team behind the police procedural on giving the genre a dark spin

Britain's Destitute Kids (4)

Behind the Scenes: Britain’s Hidden Homeless Kids, C4

Our Dispatches doc on childhood poverty could have been the impossible commission but a simple email changed everything, says Jezza Neumann

Charlene White doc

Charlene White: Empire’s Child, ITV

Our exploration of the presenter’s past for ITV took us everywhere from Devon to Jamaica, says Andy Mundy-Castle

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A sinkhole in Weatherfield? All in a day’s work

Space Studios Manchester’s Dean Sinacola lifts the lid on Corrie’s latest stunt

Julia Lopez

We’ll secure UK radio’s smart speaker future

The government is prepared to legislate to make sure listeners can easily find their favourite UK stations, writes culture minister Julia Lopez

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Catching a Predator, BBC iPlayer

We wanted to make a film that was about the people who brought Reynhard Sinaga to justice, says director Liza Williams

EE 5G Remote Broadcast with BT Sport

Unlocking the potential of broadcasting in 5G

BT Sport’s Matt Stagg explains the role of private networks in enabling 5G broadcasts


COP26: In Your Hands

Filming our politically-charged climate change doc for Sky Kids and Sky News meant locating six young contributors on six continents

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Wonders of the Celtic Deep

Making a blue-chip natural history series during Covid could have swept our production away but experienced and ingenuity got us through


How Sally Lindsay uncovered The Madame Blanc Mysteries

Creating Channel 5’s mystery drama in Gozo during the pandemic was tough, but the cast and crew made it the time of my life, says Sally Lindsay

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Myleene Klass: Miscarriage & Me

Our one-off doc for W is a raw but sensitive examination of an experience many refuse to address, says Lucy Rogers

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Domestic Violence and Me: Mia’s Story, MTV

Mia Boardman’s experience and struggles to find closure was crucial to doc, says True North’s Fiona O’Sullivan


My journey Hunting the Essex Lorry Killers while pregnant

Expectation supported my director’s vision for investigative doc throughout my pregnancy & as I learned the ropes as a new mum, says Niamh Kennedy

Furquan Akhtar index

Why we need more South Asian writer representation

Giving writers the space to portray ourselves authentically on screen will be life changing for so many people, says Furquan Akhtar


ITVS: recognising production management

The industry has woken up to the invaluable contributions of PMs and its now time we implement change, write Angela Jain and Helen Killeen

Digital Awards 2021 (2)

Gallery: Broadcast Digital Awards 2021

Familiar faces from across the industry gathered for the annual Broadcast Digital Awards, hosted by Munya Chawawa

Sky Glass Voice remote - lifestyle, TV in action

Looking into Sky Glass

A super slick product, but a potential slow burn, writes Alex Farber

Sumi Connock index

End Credits: Sumi Connock

BBC Studios’ creative director of formats on Boyzone, military life and Vince Vaughn


Our mission to launch Among the Stars

We applied Fulwell 73’s sports doc expertise to bring Disney+’s space doc to life as the pandemic caused unforseen issues, says Ben Turner


Not 4 Sale campaign - signatories

Features prominent figures from the indie sector, politician and trade bodies


Getting The Emily Atack Show back on stage

Shooting for the second run of ITV2’s sketch series from Monkey Kingdom ended as we’d hoped – in a room full of laughing comedy fans, says Avril Spary

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C4 snaps up Beverly Hills doc

Acquires Spun Gold three-parter about Los Angeles’ wealthy residents

Joe Cole, Sope Dirisu Gangs of London, Sky Atlantic

Non PSB Channel of the Year: Sky Atlantic

A quality year for a quality channel

Best Lockdown Documentary - Life in a Day 2020

Best Lockdown Programme – Documentary: Life In A Day 2020

‘Truly engaging, emotional and entertaining’

Gamechanger Programme - Big Zuu 1

Gamechanger Programme of the Year: Big Zuu’s Big Eats

The star puts a unique spin on his show, and makes it stand out from the smorgasbord of other cooking productions


Channel of the Year: Dave

In its programming and ancillary work, Dave has proved itself a worthy winner

Best Sports Live Event Coverage - ENO's Drive & Live - La Bohème

Best Sport or Live Event Coverage: ENO’s Drive & Live: La Bohème

‘It was a great advert for live arts events, and we need more like this’

Best Specialist Channel - CBeebies_ Channel (1)

Best Specialist Channel: CBeebies

‘It responded to the nation’s needs and delivered for the country’

Best Short Form Format - Minutes With

Best Short-Form Format: Minutes With

‘The perfect interview series for the digital age’

Best Short Form Documentary - The Boy Who Climbed The Shard Hero

Best Short Form Documentary: The Boy Who Climbed The Shard

‘I was hooked from the start. It was thrilling and ambitious in its execution and the use of graphics was superb’


Best Short Form Scripted: Sparklers

‘It’s unapologetic in the way it deals with the topic but at the same time manages to do it in an interesting way’

Best Programme Acquisition - Spiral

Best Programme Acquisition: Spiral

‘It is impactful, has done amazingly to raise the profile of BBC4 and many shows that have come later have imitated its style’

Best Popular Factual - Together We Rise

Best Popular Factual Programme: Together We Rise

‘Important story with brilliant access and talent’

Best Original Web Channel - LADbible TV

Best Original Web Channel: LADbible TV

‘It’s really evolved beyond UGC and has come up with some banging formats that range across genres’

Best Lockdown Comedy Ent Scripted - Don't Hate The Playaz (2)

Best Lockdown Programme – Comedy, Entertainment or Scripted: Don’t Hate The Playaz

‘It felt so warm and lively and really got the best out of some great guests’

Tackling Racism

Best Factual Channel: Sky Documentaries

‘It has strategically acquired must-see docs and bolstered it with originals that are in line with a punchy vision’

Best Entertainment - Mel Giedroyc - Unforgivable

Best Entertainment Programme: Mel Giedroyc: Unforgivable

‘It’s great to see two female hosts, and Mel and Lou are a joy to watch’

Best Drama - I Hate Suzie (1)

Best Drama Programme: I Hate Suzie

‘Innovative, funny, sad and crazy’

Best Documentary Programme - Locked In - Breaking the Silence

Best Documentary Programme: Locked In: Breaking the Silence

‘Authentic, moving and painfully honest’

Best Digital Support Strand Channel Genre - Fans Reunited (1)

Best Digital Support for a Strand, Channel or Genre: Fans Reunited

‘BT’s innovative approach kept viewers engaged through a very difficult time’

Best Digital Support Programme - It's A Sin

Best Digital Support for a Programme: It’s a Sin

‘An impressive campaign raising awareness of both the show and a sensitive subject’

Best Childrens - FYI Investigates - Brazil

Best Digital Children’s Content: FYI Investigates – Brazil: Children Caught in the Crossfire

‘I praise it for not patronising it’s audience and for its honesty’

Best Content Partnership - Mission Accessible Hero

Best Content Partnership or AFP: Mission Accessible

‘The best example of an innovative tie-up that has editorial and commercial benefits for all parties involved’


Getting animated with Boomerang’s Moley

Creating voices for our leading mole and his friends was a team effort powered by amazing acting skills, says Leon Joosen

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Best Comedy Programme: Meet the Richardsons at Christmas

‘Quite simply made me laugh the most out of all the shows submitted’


Period drama joins the 21st century

The international success of Netflix’s smash hit Bridgerton has been the catalyst for a contemporary refresh of the genre

All Those Things We Never Said

Mipcom Hot Picks: International Scripted

‘The combination of smart dialogue and a stunning backdrop makes the series very engaging’


Mipcom comes out fighting

The content market is back in physical form this month – minus some big exhibitors. Event director Lucy Smith makes the case for Mip

Drag Me Out

Mipcom Hot Picks: Formats

‘Drag culture offers colour, energy, fun and escapism – all things that we can never have enough of’

Race Against the Tide

Race Against The Tide

‘At its simplest, watching these artists is mesmerising’

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Handmade: Good With Wood

‘All countries have traditions of woodworking, so we see this as a very strong format pitch’

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Vice Versa: Crusaders

Much has been documented about Scientology in the media, but Jehovah’s Witnesses have largely avoided such scrutiny


Four Hours At The Capitol

‘It is very powerful. It is an action film, but every frame and every word is true’

Killer at the Crime Scene

Killer At The Crime Scene

‘The focus on science means this can reach a different audience as well as your archetypal ‘true-crime’ follower’

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Wonders Of The Celtic Deep

‘It’s early stages, but we have a strategy in place: we’ll handle the SVoD, AVoD and Fast channels within that, but Mipcom is its moment to shine’

Manda and Lars

In Conversation: Manda Levin & Lars Blomgren on the state of scripted

Senior drama figures swap notes on the state of scripted production, from securing funding to working in different territories

My Brilliant Friend

Great drama can speak to audiences in any language

Foreign-language shows are on the rise as viewers focus on quality of content, not country of origin, says Andrea Scrosati

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Mipcom Hot Picks: Factual

‘A unique piece of TV, which is long overdue’

Bismarck - 24 Hours from Dom

Bismarck: 24 Hours To Doom

‘Those stories, from the sailors and aviators involved in the battle, really bring the entire project to life’

Let the Rest of the World Go By

Let The Rest Of The World Go By

‘The story went viral even before the doc came out, which shows there is interest around the world’

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Epic Oceans

‘We will be aiming to sell to all territories, but particularly to Europe, Africa and Asia’

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We Are Jews

‘I wanted to showcase that there is no one way to be Jewish’

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The Ripper Speaks

‘There have been loads of Ripper documentaries, but they have never been in his own words’


Hidden Assets

‘It’s an easy to travel, easy-to-binge drama, which can go anywhere’

Blackout - Tomorrow Is Too Late_Red Arrow Studios International

Blackout - Tomorrow Is Too Late

‘We  see the power go out in homes, the transport is down, and no one can get back to their loved ones’

Osama bin Laden: The Inside Story

Osama Bin Laden: The Inside Story

‘What this series does is tell for the first time the whole story of who Bin Laden was, where he came from and how he was radicalised’

Woodcut International - Forgotten War Stories

Forgotten War Stories

‘The Bosnian episode is particularly harrowing, stark and brutal to watch at times’

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Dan Brown’s The Lost Symbol

‘There is an international texture to the plot – including a back story set in Turkey and the Middle East’


Red Election

‘It fits the premium mainstream positioning that we aim for with all our scripted shows’


HIP (High Intellectual Potential)

‘Strong lead characters, good pace and sense of humour throughout’

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Furia (Fury)

‘It’s an interesting show because, on the one hand it’s politically relevant, but on the other, it’s an exciting rollercoaster ride’

The Teacher

The Teacher

‘We’re always on the hunt for great British drama in what is a competitive and crowded market’

The Responder - Photographer Rekha Garton © 2021 Dancing Ledge Productions

The Responder

‘It’s the kind of bold, edgy, colourful series that could play on a range of platforms, so we are considering our options’

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Conviction: The Case of Stephen Lawrence

‘The drama will sell because it is a powerful story’


Hollington Drive

‘The complexity of modern families and the lengths we go to in order to protect the people we love is something that we can all relate to’



‘It’s a whodunit, but also a character-driven story’


28Up: the quiet power of BBC1’s doc series

We wondered whether to make the latest instalment of the feted generational doc series during Covid, but we’re glad we did, says Melanie Archer

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The Cleaner

‘The cast is a dream and each episode has something new and distinctive to offer’


Mipcom Hot Picks: UK scripted

‘Crime has two things in abundance that help it’s global appeal: strong IP and talent’


Time to rethink received wisdom around streamers

Co-pro boom is helping streamers feel a true part of the UK industry

Gerhard Zeiler

Gerhard Zeiler: Super-local approach to global success

The Warner Media International chief on the importance of local content, why it’s good to fail and the prospect of breaking HBO Max’s ties with Sky


Vendetta: Behind the scenes on the showdown in Sicily

Ruggero Di Maggio, Davide Gambino and Nicola Moody lift the lid on the co-pro between Sicily’s Mon Amour Films and the UK’s Nutopia


Glued to the Screen: Ted Lasso

Apple TV+’s comedy-drama delivers the ultimate fish-out-of-water story and none of the usual clichés, says Kristin Jones

The Masked Singer

Fox eyes global formats

Rob Wade explains how the US network’s new investment fund helps producers create hits

Schitts Creek

Soaring costs give cause for concern

Continuing Covid compliance, competition for rights & inflated production expenses are creating a challenging environment for the sector

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Idris Elba reveals Green Door ambitions

The Hollywood star created Green Door to surface new, diverse talent – but he doesn’t want them to be solely defined by their ethnicity

Green Door

Jamilla Dumbuya & Ana Garanito: Turning Green Door’s vision into reality

How the two execs are tackling the challenge of turning Green Door into a production powerhouse


Peer poll: Four in a row for All3Media

Distributor tops the peer poll once again, as investment in content wins over rivals, while kids’ specialist Jetpack enters top five

Reclaiming Amy 2

How to pick the perfect distributor

Three leading producers reveal what they are looking for in a partner


Distributors make right calls to survive

‘Many sales companies have been forced to take make-or-break decisions and switch business models’


Distributors weather the Covid storm

Firms well placed for quick return to profit despite halt in the market’s relentless growth


Playing The Mating Game on BBC1

Capturing the antics of horny humpbacks and amorous arachnids relied on expert crew, says Silverback’s Jeff Wilson

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Work with us to usher in a new generation

The boss of Manchester’s Sharp Futures explains why industry partnerships are key to opening up the industry


Comment: How to launch a successful startup

Jon Mason and Varun Parange of VFX talent platform Hotspring provide their top tips for setting up a VFX-focused company in 2021


Comment: How AI is enhancing localisation

Amir Jirbandey at Papercup explains the benefits of AI-powered automated dubbing

Boris Johnson

How the Tory 'tax on jobs' will impact TV

National Insurance hike will significantly hurt the industry’s workforce, but good preparation will shield you from the worst, says Melanie Reed

Wordsworth and Coleridge’s Romantic Road Trip

In praise of Scotland’s TV arts scene

Commissioning programming locally platforms otherwise unheard stories and improves diversity, says Pauline Law

Bambers Murder At The Farm

Telling the tale of The Bambers for Sky Crime

Revealing the complex, tragic and compelling family story underpinning the infamous crime case was key to our doc series, says director Lottie Gammon


Inviting all into Karaoke Club: Drag Edition

Using an Inside No. 9 episode aesthetic as a jump off point, ITV2’s wild karaoke format blends live music show elements with reality, says Will Macdonald


Comment: The timeless art of foley

Soundtrack Creation’s Sefi Carmel explains the mysterious world of foley

Sex Education S3 (12)

Gallery: Sex Education

Selection of images from the third series of the Eleven Films drama for Netflix

Human Pinball 3 - Photographer Credit Leo Francis-Red Bull Content Pool

Making a Human Pinball machine for Red Bull

Constructing and filming a human pinball structure was terrifying at times but impossible to resist, says Mike Christie

Dermot Lavery index

We are all Channel 4 - and we can save it

Production newcomers from as far and wide as in Belfast, Glasgow, Birmingham and Brixton would be cut off at source by a sale, says Dermot Lavery

Emma Raducanu tennis

Preserving ‘did you see’ moments

The stories behind sporting glory are best told via free-to-air says Jonathan Thompson


If I Could Tell You Just One Thing, YouTube

Producer Emma Taylor on overcoming Covid protocols to help Patricia Bright converse with inspirational women

Vivienne Molokwu and Sharminder Nahal

Black to Front: forging a legacy

We were tired of taking small steps, say Vivienne Molokwu and Shaminder Nahal

Sara Johnson

We need more bridges to the disabled community

Jack Thorne’s MacTaggart proves that advocates and those with knowledge of the issues can enable the best disabled stories, says Sara Johnson

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Gallery: Animals with Cameras

Selection of images of the BBC2 wildlife documentary series fronted by Gordon Buchanan

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Sixteen: Class of 2021, Channel 4

The second wave of Covid completely changed the nature of our doc series says producer Farah Qayum

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Newswrap: Edinburgh special with Georgia Brown

Advisory chair and Amazon Europe boss reflects on the key takeaways from this year’s festival

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Time for industry to rise to MacTaggart challenge

If the Edinburgh lecture struck a chord, then do something about it, urge Andrew Roach and Caroline O’Neill

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Time is ripe to invest in building a sustainable workforce

Companies that show they appreciate work-life balance will be more successful in attracting the best talent, says recruitment expert Dermot Casey

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The North Water: Going the extra mile for authenticity

With its key whaling scenes filmed on location in the Arctic, The North Water is probably the most northerly drama shoot ever attempted


What video editors can gain from AI and ML

Dave Colantuoni at Avid provides a series of practical examples of where artificial intelligence can aid the work of video editors


End Credits: Kieran Doherty

The co-managing director of Stellify Media on CrossFit, Sean Connery and Can’t Touch This


Peataí! / Pet Nation, BBC Northern Ireland, RTÉ

The unlikely combination of Covid protocols & problematic pets made our pop-up event clinic a joy & a challenge, says Muireann McGinty

Around the World in 80 Tricks - Woodcut Media  (2)

Growing up fast: the rise of AvoD

Though still to make a mark in the UK, AVoD platforms have exploded in the US, with those offering a ‘lean-back, linear experience’ the most in demand

The Parisian Agency

Glued to the Screen: The Parisian Agency

Netflix’s French original turns the dial on the property format and adds some Gallic flair


Will this (finally) be disability’s breakthrough moment?

Scattered Pictures boss Kim Tserkezie is hopeful Jack Thorne’s MacTaggart Lecture will bring meaningful change in the industry

The Void

Slow progress on industry diversity

A year after a wave of major representation commitments by the UK’s biggest broadcasters, there is still much to do

Sue Murphy

Sue Murphy: broadening youth appeal on ITV2

Channel set to add darker tone to non-scripted entertainment slate with stories centring on social media

BTS in The Cockfields garden

TV should not be afraid to tackle class issues head-on

The sector should think hard about which definition it opts for, says Elsa Sharp


The Wimbledon Kidnapping, Sky Documentaries

Producer Joanna Bartholomew on revisiting an intriguing case of mistaken identity and bungling ineptitude

Peter Langenberg

Peter Langenberg: ‘Banijay needs to get bigger’

The group’s chief operating officer on why the super-indie is not resting on its laurels


Banijay UK: reaping the benefits of scale

Lucinda Hicks and Peter Salmon on the ESUK merger’s advantages and their plans to supersize development and the indie roster

Olympics 2020 Tokyo 1

Olympics highlights the shift in power away from PSBs

Sub-licensing deal with Discovery leaves viewers disappointed and illustrates the tough challenges facing the BBC, says Scott Bryan


9/11: One Day In America

‘We knew we had a responsibility to show what happened without sanitising the truth because so many of these deaths were horrendously violent’


9/11: Inside The President’s War Room

‘The film is a unique attempt to capture the emotions, arguments and dilemmas at the top of government when faced with an unprecedented attack’

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In The Shadow of 9/11

‘These men spent years in prison cells thinking about what happened and were able to give considered, thoughtful accounts of a crazy situation’


Surviving 9/11

‘I wanted to make a very personal film about ordinary people caught up in an extraordinary event’


9/11: the day that changed everything

Arthur Cary, Dan Reed, Daniel Bogado and Adam Wishart discuss their approach to their docs on the 20-year anniversary of the tragedy


Tonight With Target: black culture takes centre stage

BBC3 music format aims to reinvigorate the genre by putting a new generation of black British artists in the spotlight


Don’t write off C4 – pushing boundaries is still in its DNA

It may not be the risk-taker it once was, but C4 still offers inspiration to many, says Danny Brocklehurst

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David DeHaney, Proper Content

‘The main reason I’m concerned about privatisation of C4 is the potential loss of risk-taking. C4 is the primary terrestrial incubator of innovation’

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Indie sector speaks up to save Channel 4

Six indie bosses offer passionate defences of C4 – recalling how it boosted their careers &, kickstarted the independent production sector

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Andy Harries, Left Bank Pictures

‘If Channel 4 had not rescued The Deal, it is almost certain The Crown would not have existed’

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Jimmy Mulville, Hat Trick Productions

‘I’m open-mouthed that this Tory government thinks it’s a good plan to flog off this unique institution like some secondhand Volvo’

Kate Little & Claire Poyser

Kate Little & Claire Poyser, Lime Pictures

‘C4’s dedication to providing content to minority audiences is critical to ensuring that UK broadcasting includes the widest range of voices’


Neil Crombie, Swan Films

‘When you pitch to C4, it’s always: what’s novel about this? What different experiences and perspectives are we going to see?’


Resisting privatisation doesn’t mean keeping the status quo

There’s no doubt C4 needs to change – but that’s far more likely if it retains its public ownership

(L-R) Nicola Walker as Annika Strandhed, Ukweli Roach as DS Tyrone Clarke, Katie Leung as DC Blair Ferguson and Jamie Sives as DS Michael McAndrews

Creating a Scandi/Scottish world for Alibi

Annika exec producer Arabella Page Croft spotted a tiny window of opportunity with lead Nicola Walker and grabbed it with both hands

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Privatisation: Lessons from C4’s past

What does the previous failed attempt to privatise Channel 4 say about the prospects of avoiding a sale next year?

Clive Ruby

When Ruby Met….Clive

How Ruby Wax’s teachings on talent shaped Clive Tulloh’s career


Revitalising live shows with virtual audiences

Tom Bowers at interactive audience specialist consultancy Hypothesis Media highlights the creative opportunities for virtual audiences

Sky News

News channels still hold value

Their business model is challenged but their power and influence shouldn’t be ignored, says Toby Chapman


Creative Review: Masked dates, music and medicine

From delivering a dating show with a difference to grading live music performances and colour matching 20 years of footage from Afghanistan


Shift to homeworking fuels property programming boom

Number of shows commissioned in the genre in second quarter is double what it was in previous two years


End Credits: Simone Pennant

The founder and director of The TV Collective on her famous neighbour, magic mum and Idris Elba


Deceit: Police procedure in the dock

Story Films hands a fresh perspective to C4’s drama exploring the notorious Rachel Nickell investigation


Glued to the Screen: Clarkson’s Farm

With a strong supporting cast, the Amazon Prime series delivers on comedy but doesn’t shy away from the harsh realities of farming, says Steve Jones


Focus Group: Who or what in TV needs a shot in the arm?

Our four panellists on how the industry needs to change


Inclusivity will be key to this year’s Edinburgh TV Festival

Jack Thorne will put disability centre stage and we’re taking up the challenge to ensure that everyone feels welcome, says Fatima Salaria


It’s time to act decisively to rein in the streaming giants

Traditional broadcasters cannot compete with their deep-pocketed rivals without government intervention, says Kate Bulkley

Hotline index

How best to call out bullying in TV

Freelancers have more options than ever for reporting bad behaviour, but navigating the array of different services offered can be challenging


Why I’m no longer talking to media execs about C4 privatisation

I want a public C4 and a new regulatory environment to formally introduce ring-fenced funds for diverse-led productions, says Marcus Ryder

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Don’t let gov’t force our hand on C4 sale

The plan to sell broadcaster is a crude magician’s trick that we reject wholeheartedly, says Jon Swain


The truth about disability in TV

Six people with disabilities open up about their lived experiences of working in the industry and how it could be improved


Rohit Doel, freelance runner

’I was told to ‘man up’ in an interview’

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Flo Tasker, graphic designer

’It always feels like two steps forward and one back’


Jay Francis, freelance online editor

‘It’s important that TV reflects the society in which we live’

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Celine Fitzmaurice, series producer

’It’s too easy for companies to ignore the issue of disability’

Ramy El-Bergamy

Ramy El-Bergamy, head of development, Lifted

‘Ethnicity and disability are not mutually exclusive’

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Julie Shaw, BBC Daytime commissioner

’Recruitment practices need to change’


Disability report highlights ‘untapped potential’

CDN review urges industry to better leverage 14m strong group


Newswrap: Disabled creatives making waves

DDPTV founder Caroline O’Neill and Jerk creator Tim Renkow join the podcast

Broadcast logo

Newswrap: Disabled creatives making waves (transcription)

Click for a full rundown of the interviews

Caroline ONeill

Disabled people must be part of the conversation

Any solution for getting more disabled people into the industry should take into account our lived experience, says Caroline O’Neill

Deborah Williams index

Misconceptions and biases are holding back progress

If we are to bring down the barriers to our industry, we need to change the narrative around disabled talent, says Deborah Williams

Caroline ONeill

Employers ‘blithely disengaged’, says disability campaign group

DDPTV survey finds 60% of respondents experienced ableism or discrimination

RX3- Beau Hunslet tyre fire

Illuminating Yorkshire Firefighters for BBC2

Careful planning and creative storytelling ensured we could build the narrative for our blue-light factual series, says James Knight


Insurance scheme has given UK headstart over rest of the world

The £500m backstop has ensured that the growth of recent years wasn’t for nothing, says DCMS minister Caroline Dinenage

its a sin

The battle for C4’s future gets political

With Conservative advocates thin on the ground - what are the broadcaster’s prospects?


Newswrap: Kids TV special (transcription)

The pod drills down into the world of children’s TV and Blue Peter legend Konnie Huq joins to reflect on a 25-year career


Don’t criminalise journalists for doing their job

Plans to alter the Official Secrets Act will have a chilling effect on doc makers and news and current affairs, says John Battle

Konnie - Lara Downie

Newswrap: Kids TV special

The pod drills down into the world of children’s TV and Blue Peter legend Konnie Huq joins to reflect on a 25-year career

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Reclaiming Amy: changing the narrative

The late great singer’s story had never been told by the people closest to her – until now, says Marina Parker


Helping French and Saunders find Funny Women

We used every ounce of ingenuity to achieve Dawn and Jennifer’s vision, says Glen Middleham

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Gallery - Uprising

Selection of images of the Steve McQueen doc series for BBC2, co-produced by Rogan Productions, Lammas Park and Turbine Studios


Newswrap: Melvyn Bragg on South Bank special (transcription)

The broadcasting titan enters the Newswrap realm and talks South Bank Show, diversity and C4 privatisation

Photographer Kevin Baker - Donna Preston and the horde

Hunkering down for Apocalypse Wow

Putting talent in cohorts and and dropping the ‘baying horde’ were key to getting our wild ITV2 entertainment series to air, says Ben Wilson

South Bank Show 2021

Melvyn Bragg on South Bank special

Reveals plans for focus on emerging talent and discusses diversity and C4 privatisation


The dangers of uncovering hidden truths in the Amazon

We literally found ourselves in the firing line filming our documentary series for Vice, says Adam Laister

Vicky Vasquez (scientist) and Dirk Rosen (ROV operator) working on our remote operated underwater vehicle

Rogue Tiger Shark – The Hunt for Lagertha

Covid-19 forced us to totally rethink how we made our Discovery+ doc about a tiger shark attack in the Pacific, says Martin Cass


Newswrap: BBC annual report plus John McVay

Last week’s mega document is given the Newswrap treatment plus John McVay reflects on three decades of Pact


Quiz of the year (so far)

Test yourself in our quiz of the first half of 2021

Mark Rowland

AVSR: the revenue stream indies are missing

Little is known about secondary rights but they are worth cash to every producer, says Mark Rowland


5 Top Tips for creating Interactive TV spin-offs

Charisma.ai CEO Guy Gadney on how TV series can extend off the linear screen and into an immersive, interactive world

Canon PTZ (1)

PTZ cameras – The future of broadcast?

Matthew Koshy of Canon Europe on the benefits of high-end PTZ cameras in enabling streamlined crews to capture 4K content


Welcoming Michael Ball to Wonderful Wales

Singer’s exploration of his mother’s homeland was also his first time presenting an ob-doc, says Carrie Smith

Riaz Mehta

What VoD buyers want: the truth about local players

Distributors should not pass up oppportunity to work with emerging services without consideration, says Riaz Mehta

Its A Sin

We have a duty to ensure C4 survives

If the PSB is privatised, it would kill off a genius child of British broadcast says producer Dermot Lavery

The United Way 1

Creative review: Football, make-up and punk rock

From mixing interview and archive footage to colour-grading period beauty looks and creating a 100-strong choir

Before We Die

C4: is there value in privatisation?

Industry veteran David Elstein explains why fears for the broadcaster may be misplaced

Adam Pearson index

End Credits: Adam Pearson

The presenter on cake, wrestling and Robot Wars


Sky Documentaries hunts for stories with a ‘premium feel’

Biographies, music, crime and contemporary history docs are on the wanted list for docs director Poppy Dixon


Emmys spotlight: Steve McQueen on Small Axe

Writer and director on how the films – about the experience of West Indian immigrants in London – achieved unexpected global resonance


PSBs are ignoring their remits in the Midlands

Some regions are more equal than others and broadcasters’ programme spends prove it, says Mike Bradley


Newswrap: the fight for Channel 4’s future

Analyst Claire Enders and indie bosses Mel Leach & Alan Clements explore the prospect of the PSB heading to the private sector

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Buyers expand horizons as US shows dry up

The acquisitions landscape is changing as major studios retain content for their own streaming services & networks look elsewhere for deals

Rosie Jones and Stu Richards

Why is there still a stigma about coming out as disabled?

My own experience offers an encouraging sign that the industry is on the normalisation path, says Stu Richards


Rethinking recruitment

The Covid pandemic and BLM movement have galvanised the industry to reassess how freelance crew are hired and try to create a more level playing field

01052004_sir_alex_ferguson (photo credit Will Pugh)

Glued to the Screen: Sir Alex Ferguson: Never Give In

DNA Films doc combines access and archive to winning effect, says Rab Christie


Stand up and be counted on issues that affect our industry

It’s time to make sure our voices are heard when it comes to creative sector public policy, says Peter Bazalgette


The BBC should capitalise on Eurovision’s popularity

A Saturday night entertainment show to select the UK entrant would deliver ratings and boost our chances, says Scott Bryan


Emmys spotlight: Making series four of The Crown

Interview with exec producer Suzanne Mackie, actress Emma Corrin, costume designer Amy Roberts and hair and make-up designer Cate Hall

Sophie Toscan du Plantier

Sophie: A Murder in West Cork, Netflix

Producer Sarah Lambert on taking a different approach to a crime story

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Together: Love in the time of Covid

Shot in just 10 days, with a cast of three and a single location, BBC2’s lockdown drama aired just four months after being greenlit

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Threat of C4 privatisation appears greater than ever

The broadcaster has seen off past attempts, but is facing a much tougher challenge this time around, says Maggie Brown

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Focus Group: What do people misunderstand about a director’s role?

Our four panellists on the reality of being a TV director


Jonno Richards: Talkback boss turns up the heat

With a Netflix dating series hit and a Best Independent Production Company win at this year Broadcast Awards, the Fremantle label is flying high

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Writing the script for indie success

Jane Featherstone, Jane Tranter and Nicola Shindler on inflating budgets, rights and crewing shortages, talent deals and being a woman in TV

The Undoing (3)

Hugh Grant talks The Undoing

Leading actor on shedding his nice‑guy image and why he enjoys these darker character roles

Filming with the relatives

Selling C4 is an affront to free speech

C4’s unique remit to commission programmes others cannot and will not order is threatened by privatisation, says Callum Macrae

Paapa Essiedu and Michaela Coel

Paapa Essiedu: honouring Michaela Coel

I May Destroy You actor on the huge responsibility he felt to honour the writing of his friend

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The A List, Netflix

Navigating lockdown and the wild Welsh weather made for a stressful shoot

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The government is gunning for C4 – so it’s time to speak up

Britain’s whole TV ecology is at risk as the government kicks off its push for privatisation

It's A Sin

How It’s A Sin became C4’s most-binged show ever

Russell T Davies & Nicola Shindler on how the drama offered a fresh take on the 1980s HIV and Aids crisis

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On a mission to be fair, green and moral

Derek Moore, CEO and co-founder of Coffee & TV explains what B Corp is and what it means to his business

Michelle Singer

I’m Jewish – why don’t I ‘count’ as BAME?

Being told Jews aren’t included in PSBs’ diversity counts is hurtful and unhelpful, says Michelle Singer

Kimberly Godbolt

Don’t do a disservice to production managers

TV has ignored PMs for too long but the Covid crunch has proven how vital – and scarce – they are, says talent manager Kimberly Godbolt


Newswrap: Lifting the lid on Lupin & WWBW special

Screenwriter George Kay discusses his Netflix breakout hit plus the Newswrap team give their WWBW half year verdict

Gemma Collins

Famous faces help build the podcast industry

Celebrities aren’t ruining podcasting – they’re opening them up to a wider audience, says Josh Adley

Together (17)

Gallery - Together

Selection of images of the single Shoebox Films and Sonia Friedman Productions drama for BBC2


Navigating the talent crunch

Securing leading actors for high-end projects is harder than ever according to producers, agents and showrunners

PSB prominence

Forget preservation, the PSB debate needs to be about growth

Freeview’s Jonathan Thompson wonders if government is asking the right questions in current review

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GB News review: one-sided TV and proud of it

The much-debated news channel has hit our screens with a few scores to settle, but does it offer something new, asks Stewart Purvis


Meerkat Manor Rise of the Dynasty, BBC America

We wanted to make our wildlife series a bingeworthy boxset, says executive producer Caroline Hawkins


Newswrap: Being LGBTQ+ in TV

Greg Sanderson and Sophie Bernberg reflect on their experiences and we talk Love Island, quotas and intersectionality


Loki: review

Kate Herron directs Tom Hiddleston and Owen Wilson in Marvel’s Disney+ limited series

Holby family

RIP to my Holby City family

Don’t let the heart of BBC1’s medical drama be forgotten, says David Innes Edwards

The Dumping Ground

Storytelling must reflect Britain’s diversity

We should strive to provide everyone with the opportunity have their experiences reflected, says Emily Burnett

Sophie Bernberg

It’s time to truly welcome the LGBTQ+ community

Television has a responsibility to create worlds featuring safe queer spaces, says Sophie Bernberg

Ben Smith

N&R indies must target premium factual

The growing number of regional indies means producers must engage SVoDs to land work, says Ben Smith


End Credits: Alex Segal

InterTalent Rights managing director on broken bones, ’90s crime and dad jokes


How Casualty took the lead on representation

The team behind a groundbreaking episode with a deaf director, writers and actors discuss how it came about and what it means for the industry


In Conversation: Turton and Mahon on navigating past the pandemic

The C4 and All3 chiefs kicked off Broadcast’s Restart conference with a discussion about the post-Covid future

Mat Stimpson and George Hill filming at Hinkley Point B

Why BBC2 took the nuclear option with Windfall

Constructing the narrative for Building Britain’s Biggest Nuclear Power Station was a test of trust and patience, says Mat Stimpson


Getting the greenlight: non-scripted boost as SVoDs expand slates

Netflix and Amazon are broadening their offerings but scripted remains the priority


Creative Review: Bugs, meerkats and music icons

From conjuring up CG cockroaches to remote production, recreating Victorian London and grading archive footage


Anne Boleyn: Bringing history up to date

Channel 5’s ambitious new original drama aims to reset the narrative around Henry VIII’s second wife


Roku has the tools to make its mark in the streaming world

The US firm has evolved and its user relationships and advertising expertise put it in a strong position, says Kate Bulkley


Glued to the Screen: ZeroZeroZero

The simple premise of following a cocaine shipment gives us three brilliantly realised universes in one cohesive story, says Katherine Butler

Worzel Gummidge

Be nimble and open-minded to thrive in changing times

Argonon will adapt to new platforms, content providers and shifts in consumer behaviour as it enters its second decade, says James Burstall


How Netflix is looking after cast and crew

HR chief Emma Murphy explains how the SVoD giant is supporting freelancers as scrutiny of the industry’s working culture intensifies

The Shanghai Canaries (Shanghai orphanage football team initiated by Robert) training in Norwich shirts

How Sky Documentaries met the Children of Shanghai

Richard Nash on telling the story of how a former British footballer’s intervention meant a million Chinese orphans were moved into foster families

Nida Manzoor

Newswrap podcast: Nida Manzoor

We Are Lady Parts creator discusses her next steps and the team assess the fallout from the Dyson report

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Impartial news is the bedrock of our PSB system

ITN’s special recognition win at the Broadcast Awards underlines the need for public service journalism, says Deborah Turness

Talkback, Part of Fremantle

Best independent production company: Talkback

‘In Covid-straitened times, with hordes of youngsters unable to get within two metres of each other, Too Hot To Handle felt prescient’


Emerging indie of the year: Label1

‘Hospital gave viewers incredible insights into the health service’s technical, operational and emotional response to Covid-19’

Fifty Fifty

Best post-production house: Fifty Fifty

‘I was impressed by the creative initiatives to look after its clients and team in a year of intense mental struggle’

ITN masthead

Special recognition: ITN

‘ITN has helped raise standards in British TV news. It is established as a journalistic powerhouse’

Your Home Made Perfect

Best original programme: Your Home Made Perfect

‘Clever and innovative use of virtual reality and graphics - an exciting watch’

Race Across The World

Best popular factual programme: Race Across The World

‘Completely compelling – I cared so much about these people. It was talked-about TV, made with ambition and panache’

The Live Lounge Show

Best music programme: The Live Lounge

‘The passion for music was palpable both in front of and behind the camera’

Elizabeth is Missing

Best single drama: Elizabeth Is Missing

‘A clever and powerful study of the effects of dementia transcended by a brilliant performance from one of the country’s greatest actors’

I Want To Change The World

Best children’s programme: I Want To Change The World

‘Daniel is a wonderful presenter and I look forward to seeing what he and the PD both do next’

Last Night of the Proms

Best lockdown programme - sport and live: Last Night Of The Proms

‘The team overcame huge technical challenges with great creative success’

England v West Indies - Black Lives Matter

Best sports programme: England v West Indies - Black Lives Matter

‘The year’s outstanding moment of sports television’

The Ranganation

Best lockdown programme - entertainment, comedy & scripted: The Ranganation

‘The production team made a great show even better’

broadcast awards

Broadcast Awards 2021 - the judges

Methodology and list of judges

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Best multichannel programme: RuPaul’s Drag Race UK

‘It was exceptionally well made, tackling difficult issues in a very entertaining format’

The Salisbury Poisonings

Best international programme sales: The Salisbury Poisoinings

‘Fremantle succeeded in taking the UK’s outstanding track record in real-life drama series onto a truly global stage’

Friday Night Dinner Series 6

Best comedy programme: Friday Night Dinner

‘Classic, endlessly rewatchable comedy that hit home across multiple generations’

A House Through Time

Best specialist factual: A House Through Time

‘Thoroughly engaging from start to finish and overall an excellent and well-crafted specialist factual film’

Dim Ysgol - Maesincla

Best lockdown programme - news, documentary & factual: Dim Ysgol: Maesincla

‘Judges were impressed by the ob-doc’s rare access to a community we don’t normally see on our screens’

Andrew and Maitlis

Best news/current affairs programme: Prince Andrew & The Epstein Scandal: The Newsnight Interview

‘All the other entries responded to news stories. This interview set a news agenda of its own’

For Sama

Best documentary programme: For Sama

‘It’s simple and universal and gives us a mirror to reflect on human nature’

Coronation Street (1)

Best soap or continuing drama: Coronation Street

‘A brilliantly powerful, climactic moment that resonated well beyond the genre’

RuPaul's Drag Race_CC

Best entertainment programme: RuPaul’s Drag Race UK

‘A modern, emotional, funny and entertaining show all wrapped up in one brilliantly executed package’


Best pre-school programme: JoJo And Gran Gran

‘It has amazing casting and lovely live-action pieces, which didn’t jar with the equally lovely animation’

Moving On

Best daytime programme: Moving On

‘Cleverly embedded twists and turns that keep the audience questioning their allegiances throughout’


Best lockdown programme - fact ent, popular factual & kids: Springtime On The Farm

‘An authentic programme that captured the joy of life at a time of incredible crisis’

BBC2 logo

Channel of the Year: BBC2

‘Outstanding creative performance in its factual heartland and a peerless non-scripted slate’

Once Upon a Time in Iraq

Best documentary series: Once Upon a Time in Iraq

‘This was incredible film-making. Intelligent, fascinating, gripping and a powerful human insight into an epic story’

Gaby and Dome

In Conversation: The Beast Must Die

Writer Gaby Chiappe and director Dome Karukoski recall producing BritBox drama under lockdown

I May Destroy You

Best drama series: I May Destroy You

‘Blisteringly original storytelling that excelled in every area’


Celebrating the best of British TV

“The industry’s innovation and perspiration helped see the nation through an incredibly testing period”

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The Supervet - Saving My Dog, Channel 4

Recording how Noel Fitzpatrick’s life was turned upside down was an emotional rollercoaster says exec producer Alex Sutherland


The UK should open up to the thrills of a writers’ room

There’s always a place for the singular vision but the US approach suits longer runs, says Danny Brocklehurst


Rise of the guessing game

Guessing formats are everywhere following the success of The Masked Singer. Is this a short-lived phase, or a shift in commissioning strategy?


Focus Group: What’s your go-to negotiation trick?

Our four panellists on ensuring talks run smoothly

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Nida Manzoor: The punk spirit behind We Are Lady Parts

Writer and director on taking inspiration from her own life for her new C4 comedy about a Muslim female punk band


Failings of the past must not damage the BBC’s future

Broadcast’s view on the Bashir scandal and Lord Dyson’s report

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Mental health behind the screen is at crisis levels

Not enough action is being taken to improve the mental health of post house talent, says Zeb Chadfield

Discovery of Witches

AMC retools for streaming originals push

Discovery of Witches co-producer hands Kristin Jones remit to develop international dramas for AMC+, Acorn TV and Sundance Now

game of thrones final series

Newswrap: Mega-merger mayhem (transcription)

The team dive into this week’s shock £36bn AT&T/Discovery deal, while ITV and C4’s drama bosses join the Restart Conference

Danny fenton

Don’t let indie TV become the new ESL

There are many parallels between the shape of the UK production sector and the failed European Super League project says Danny Fenton

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How P!nk - All I Know So Far captured the family side of Pink

Director of photography David Spearing told Broadcast Tech about what it took to bring both sides of the rock star to screens.

game of thrones final series

Newswrap: Mega-merger mayhem

The team dive into this week’s shock £36bn AT&T/Discovery deal, while ITV and C4’s drama bosses join the Restart Conference

Comedy shortlist

Broadcast Awards 2021 preview: Best Comedy

The six nominees for this year’s prize


How Sky Arts is leading The Live Revival

Music venues were closing a significant rate before Covid struck, but our doc series chronicles a fightback led by artists, says Justin Rees

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VFX and the virtualisation of content

David Ingham, client partner, media and entertainment at Cognizant explains how visual effects are opening up ever more creative options for producers


Plot twist: making The Pact

The pandemic placed production of our BBC drama in peril but strange new ways of working saw us through, says Pete McTighe

Stuart Macdonald 3

Stuart McDonald: a personal tribute

Richard Woolfe remembers an outstanding director and a dear friend

Magic Hands

Magic Hands: setting an example for the younger generation

Execs tackled racism in the deaf community in first UK kids series to feature a majority deaf, black crew and presenting lineup

Steven Johnson & Dr Anthony Fauci

Carefully planning for Extra Life

BBC drama Staged was an unexpected inspiration when pandemic problems hit our BBC4 and PBS science series, says Fiona Caldwell


How we put Domina on trial

The coronavirus cut our Sky swords ‘n’ sandals drama by two episodes and forced us into re-writes for an unexpected courtroom drama, says Simon Burke


Original voices on Coronation Street

David Proud sets out how he combined ‘wheelchairs and cobbles’ with great success


Commissioning Conversations: BBC special

Broadcast senior reporter Max Goldbart joins the team to discuss the BBC’s future as the corporation’s commissioning restructure gets underway

MLDHI double winner Josh from Dover is now ready to move out of his mums (pictured) house

My Lottery Dream Home International, Discovery+

Reformatting a US series on UK soil for an international audience during lockdown proved a winning experience, says Paula Campion

71025_1_S1_Ep1_Davina McCall_ Sex, Myths and the Menopause-3

Tackling the menopause with Davina

Finestripe set out to smash taboos on C4 single and was helped along by a host willing to open up, says director/producer Linda Sands

Leigh Anne

Leigh-Anne: Race, Pop & Power, BBC1/BBC3

My childhood friendship with the Little Mix star helped focus our exploration of race, says Tash Gaunt

Our Yorkshire Farm

Quiz of the month

Test yourself in our quiz on the industry news during the month of April

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Pip and Posy, C5/Sky Kids

Producer Vici King on why bringing the popular children’s tales to screen was like making vodka


Sitting down with the Queen’s cousins

Yorkshire Vet indie Daisybeck’s signature heartfelt style was applied to a sometimes-divisive subject, says development producer Claire Scollie


BBC1 Ian Wright doc: telling Home Truths on and off-screen

Ensuring a diverse crew was crucial to spotlighting the football star’s childhood experiences, says producer Charlene Chika Osuagwu

Philippa Childs

Systematic change is needed for dignity at work

Resource must be allocated if harassment is to end, says Bectu head Philippa Childs


Fresh formats with promise

Broadcast profiles four titles generating plenty of buzz at this year’s virtual Mip TV


New kids on the distribution block

Six distributors that have recently launched discuss the challenges of setting up a business during the pandemic


Creative Review: Enhancing the action

From the sounds of F1 and the Colombian jungle to a 3D model of the Valley of the Kings


End Credits: Ade Adepitan

The TV presenter and Paralympian on Nigerian trees, basketball and running the BBC

Normal People (4)

Co-pros soar as pandemic hits budgets

Broadcast Intelligence’s Commissioner Index has added 50 international commissioners keen to explore co-pro opportunities with British partners

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Finding our Money Maker in a pandemic

Casting a business guru willing to invest big sums during Covid took more than blue sky thinking, says Nick Parnes


Secrets of the Whales: the art of goosebump TV

Filming whale culture in every ocean on earth, but you still have to fight to keep the emotion going on-screen, Brian Armstrong argues

Man like Greta

Making Man Like Greta

Rockerdale Studios underwent ‘detailed exploration of a new world’ to forge C4 social media show , says exec Michelle Singer

Dreaming Whilst Black

Newswrap: solving the 16-34 conundrum

Two trailblazing young indie bosses join the Newswrap to discuss the youth viewer problem


Lack of diversity is a market failure

Monopsony theory teaches us why broadcasters fight over Steve McQueen but the rest of the industry remains remarkably non-diverse, says Marcus Ryder


Glued to the screen: 2020: The Story Of Us

Through heart-tugging first-hand accounts set against a backdrop of news footage, this ITV doc reveals our debt to NHS workers, says Sally Benton

The Last Dance

Young diverse talent will ensure docs continue to thrive

Documentaries create debate and offer fresh perspectives – they can only be enhanced by including more voices, says Lorraine Heggessey


The Beast Must Die: Revenge is sweet

The team behind BritBox’s original drama on how colour-blind casting & a gender switch bring a different dimension to their novel adaptation


We must give young talent the opportunity to hone their skills

The industry should provide training and allow people to make mistakes rather than reject them because they lack experience, says Ruth Pitt

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Analysis: PSB prominence: too little, too late?

With Ofcom’s recommendations winning informal government support, confidence is growing that legislation is on the way. But will it come soon enough?


Smart budgeting for British sci-fi

Creating Intergalactic for Sky 1 was a mix of big ambitious and clear boundaries, says Kieron Hawkes

Back To Life

Breaking into the comedy boys’ club

Despite repeated calls for more comedy shows with female writers, the latest stats from Broadcast’s Programme Index suggest progress has been slow

Saved by a Stranger

The extraordinary story behind Saved By A Stranger

Justine Kershaw reveals how a near-fatal accident inspired Blink’s new BBC2 series about strangers connected through trauma

Life and Birth BTS 3

Focus Group: Which positions are the hardest to fill when hiring crew?

Our four panellists on the industry’s recruitment problems

Chris Curtis

Meetings are magical – but new ways of working are here to stay

Remote working has been a boon for many in the industry and it would be a shame to lose that flexibility

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Commissioning is a lottery – there must be a better way

In a world of measurement and big data, why does a green light still come down to luck, politics and personal opinion? asks Ash Atalla

The Island

When adapting IP, channel your inner Bear Grylls

Collaboration, compromise and teamwork are crucial when transposing IP from one medium to another, says Giuliano Papadia


Helping kids understand autism through TV

Our Cbeebies series Pablo has become a great tool for explaining how people interpret the world, says Gráinne McGuinness

Sameer Pabari NFL

How NFL is using broadcast to get the UK ‘franchise ready’

Sameer Pabari, managing director, international media, for the NFL, spoke to Broadcast Sport about how the league targets its growth abroad.

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Dreaming Whilst Black: from web to BBC1

Our Comedy Slice adaptation of Adjani Salmon’s online hit shows people of colour given senior positions create brilliant programmes, says Gina Lyons

Snow Leopards

The door to wildlife TV is open to the LGBTQI+ community

Things have come a long way since the “tokenisation and stereotypes” of the 90s, says wildlife presenter Dan O’Neill


FIFA 21 ad highlights lack of British Asian pro footballers

The spot, created by adam&eveDDB, won Channel 4’s £1m Diversity in Advertising Award and debuts tonight during Gogglebox

Son Heung Min Premier League football tottenham

Newswrap: Sports broadcasting and the short-lived ESL

The ESL may be consigned to the dustbin but we use the opportunity to assess the state of play in sports broadcasting

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Breaking the social silence around pregnancy for C4

Wonderhood Studios’ doc series Baby Surgeons challenged us to film sensitively and carefully, says James W Newton

super league

Broadcast uncertainty remains after Super League collapse

While the short-lived European Super League looks to have fallen apart, the decreasing value of broadcast deals and continued pushes for reform from clubs leave the issue unresolved.

Ruth Pitt

CCC: nations and regions takes centre stage

Creative Cities Convention co-founder Ruth Pitt gears up for this week’s launch

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How Hollywood helped Lucy the Human Chimp

Going into production during the global pandemic meant using a technique reserved for big-budget films on our Channel 4 doc, says Alex Parkinson


How the ‘woman of Cremona’ revealed Big Light’s Leonardo

Telling the story of the great Renaissance painter came together when we discovered his possible ‘muse’, says Frank Spotnitz

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Top 5 moments in interactive television

Co-founder and CEO of Charisma.ai, Guy Gadney selects his five favourite examples of interactive TV

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Newswrap: A special duty of care episode

Two years on from the cancellation of Jeremy Kyle, indie bigwigs from The Garden, Initial and BBC Studios discuss the current state of play

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Gallery - Frank Of Ireland

Selection of images of the Merman comedy series for Channel 4, centring on a misanthropic, 30-something, struggling singer-songwriter

Stu Watson index

Why TV needs a Spotify of streaming

We’re in the CD age of on-demand services but consumers demand more convenience, says Stu Watson

IP lawyer

The intellectual property issues of volumetric video

Graeme Murray at Marks & Clerk discusses potentially thorny legal issues to do with the way the viewer engages with volumetric content


Working with the Wolf of Wall Street

Creating Discovery+’s GameStop: The Wall Street Hijack was a complicated and exciting challenge – and so was its presenter, says Mark Radice


Romeo & Juliet, Sky Arts

Collaborating with the National Theatre was a rewarding experience says producer David Sabel

Jeremy Kyle

Producers must follow duty of care rule changes

Ofcom safeguards make clear indies must ensure contributor welfare, says Nigel Abbas

The Live Lounge Show - Best Music Programme

Why it’s crucial to hire from diverse backgrounds

The BBC’s new production staff quotas don’t solve all problems but are a step in the right direction, says Steve Wynne

Matt Baker Our Farm In The DalesE

Matt Baker’s diary: a debut commission in lockdown

Presenter reveals how a family accident led to More 4’s Our Farm in the Dales


Covering the trial of Derek Chauvin

A herculean effort was undertaken to get George Floyd’s accused murderer’s trial on screen, says exec Scott Tufts. Words: Emma Bullimore


The Syndicate: Eyes on the prize

Writer Kay Mellor on her determination to mix young working-class actors with more familiar faces as her Lottery-winner drama returns


World-building visual effects

From a dystopian, war-torn Europe to animated gardens in floral splendour, UK post houses make imagined worlds real

Me and My Afro

AFP comes into its own

Ad-funded programming is enjoying a resurgence as its reputation improves and traditional ad spots take a hit from the pandemic

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End Credits: Nagajan Modhwadia

The SLNda co-founder on Machu Pichu and sleeping under the stars

The Crown

Newswrap: The pandemic: one year on

Jesse Whittock and Max Goldbart delve into Broadcast’s Indie Survey results plus we have a bonus interview with Paul Feig


Glued to the Screen: Cornwall: This Fishing Life

With its deft storytelling and strong characters, this BBC2 gem helped me understand a different viewpoint and another way of life, says Muslim Alim


Nurturing Would I Lie to You

Peter Holmes and Rachel Ablett, the husband and wife team behind BBC1’s comedy panel show, reveal how they keep the magic of the series alive

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TV should lead the way on ending workplace bullying

We have a duty of care to each other and our industry should be ahead of the curve in calling out bad behaviour, says Jane Perry

Oprah with Harry and Meghan

We must pressure government to do right thing on prominence

Broadcasters have to work with the global streamers or risk becoming irrelevant – but they have an ace up their sleeve

Catie Munnings next to the Koenigsegg Regera

Unlocking the Secrets of the Supercars

The pandemic posed unimagined problems for our behind-the-scenes look at the supercar world for Dave, but a belt and braces approach got us over the finish line, says Jonney Steven

Davie index

Quotas to the fore as Davie’s change agenda gathers pace

The BBC is to produce more shows outside of London, but devolution of commissioning power is unclear

Combat Dealers

Asacha plots an empire

Pan-European group has been steadily acquiring production firms and has now gained a foothold in the UK with the acquisition of Wag TV


Jed Mercurio: Ready for duty

Line Of Duty creator on working with new writers and his issues with the UK’s commissioning set-up

Author Headshot_Broadcast_Lorelei Mathias by Katy Dutton

Sketch comedy is flourishing but needs more space to shine

Young talent are breathing new life into a genre that looked dead and buried just a few years ago, says Lorelei Mathias

Indie Survey index

Analysis: The indie sector has its say

Comments from 100-plus respondents to the Indie Survey provide an unvarnished snapshot of life as a producer


C5: Supplier base grows as factual still dominates

ITN is top supplier by hours for the third year in a row and top by spend for the second

Call Me Kat

British comedy hits the US sweet spot

Interest in UK series remains strong across the pond, with growing demand for remakes and finished tapes

Joe Cole, Sope Dirisu Gangs of London, Sky Atlantic

Much to admire as indies battle hard

‘This year’s Indie Survey is testament to a brilliantly hardy industry that kept battling, and found a way to get things done’

Steph's Packed Lunch

C4: Covid crash prompts plenty of challenges

Broadcaster praised for the speed it commissioned in response to the pandemic


Sky: Docs push opens door for unscripted indies

Minnow Films and True to Nature among the beneficiaries


Lockdown lesson: if you wanna get ahead, get a shed

Garden working has been great, but I’ve had to swap Channel 4 for Naked without meeting my colleagues, says Fatima Salaria


Netflix takes the crown

SVoD voted the strongest broadcaster by 40% of indie respondents, while the BBC tops best broadcaster to work with table

Gangs of London

Indies come out fighting as Covid hits

The pandemic had a huge impact on UK producers, with revenues down sharply, but innovation and creativity came to the fore during lockdown


Top 30 True Indies

Avalon tops table ahead of Bad Wolf

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Confidence high despite Covid lows

Optimism for the future remains as broadcasters make strides in meeting their regional targets


Netflix: Free-spending SVoD draws plaudits

Streamer spent £750m on UK productions in 2020, double its outlay the previous year

Indie Survey index

Indie Survey Table 2021

The Broadcast Indie Survey is sponsored by Barclays

Masked Singer

ITV: Pandemic puts brakes on live events ambitions

Covid restrictions rendered studio formats among the most challenging to produce

Fear City

Indie Survey Peer Poll: top 10 revealed

Which company does the production sector rate the highest?

TinyWorld Image

Streamers boost global outlook

Indies are increasingly eyeing international expansion as new players in the SVoD space create opportunities

Worzel Gummidge

Staff welfare takes priority

Consolidators felt the full impact of Covid-19 in their top lines last year, but the pandemic also enabled them to refocus on their employees

Emma Willis Delivering Babies in 2020

UKTV: Scripted slate takes shape as Covid bites

Six scripted producers make top 10 spend list


BBC: ‘Fewer, bigger, better’ hits indie numbers

The number of producers the broadcaster commissioned fell to 343

Salvage hunters

Discovery: Factual still king but SVoD boosts true-crime

Launch of Discovery+ sees increase in orders for the genre

Shayna Waldman

We have the power to stop industry bullying

Happier workplaces create stronger and more creative productions, says Shayna Waldman

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Predator: Catching the Black Cab Rapist, C5

Honouring the brave accounts of the women attacked by John Worboys was essential to making this documentary, says Sheun Adelasoye

Finding Jack Charlton Noah Media(1)

How Noah Media found an audience for Finding Jack Charlton

Noah Media Group CEO and co-founder John McKenna, head of sales Catherine Quantschnigg, and head of distribution Drew Masters spoke to Broadcast Sport about the distribution of Finding Jack Charlton.

the detectives fighting organised crime

The Detectives: Fighting Organised Crime, BBC2

Building trust with officers was key to recording some extraordinary moments, says series producer Louise Malkinson

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The doors to equality are beginning to open

There is room for cautious optimism as the conversation sparked by BLM continues into 2021, says Real Full Monty exec Ashley Banjo

From L to R Matt Bacon – Sound Recordist  Alan Thurston – Camera Assistant  Craig Collinson – Director  Dr Zoe Laughlin - Presenter  Dr George McGavin – Presenter  Séamas McCracken – DoP

Why Tern TV trawled through sewage for BBC2

Directing The Secret Science of Sewage under Covid was smelly and hard, but led to real-life breakthroughs, says Craig Collinson


Female directors: fighting for recognition

Friends warn us to deny our families to ensure we’re heard, but the best commissioners cherish talent, writes Cosima Spender

Dave VFX comment

VFX Trends – what’s hype and what’s not

David Cordon, head of TV and film, Flipbook Studio discusses the pros and cons of recent trends in VFX production


Let slow-burn series warm up

Are we losing potential classics over demand for immediate hits, asks Dan Sefton

BTS Caroline image

Caroline Flack: Her Life and Death, C4

We wanted to celebrate the TV presenter’s life, but she deserved more from our industry says director Charlie Russell

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Newswrap: Piers Morgan saga: what next? (transcription)

Bectu head Philippa Childs urges broadcasters to get tough on bullying after this week’s GMB walkout

Happy Campers

Gallery - Happy Campers: The Caravan Park

Selection of images of the Twofour doc series for Channel 5, following events at two West Country holiday camps post-lockdown

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Newswrap: Piers Morgan saga: what next?

Bectu head Philippa Childs urges broadcasters to get tough on bullying after this week’s GMB walkout

Bloodlands gallery (1)

How indies can get Brexit secure

The double whammy of exiting Europe and the pandemic impacts producers profoundly, but there are solutions, says Val Cazalet


Dating through a Covid filter

Physical closeness, juggling contributors’ cold feet and patience all played a part in getting Sky’s Dating No Filter off the ground

Adrian Woolfe LIT

How LIT built a control room mid-lockdown for UK launch

Co-CEO and co-founder Adrian Woolfe, and head of broadcast engineering Chris Farrants told Broadcast Tech about launching an OTT entertainment channel over the past year.

Kate Collier index

Docs: the rock stars of non-fiction

Global non-fiction in film and TV is booming and British sensibilities mean indies can lead the way, writes Kate Collier

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Lost Boy: The Killing of James Bulger, C5

Exec Andy Dunn on why trust was key for the two-parter revisiting a shocking death

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Women on the Force: captured in lockdown

A previous career in the police helped Dan Clark-Neal gain the trust of contributors for a locked down run of the W series

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Rise of the Machines: AI in Media

Rickard Lönneborg, CEO at Codemill on what developments need to happen in AI and ML to maximise their benefits for media workflows


IWD: Celebrating women in VFX

Alex Coxon profiles some outstanding women working in the VFX sector


IWD: VineFX celebrates women working in VFX

The company profiles 11 female professionals working at the visual effects house


Newswrap IWD special: a woman’s world

The creatives behind Film 4 feature Rocks discuss female representation

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IWD: BBC Sport chief on women’s sport and female leadership

Barbara Slater on the growth of women’s sport and the shifting attitudes to females both on and off screen over the last 12 years

The Masked Singer

Quiz of the month

Test yourself in our quiz on the industry news during the month of February

Ryan Reynolds Wrexham Announcement

How Hollywood stars and storytelling are moving into sport production

Ryan Reynolds and Rob McElhenney’s recent purchase of Wrexham AFC is just the latest sign of Hollywood’s growth in the sport sector

Yorkshire Ripper's new victims (1)

Reliving the sinister crimes of a serial killer

The Yorkshire Ripper’s New Victims producer Heenan Bhatti on recording the emotional stories on those who survived at the hands of Peter Sutcliffe

Parliamentary Broadcast unit(2)

How parliament is making broadcasts more accessible

John Angeli, director of parliamentary audio/video, explains how the Parliamentary Broadcasting Unit is making it easier to access broadcasts

Club Ibiza The Sessions BTS

How DAZN created ‘more than football’ documentary Club Ibiza: The Sessions

Co-director and executive producer, as well as DAZN SVP original programming, Grant Best, explained to Broadcast Sport how they built a documentary around Ibiza’s small football club


Virtual studios technology takes centre stage at Dock 10

Dock 10’s Richard Wormwell on the Salford facility’s early adoption of a technology that is changing the way TV is made

Million pounds

Focus Group: What would you do with a million pounds?

Our four panellists on going on a spending spree

Katie Price: Harvey & Me

Covid-19: how post came out fighting

Three leading firms explain how their working practices changed as a result of the pandemic, and what its lasting legacy for the sector could be

Vigil first look pic

Why BBC1 took the plunge on World’s submarine drama

Scottish drama in an unusual setting helps satisfy BBC1’s demand for mainstream genre pieces


Newswrap: Bridgerton comes to MPTS (virtually)

We get the lowdown on bumper virtual festival MPTS Connect, featuring exclusive audio from keynote panel Indies in Lockdown


How BT Sport created football doc Ours mid-pandemic

Executive producer Sally Brown, director Tom Boswell, and journalist Mike Calvin told Broadcast Sport about what it took to create Ours


Using innovation to tell colourful stories

Humble Bee Films’ Sharmila Choudhury on bringing Attenborough’s Life In Colour to the screen


The NHS’s Covid challenge

As his reports lay bare the true impact of the pandemic, BBC News reporter Clive Myrie laments that TV crews were not allowed into hospitals sooner

Emma Murphy

A new era in US politics

ITV News’ Emma Murphy on Biden’s America and moving the political narrative away from Donald Trump

Andrew Neil (1)

Robust regulation is key to keeping British news buoyant

No matter the furore, GB News and News UK will need to abide by the same rules as everyone else


Streamers must stop hiding behind the big numbers

Lack of transparency over ratings is confusing for viewers – and may even be hurting the platforms’ smaller shows, says Scott Bryan

Philippa Collie Cousins

End Credits: Philippa Collie Cousins, UKTV

The drama commissioning editor on prize-winning poetry and life on the farm

Bloods team

Bloods: Mining a fresh vein of comedy

Samson Kayo, Nathan Bryon and Ash Atalla explain how a sliding-doors moment led to the two young talents being entrusted with a major sitcom

Gangs Of Macaque Island

Boom time for Bristol

The city is at the centre of a global natural history explosion that is increasing competition for talent and pushing up budgets

World’s Tiniest Masterpieces

Improving industry diversity shouldn’t be so complicated

There are simple processes that can be implemented to ensure we achieve a more inclusive workforce, says Sarah Stevenson


In conversation: how to write a hit ITV drama

The writers of The Bay and Finding Alice discuss their creative process and unravel the layers that make up must-watch television


Trump’s toxic legacy

ITV’s Robert Moore and C4’s Matt Frei on reporting on US politics – and what could be in store for the UK media landscape

The Bureau Mathieu

Glued to the Screen: The Bureau

Like a great ob-doc series, The Bureau’s tight focus on a core group draws you into their world and keeps you there, says John Smithson

Simon Andreae

Simon Andreae: Forging a fresh path for Fremantle

UK chief exec has a wealth of indie experience to draw on as he sets about simplifying its structure & balancing shows with new IP


Linear TV not about to disappear any time soon

A hybrid distribution model is emerging, says Freeview’s Jonathan Thompson


Building Gordon Ramsay’s Bank Balance

The celebrity chef navigated time differences and quarantines to film our BBC1 game show, says Sue Allison


Bringing the Age of Samurai to life

Our Canadian Netflix original drama relied on great actors, production magic and animated battle maps, says Stephen Scott

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Gallery: Bloodlands

Selection of images from the set of the Hat Trick Mercurio (HTM) drama series for BBC1


Playing the long game

Andy Wilson reveals why he’s taken the unusual step of directing all 24 episodes of ITV police drama Unforgotten to date


Recreating the Blitz Spirit for BBC1

Covid-19, budgets and a trio of lockdown beards were among the challenges we faced creating our latest Lucy Worsley programme, says Emma Hindley


Jools in lockdown: keeping the music playing

The length of the great man’s grand piano helped Alison Howe’s team produce the 56th series of Later with… Jools Holland during the pandemic

Hugh Dennis at Lenton Nottingham

Digging deep for More 4

We wrecked gardens, circumvented local councils and stunk out a Premier Inn hotel room to create The Great British Dig, says Steve Wynne


British journalism needs reinvention

RTS-nominated Need To Know’s Seth Goolnik and Warren Nettleford set out how news providers are failing to engage young audiences

Interviewee, Prosecutor Juan Martinez

Discovering the true Jodi Arias during Covid

We gained access to the people closest to convicted US killer Jodi Arias as the world locked down, says Lucie Ridout

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Reconstructing Shannon Matthews’ disappearance

Gaining the trust of a community dubbed ‘Broken Britain’ was tricky but rewarding, says director/producer Neil Rawles

Pembrokeshire Murders

Quiz of the month

Test yourself in our quiz on the industry news during the month of January

DontScareTheHare (224)

How dock10 created production and post-production facilities from scratch

Dock10 explains how it has grown from its beginnings to the present day.

Jeremy Darroch Correct 2018 - High Res

Pursuing a net zero strategy to make a better world

Jeremy Darroch on how Sky is implementing its unique sustainability initiative


How Mitchell & Webb got Back on screen

The comedy duo on their 25-year partnership and the obstacles they had to overcome to get the second series of their C4 sitcom on air

Gold Rush 1

Discovery+ is well placed to follow in Disney+’s footsteps

Factual broadcaster can leverage global linear channels and pay-TV relationships to boost streaming service, says Kate Bulkley


No need for Dutch courage if intimacy is handled correctly

Intimacy co-ordinators are vital to ensure actors feel comfortable enough on set to give an authentic performance, says Vanessa Coffey


End Credits: Selina Mehta, Zinc Media

The Zinc Media director of development on Malted Milk, Mumbai and her mum’s sausage rolls

Adow breakdown Shot

Scene-setting visual effects

The best recent work, from a recreation of Elizabethan London to deep space

Emily in Paris

Drama shakes off a turbulent year thanks to SVoD players

Commissions were hit hard in March and April as the pandemic took hold, but the genre bounced back in the second half of the year

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Mel Giedroyc: Unforgivable – creating comedy in lockdown

We’d nearly finished filming our panel show when production stopped, but we adapted, says Dom Wells-Martin


Newswrap podcast: C4 exec reshuffle unpicked

The team discuss this week’s mega restructure as C4 positions itself as a go-to destination in the digital world


Broadcasters' prospects for 2021

A director general on a mission to revamp the BBC in 2021


Focus Group: The Year Ahead

What is your television wish for 2021?


Content key as Disney battles with Netflix

Global streamers to increase spend on original programming

A Country Life For Half The Price

C5 to double down on winning formula

Feelgood programming remains the order of the day


C4 hunts fresh ideas in pivot to digital

Uncovering All 4-friendly shows is a primary goal for commissioning teams


Speed of recovery crucial for ITV

Some of the broadcaster’s biggest and most lucrative brands remain under pressure going into 2021


Sky set to ramp up in-house production

Beyond drama and comedy, Sky Studios is likely to take a more active role in funding documentaries

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CDN chief: ‘huge scale of inequality must be addressed’

Diamond’s Fourth Cut shows minorities are still being excluded from senior roles, says CDN executive director Deborah Williams

Masked woman

Lockdown 3: industry damaged but defiant

How TV is coping with the third lockdown

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It’s A Sin: out and proud in the 80s

Russell T Davies on why it was so important to cast gay actors in his 1980s-set AIDS drama

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Hope for a better year lies in putting staff welfare first

The industry has been inspiring in how it dealt with the pandemic, now focus must shift to colleagues

19276363-high_res-the-repair-shop-s5 (1)

How a malice-free format is thriving during lockdown

The BBC can’t always wallow in nostalgia, but The Repair Shop is just what’s needed right now, says Peter Bazalgette


Human interaction can be just as gripping as crime

Success of series like Normal People and I Hate Suzie shows you don’t need cops and killers to attract a big audience, says Danny Brocklehurst


Glued to the Screen: Line Of Duty

With its emphasis on character, Jed Mercurio’s police corruption drama takes me back to the great detectives of my childhood, says Ian McKee


Richard Hammond on The Great Escapists

Our ambitious attempt to reinvent pop-science for Amazon involved 13 shipping containers, a desert island and massive builds, says presenter

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Gaining Katie Price’s trust

Director Hannah Lowes on creating an intimate portrait of the reality star

Behind the scenes of The Brilliant World of Tom Gates filming the Make It segments

Bringing Tom Gates to life from our bedrooms

Covid forced us to make decisions on the fly to film and produce our Sky Kids series, says Sueann Rochester


A camera operator’s view: filming in Covid

Channel 4 News chief camera operator, Ray Queally, on the many challenges of filming news content during Covid-19

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Podcast: Sara Gibbings, Troy TV

Commissioning Conversations podcast returns, speaking to international producer Sara Gibbings about navigating 2020


We’re letting down working mums - just ask Dorothy

Podcaster Shaunagh Connaire is frustrated by the industry’s female talent drain

Bulletproof South Africa (11)

Gallery: Bulletproof: South Africa

Selection of images from the set of the Vertigo Films drama series for Sky 1

Dancing On Ice 2021

Why 13 could be lucky for Dancing on Ice

Every eventuality has been considered and contingency plan plotted for 13th series of ITV’s ice-skating competition, says Clodagh O’Donoghue

Michael Apted index

Memories of Michael Apted

Producer Claire Lewis reflects on four decades of collaboration with the legendary documentarian

Studioworks 3

Why collective action is key to increasing inclusivity in production

CEO of BBC Studioworks, Andrew Moultrie, calls on the industry to build on diversity efforts

Richard Wallis index

Time for TV to make lasting new year’s resolution

Bournemouth University’s Dr Richard Wallis says Covid-19 catapulted the industry’s bad habits into the spotlight

ocean rescue

How the industry can collaborate to make change

As Sky is unveiled among the sponsors of COP26, Sky Studios chief Gary Davey explains why it is launching guidelines on sustainable production

Virtual events

Virtual Worlds: Avoiding the Gimmicks

Creative agency DRPG on how to use gaming tech without falling into the trap of the ’gimmick’

A Discovery of Witches (5)

A Discovery of Witches, Sky

Bad Wolf exec producer Lachlan MacKinnon on creating 16th century London in South Wales


The ‘pawsome’ challenge of Pooch Perfect

Covid-19 played havoc with the planning of our BBC1 dog grooming competition series but it might have also made it better, says Damon Pattison

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London’s Greatest Bridges, C5

Lockdown restrictions have forced factual producers to think differently – but this can present creative opportunities, says Dominic Gallagher

dneg virtual production

How to make the most out of virtual production

Tim Doubleday, entertainment product manager at Vicon, on the benefits of virtual production


Bringing order to Pandemonium

Mucking in and keeping crew and cast safe were key to our Covid-themed comedy for BBC1, says Tom Jordan


Cuddling up in The Cabins

ITV2 dating format may lack the ‘rattling pace or ratcheted drama’ of similar behemoths but it gives viewers room to breathe, says exec Ben Stevens

Tiger King

Quiz of the year

Test yourself in our TV quiz of 2020


Unmasking the Singer again

Face-covering jokes aside, it took a Herculean effort to get the The Masked Singer’s second run on screen, says exec Derek McLean

1. Dancing on Thin Ice - Jayne Torvill & Christopher Dean

The impact of Torvill & Dean’s Alaskan adventure

Assessing the environmental cost of our quest to film the famous skaters perform the Bolero in nature underpinned our production, says Helena Braun

Ian Katz 0209

Top 10 interviews of 2020

Including Ian Katz, Ben Frow, Alex Mahon, June Sarpong, Two Brothers Pictures, David Olusoga and Mo Gilligan


Top 10 Behind The Scenes of 2020

Director Lenny Abrahamson and executive producer Ed Guiney reveal their experiences pulling together BBC3’s romantic drama


Top 20 news stories of 2020

Click for a round-up of the year’s most significant events

Clown HBC 3

Bringing Quentin Blake’s Clown to life

It was a race against time to realise our ambition for Channel 4’s animated special from day one, says Massimo Fenati

Marvels Hero project

Key brands help Disney+ hit 60m subscribers in first year

SVoD service enjoys bumper debut by leveraging IP from the likes of Marvel, Pixar, Lucasfilm and Nat Geo


Glued to the Screen: All Creatures Great and Small

With impeccable timing, C5’s series offered comfort and familiarity but freshness too, says Mirella Breda

pinewood entrance 3

The stage is set for UK studios

Demand is rocketing as production gets back on track, but new facilities and site expansions are coming down the line


Review of the year

From the global pandemic to the US election, Broadcast looks back on an eventful 12 months in television


How Roald & Beatrix saved Christmas

How Sky’s festive drama battled bad weather and the pandemic to make it to air in time for Christmas

Dan Louw

End Credits: Dan Louw, C5

The Channel 5 commissioning editor on Spurs, Springsteen and The Sopranos


Barbara Slater: the future of free-to-air

BBC director of sport makes strong case for the continued importance of keeping coverage available to non-pay audiences

spy wars

Don’t forget the multichannel broadcasters in PSB review

Policymakers must acknowledge that non-PSBs play a key role in the success of a mixed TV ecology, says Heather Jones

World on Fire

Distribution strong in the face of Covid

‘Buyers have been forced to change the nature of their relationship with sellers and think creatively’


This festive period, spare a thought for commissioners

Scheduling the perfect mix over Christmas is tough – and Covid has it even more of a challenge, says Lorraine Heggessey

Chris Curtis

Revolution in the air as industry looks to future

As broadcasters embrace the digital world, TV can and must do more to represent everyone


Mahon ready to throw off linear shackles

Chief executive sets out bold vision to shift C4’s priorities from linear to online


Will C4’s digital plan work?

Mixed response from producers and grandees to Future 4 strategy


Distributors find routes around Covid

Pandemic has benefited those with a big catalogue and nimble smaller players able to fill gaps in schedules


Buyers bet on new genres to plug gaps

Competition for content has been fierce this year, with acquisition execs prepared to take bigger risks to fill the holes in their schedules

Go Green with the Grimwades

Focus Group: Memorable moments of 2020

Our four panellists on getting through a challenging 12 months

Natpe Miami

Virtual events can be almost as good as the real thing

Napte Virtual Miami 2021 will be a seamless experience for all – and as fun and educational as ever, promises JP Bommel


Peer poll: All3Media still the one to beat

All Creatures Great And Small distributor tops poll for third year running, with BBC Studios again taking second place


Business as usual as sales move online

The lack of physical markets has had little negative impact, with some distributors achieving cost savings & a closer relationship with clients

Inside KFC At ChristmasD - Anne - KFC Buckshaw

Finding festive cheer in KFC

Sifting through 960 stores to discover the ‘people behind the uniform’ was a daunting task, says C4 ob-doc director Jonny Ashton

BBC Wales - 007

Building an all-IP HQ for BBC Wales

Roger Crothers, head of technology at BBC Wales goes behind-the-scenes at BBC Wales’ new state-of-the-art HQ in Cardiff’s Central Square

Mill archive

The challenges of long-term archiving

Eric Bassier, senior director product marketing at Quantum, outlines the long-term challenges of looking after your irreplaceable content

TheSurgeon'sCut_Season1_Episode4_Heart & Soul_03

The Surgeon’s Cut: capturing life and death situations

We scoured the planet to find the surgeons whose pioneering and lifesaving work is at the centre of our Netflix doc series, says James van der Pool

Maya Jama

Bringing back the MOBOs’ magic

Bringing back the music awards show for the first time in three years is vindication for an unexpectedly tough year, says Justin Rees

Angellica Bell & Ellie Harrison

Co-ordinating a Very Country Christmas

Tern TV had to grapple with PM’s Whack-a-Mole strategy and spiritual donkey-related conundrums for BBC1 three-parter, says exec Brendan Hughes

70302_10_S4_Ep10_The Great British Bake Off Ep10-7

Quiz of the month

Test yourself in our quiz on the industry news during the month of November

Jungle Mystery Lost Kingdoms of the Amazon9

Risking it all for C4’s Jungle Mystery: Lost Kingdoms of the Amazon

Our quest to document ancient rock art brought us face to face with Colombia’s most wanted man, says Paul King

Heather Jones index

End Credits: Heather Jones, A+E Networks

The A+E Networks general manager UK and senior vice-president, content & creative on record shops, ready-meals and a Theroux faux pas

Richard Bennett

Richard Bennett: a tribute

Roger Law says goodbye to an accountant extraordinaire, producer and a very good friend

Locked In

Locked In: Breaking the Silence, BBC4

Filmmaker Xavier Alford on the cathartic experience of sharing the story of his illness

Minnie Ayres, Jimmy Akingbola, Fraser Ayres SorryIDidntKnow_15Sep20-287

TriForce Creative Network: Banging the drum for diversity

Fraser Ayres, Jimmy Akingbola and Minnie Ayres on why the industry is finally taking diversity seriously


Creative Review: Bar-raising visual effects

Recent work in VFX reaches new levels of creativity


C5 broadens drama horizons

ViacomCBS UK deputy director of programmes Sebastian Cardwell on expanding scripted slate beyond crime and thrillers

The Queens Gambit

Why The Queen’s Gambit gets women so right

Female characters are often portrayed as dependent on men for their happiness, but Netflix’s chess drama makes no such mistakes, says Joanna Tilley


Licensing takes back seat as US studios launch D2C services

Can major players afford to forgo lucrative distribution deals?


Science shows thrive in pandemic

Growing appetite for genre as audiences seek information on coronavirus

John King new

Journalist certification a necessity to benchmark truth

As fact becomes increasingly hard to discern in the fake news era, certification offers a means to bring back trust, says Ben Fenton


Focus Group: Social media comedy stars

Our four panellists on turning social media comedians into TV stars


Exploring the World According to Grandpa

Creating a relaxed atmosphere for child actors in a Covid-19 world was no easy task, says exec producer Caroline Cherry-Roberts


Mackenzie Crook: Man of many talents

The actor and Pirates of the Caribbean star on leaving Hollywood behind to write and direct for British TV


Disability should not be a barrier to working in TV

While on-screen representation is improving, the hiring of off-screen talent is still well below target, says Deborah Williams

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Glued to the Screen: The Great British Bake Off

Ninder Billing finds C4’s ‘tent of tension and delight’ exactly what she needs in Lockdown 2.0


Disability campaigners call for producer allies

Leading figures in the battle to improve recruitment of disabled people across TV discuss why the industry is still falling short

Gold Rush

Lockdown has transformed post sector – for the better

Productivity has increased while plush offices and hotel-style customer service are no longer necessary, says Derek Moore


Coronation Street: Sixty years on the Street

How ITV Studios pulled off a series of ambitious 60th anniversary specials under Covid restrictions

Sunshine Jackson Underhill

Why TV must learn to manage properly

It’s time to end ‘anti-management’ techniques that impact mental health and cost producers money, says Sunshine Jackson Underhill


Collaborate to captivate audiences

Connecting producers to leaders in other fields will create better formats, says Donna Taberer


DIY: SOS’s most challenging build

Pulling off major constructions for television is tough at the best of times, so imagine that during a pandemic, says Hamish Summers


How The Liberator revolutionises animated drama

Our technology has transformed Netflix and A&E’s WWII drama into a unique live-action/comic book hybrid, says Greg Jonkajtys

Surviving the Stone_Age_CHutton-088

Surviving the Stone Age with Channel 4’s explorers

There was genuine jeopardy as our anthropological experiment pushed our ‘Stone Age’ cast to the limit, says Natalie Wilkinson


The Crown (season 4): review

Season four bursts into life with an array of young stars including scene-stealing turns from Josh O’Connor and Emma Corrin

The CHOP hosts Rick Edwards, Lee Mack and William Hardie

Quiz of the Month

Test yourself in our quiz on the industry news during the month of October

The Trans Women Athlete Dispute

Don’t forget TV’s LGBTQ community

Broadcaster diversity pushes are great, but they are missing us out, says Greg Sanderson


Being Frank, BBC2

Showing the truth about disability, leaky colostomy bags and all, is at the heart of Curious doc about the BBC security correspondent


The rollercoaster ride reopening Alton Towers

Our Channel 4 documentary reveals the quiet anxieties of staff at the famous theme park, says Kate Siney

Lindsey Hilsum doing PTC with Kipsigis warriors, during post election violence in Kenya

Don’t take democracy for granted

Comment: Western democracies are fragile and elections must be wary of violence and demagoguery, says Lindsey Hilsum


Finding the lockdown formula for IndieLab

Nothing beats good, old-fashioned networking but our class of 2020 has made the most of digital opportunities, says Victoria Powell

Jordan Davies, Lady Leshurr and and Darren Harriott with Bus

Taking Ghost Bus Tours mid-pandemic

Our Lithuania-shot horror entertainment series for ITV2 could have been a nightmare but ended up a scarily strong success, says Ben Wilson


American Nightmare: the two-week shoot that lasted six months

Covid-19 hit when I was filming our Channel 4 child poverty doc in US - but we decided to see it through, says Jezza Neumann


Angels of the North: two industries, two Covid protocols

Beauty salon ob-doc presented production challenges

Squires Corp Royall

In conversation: Rachel Corp, Cristina Nicolotti Squires & Paul Royall

Senior news editors on adapting to the ‘new normal’ and remaining impartial in a polarised world


Creative Review: Triumphs of post-production

The most impressive recent work in audio, effects and grading

Spitting Image 3

BritBox’s originals wishlist

Managing director Will Harrison reveals his plans to step up commissioning, with a focus on scripted shows that reflect British culture


Distributors Showcase Live: Selling diversity across the globe

Leading distributors assess the international appetite for diverse programming

adnan ahmed

Freelancers brace for second wave

Hard-hit self-employed workers bemoan lack of government support as fresh crisis looms


Small Axe: Lessons in black history

Tracing the stories of black West Indians over 16 years, director Steve McQueen’s new BBC1 series couldn’t be more relevant or timely


BBC3 needs to balance online and linear

Combined presence across TV and on-demand is best strategy for youth channel, says Scott Bryan


Glued to the Screen: Freddie Flintoff: Living with Bulimia

Daniela Neumann is humbled by this taboo-busting documentary that raises awareness of the condition in men


Emily Mortimer: In pursuit of period perfection

Writer, director and star of BBC1’s Nancy Mitford adaptation In Pursuit of Love set out to create something more than a ‘chocolate-box’ period piece


The BBC’s radical commissioning plan

Industry reacts to corporation’s proposal for switch to iPlayer-first approach


Saving Strictly: Interview with showrunner Sarah James

Exec producer on stress, self isolation and same-sex couples


Focus Group: Coping with Covid-19

Our four panellists discuss the difficulties of producing in quarantine

Fox & Friends

US-style news won’t work in UK

Impartiality rules mean there is no place for polarised, opinion-heavy services, says Peter Bazalgette


Broadcasters are no longer slaves to the schedule

The BBC and ITV are leading the charge in transforming the commissioning status quo, says Chris Curtis


Distributors Showcase Live: Boom time for format sales

Four leading distributors discuss the growing interest in classic shows and the wider impact of the pandemic on their business

Mel Bezalel

End Credits: Mel Bezalel, RDF

The director of development on Persian rice, John Hamm and turning down the thermostat

Posty © Joss Crowley 2020

Capturing the story of GRM Daily during lockdown

Lockdown surprisingly helped expand YouTube’s one-off YouTube doc about the rise of the grime music business to a series


Animation in lockdown: a new pace for stop motion

Every rule our animators use went out the window to create the second series of CBBC’s Scream Street, says Phil Chalk


The collaboration game – C5’s ‘confederate’ commission

How the trio of regional indies and commissioning editor reveal how they collaborated on A Big History of…

Nishy Lall new

Time to take diverse voices off mute

Television businesses to help young people from diverse and underrepresented backgrounds break into the sector, says Nishy Lall


Postcard from Florida: Trump’s last-ditch gamble

Donald Trump’s return to the campaign trail could represent the moment he lost his re-election bid, says Robert Moore


Addressing miscarriage on screen: a sensitive task

Producer and director Janice Sutherland, explains her C5 film about a topic no-one could bring themselves to talk about


Giving Sherlock a Russian makeover

We’ve reimagined the quintessentially British detective for a Russian audience but his beloved core attributes remain untouched, says Nurbek Egen

The Pact_shoot

Covid couldn’t stop us - try as it might

Sometimes it felt our BBC Wales drama The Pact would never get made, but we have made it into production, say Elwen Rowlands and Hayley Manning


Planning for life after furlough

With the Job Retention Scheme set to end, now is the time to organise your indie’s future, says Val Cazalet

iplayer bbc

PSBs face challenges - but they benefit from market changes too

Competition is hotter than ever, but those rivals are funding the PSB co-pro boom, says Adam Minns


Channel of the Year: BBC3

The channel is delivering across the genres


Multichannel Production Company of the Year: Firecracker Films

Firecracker’s shows have a prominent place across UKTV, BBC Scotland and E4


Best Factual Channel: BBC4

‘It is not afraid to push boundaries in terms of commissioning experimental shows and mixing genres with its output’


Best Short-Form Documentary: Life After Death: How Seven Kids Came Back from the Dead

Met the remit of bringing younger, underserved audiences back to the BBC

Cartoon Network index

Best Specialist Channel: Cartoon Network

‘The channel feels like the future, in a really positive way, which is entirely appropriate, because it is for kids’


Best Drama Programme: Guilt

‘The show was expertly scripted, acted and directed’


Best Programme Acquisition: Succession

First season peaked at 200,000, notching up an average of 150,000 over 10 parts


Best VR Experience: Common Ground

‘Uses the mediums involved to tell an emotional and important story that immerses you in inner-city lives’


Best Documentary Programme: Real Kashmir FC

‘A fantastic way to put BBC Scotland on the map’


Best Short-Form Scripted: Transaction

‘It feels new, fresh and funny’

Drag Race UK

Best Digital Support for a Programme: RuPaul’s Drag Race UK

‘A comprehensive and brilliantly executed campaign which ticked every box in the Digital Support playbook’


Best Short-Form Format: #FML - Most Racist Uber Ride Ever

‘Creative, funny, with great performances and a lot of charm’


Best Digital Children’s Content: The Worst Witch

‘A quality brand that stretches brilliantly across a range of platforms’


Best Sports or Live Event Coverage: Fury v Wilder

‘I felt like I was one of Fury’s best mates backstage with him’


Best Popular Factual Programme: Emma Willis: Delivering Babies

‘This is a channel-defining show that has cut through and continues to bring an audience to the channel’

Inside the Tower of London 38

Producing Inside the Tower of London from a distance

We had to remotely teach Beefeaters to become professional filmmakers to complete our C5 series during lockdown, says Sarah Sarkhel


The industry needs to bring a diversity lens to every table

The TV sector needs to interrogate the shortfalls and discrepancies in representation across all genres, says CDN chief Deborah Williams

Seetha crop

Bullying: no time to waste

Resources are already available to tackle this problem, writes Seetha Kumar

Mari Lucaccini - Production Designer and her team

Henry VIII: revealing the inner torment

Our quest to explore the mental health of the storied monarch for C5 through docu-drama took us to the Vatican and back, says Luke Korzun Martin

L-R Kenny Gamble, Olivia Lichtenstein, Leon Huff.  Gamble and Huff are legendery producers and songwriters  and creators of the Sound of Philadelphia

Creating the legacy Teddy Pendergrass deserves

Our BBC2 documentary about the late soul singer was tough to finance but spotlights his life and talent perfectly, says Olivia Lichtenstein


Bravery required from PSBs as pressure mounts

Content offering is strong but challenges remain around distribution, platform and branding

Prince Avalanche

AVoD’s unintended upside

Free, ad-supported on-demand services can be the digital era’s free TV, says Chris Sharp

Laura Martin Robinson PD and dancer Skye Markey

Strictly Amy: a private battle with Crohn’s during lockdown

Strictly star’s personal account of the terrible disease for BBC1 Wales transformed into a love letter to ballroom, says Laura Martin Robinson

Nacressa Swan website photo1.JPG

Diversity schemes are great – but they need to go further

A scheme launched my career and innovative new initiatives can do the same for the diverse voices we need in this industry, says Nacressa Swan


How BBC2’s Mountain Vets avoided Covid-19

We thought shooting the second series had been a challenge - then Covid turned up during the edit, says Edward Hart

70302_1_S3_Ep1_The Great British Bake Off

Quiz of the Month

Test yourself in our quiz on the industry news during the month of September

The Great British Bake Off

TV is bouncing back - but there are bumps ahead

Production is back on its feet, but awkward debates around programme costs require compromise and common sense, writes Chris Curtis


Profiling Palin’s lifetime of travel

Firecrest had to navigate a sea of challenges to weave together the wanders of a TV great, says series producer and director Andrew Abbott


Making a Millionaire during lockdown

Who Wants to Be a Millionaire? line manager Clair Carney on the show’s Covid-19 safe return to the studio

Dollan Cannell 1

Capturing C5’s Suspect No 1

Our police ob-doc series reveals the true nature of detectives’ work, says Dollan Cannell

critics 18[3]

Stepping up to the Covid plate

The team behind MasterChef: The Professionals on overcoming the challenges to record a new series


Gallery: The Crown

Selection of images from season four of Left Bank Pictures’ Netflix drama


Covid supervisors: Adapting to the new normal

What do Covid supervisors they do and how much power should they wield?


Cracking the code for a safe comedy shoot

Covid supervisor Maja Wlodarczyk reveals the procedures and protocols she had to be put in place to produce Code 404 for Sky 1

Inside the Spitfire Factory

Bringing the Spitfire back into service

Our More 4 series Inside the Spitfore Factory wasn’t just about filming – we were recording history, says Ed Avern

October Films crew at ZSL London Zoo 2020 (c)ZSL (3)

Our time filming London Zoo: An Extraordinary Year

This ITV ob-doc portrays a surprising and heart-warming picture of life in pandemic-struck Britain, says Barnaby Peel

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Bringing the Magic of Disney’s Animal Kingdom to life

Gaining access to Walt Disney World Resort was an unforgettable experience - just don’t tell my kids, says Ash Potterton

Diene Petterle, Creative Director at DSP

In Cold Blood: exposing a scandal

Our ITV feature-doc exposes one of the most shocking and underreported stories in the UK’s history, says Marcus Plowright


Ushering in a diversity revolution

Is transforming the commissioning class the best way to help reshape the industry?

Louis Theroux Life On The Edge

Louis Theroux’s indie ambitions

The docs legend loves the BBC, but wants Mindhouse to work with fresh talent and new broadcasters

Ben Frow index

Ben Frow teases a new direction

C5’s moody magician reveals how it navigated lockdown and hints at plans to freshen up its slate

BGT Semi Final 1-7

BGT: back in the spotlight

A socially-distanced studio couldn’t stop Thames’ entertainment smash from sparkling

Ash Atalla index

No need to rush to judgement

New shows, and the new Broadcast, need time to settle, writes Ash Atalla

Dan Reed and Norma Percy

In conversation: Dan Reed & Norma Percy

The film-makers swap notes on securing access and getting contributors to open up

2. Main Stage

Top Gear: back behind the wheel

The motoring format got a best-of-British makeover after lockdown threatened its BBC1 debut

68252_S1_Ep2_A Place In The Sun

How the indie sector coped with Covid

Ingenuity and hard work to the fore as producers were pushed to the limit


Unpicking ratings has never been trickier

Reaching younger viewers is hard – but still achievable, writes Danny Brocklehurst

BBC news image

Covid-19 accelerated BBC News’ remote working

The pandemic has demanded a more flexible operation, writes Morwen Williams

I Hate Suzie

Glued to the Screen: I Hate Suzie

In the first of a series celebrating new shows, the BBC’s Donna Taberer falls for Sky’s frazzled heroine

Adrian Padmore index

End Credits: Adrian Padmore, C5

Why Trevor, Trisha and Tottenham are the perfect combination for the factual commissioner

Chris Curtis

A new-look mag to reflect the changing TV landscape

Like the rest of the industry, Broadcast has had to react to the challenges of Covid-19


The best of post in lockdown

Remote working has not undermined creative excellence during a challenging period for the post sector


Focus Group: Working from home

The first panel in a new series discuss the pros and cons of living their work-life on Zoom

Tom Bradby

Covid coverage debates have been crucial at ITN

Striking the right reporting tone has been a huge challenge, writes Tom Bradby

The School That Tried to End Racism

C4’s three pillars of fact ent

Alf Lawrie reveals his shopping list

STar Trek Picard

Stakes high as the streaming wars heat up

Traditional players are playing catch up having lost power to digital players, says Kate Bulkley

Denise Seneviratne

Podcast: Denise Seneviratne, Channel 5

C5 commissioning editor reveals her commissioning wish-list and talks ‘no diversity, no commission’

Anna Mallett _DSF6373

ITN’s vital role in these extraordinary times

Comment: as we turn 65, examining the work we do and upholding the values that define us is crucial, says Anna Mallett


Resilience is key when working in production

Comment: 5 News presenter Sian Williams provides advice on dealing with tough times

Charlene White

We are duty-bound to engage young audiences

ITV News anchor Charlene White talks about her ITV series aimed at explaining racism to young audiences

Tim Davie at BBC Central Square

Newswrap podcast: BBC and Netflix in the spotlight

The team discuss the key points emerging from the Beeb’s annual report and a parliamentary grilling for Sky and Netflix

Family Fortunes (3)

Family Fortunes: Reviving a popular gameshow

“It was important for us to produce a programme that didn’t feel like we were hindered by Covid-19 in any way”


The Third Day: Making a Sky original on a small Essex island

Predicting the tides was just one of the challenges faced by producer Adrian Sturges and his team


Podcast: Philippa Collie Cousins, UKTV

Drama commissioner discusses the benefits of commissioning in lockdown

Walking with camera equiptment

Lost at Sea: our story of a father and forgotten hero

Louis Bird’s voyage of discovery about his ocean-crossing rower dad for Channel 4 had an emotional toll on us all, says Johnny Burke


The tech that’s shaped news reporting over the last 50 years

Ryan Kamata, European product manager at Canon Europe looks back at the technology that’s made the biggest impact on news broadcasting

Matthew Littleford index

My Mentor: Jon Stroud on Matthew Littleford

I went from installing WiFi on buses to creating programmes thanks to Matthew’s guidance, says Jon Stroud

Faking It Tears of a Crime 3

Producing in Lockdown - Faking It: Tears of a Crime

What lessons has Steve Anderson learned from 90 post-lockdown interviews, from west Wales to East Anglia?


A madcap dash through Europe making David Nicholls' Us

Our city-hopping drama production shoot had its own problems – and then Covid hit, says Hannah Pescod

How do solve_Maria_99481

Telly’s got talent - Connie Fisher on talent development

Transitioning from the West End to the development room gave a unique insight into talent, says the How to Solve a Problem Like Maria star


Recreating Singapore from Malaysia

The climate was challenging but ITV’s The Singapore Grip was a joy to film, says Mammoth Screen’s Farah Abushwesha

only fools trio 2

1981: Only Fools and Horses premiered

South London sitcom ran for 64 episodes

I'm a celebrity get me out of here!.. (1)

Quiz of the Month

Test yourself in our quiz on the industry news during the month of August

Tim Davie at BBC Central Square

Davie wastes no time making statement of intent

Floating idea of 20% cut in hours is sign of radical thinking


Des: our story of the serial killer

Keeping the hand of producer and director out of our shoot was key to unlocking the story of this true-crime drama

EP Rebecca Hewett Sound Supervisor Martin Seweryn with Joanne McNally Bush Hall Theatre

Comedy Central at the Edinburgh Fringe: remote but live

Our plan to recreate the energy of the UK’s leading comedy festival was a technical challenge like no other, says Chris Jones

Lodgers for Codgers Ep1F

Lodgers for Codgers: bringing the generations together

We combined flatmate speed-dating with intergenerational mixing to create our funny and emotional series, says Maia Liddell


Laura Burrell’s Lip Sync Battle love-in

ViacomCBS’s formats chief had no idea an adapted Tonight Show segment would take her all around the world – until it did


Britbox eyes US growth

Streaming service on course to expand beyond 1m subscribers and offer more original content

Screen Shot 2020-08-26 at 11.30.55

​Tackling video piracy head on

Akamai’s Ian Munford on his concerns about the rise of piracy and what can be done to defeat the pirates


We must collaborate to avoid getting squashed in fast lane

Lobbying Ofcom and government must be joint industry effort, writes Freeview’s Jonathan Thompson


Covid can be catalyst for change in comedy

The lack of an Edinburgh Fringe this year forces us to find talent elsewhere, says Richard Watsham

Dino Toybox 1

Opening up the Dino Toybox

Navigating a teething two-year-old was never going to be easy for our latest CBeebies dinosaur offering, says producer Paul Deane

Chris curtis

Is working from home working?

Five months into lockdown, replicating the creativity of offices remains a challenge


Our Yorkshire Farm special: self-filmed in lockdown

A wholehearted effort from the Owen family created the footage for our lockdown episode, says Kate Fraser

Can Sex Offenders Change

Providing a platform for sex offenders

Blakeway North’s BBC3 film overcame access and budgetary challenges


Podcast: Victoria Noble, Discovery

Discovery’s VP of original content for factual outlines commissioning needs for “noisy factual shows”

james may moon

Obituary: Aidan Laverty

Jonathan Renouf remembers a producer who took James May to the edge of space

Chris curtis

Only action can rebuild the trust lost over diversity

Anger evident from BAME community as broadcasters promise to do more

Royal Albert Hall credit Royal Albert Hall

The BBC keeps the music playing

Social distancing means the 125th Proms season will be unlike all others – but the broadcasts will go ahead, says Jan Younghusband

Mr Chips helping to make the Catchphrase studio Covid-safe

How Celebrity Catchphrase got back into the studio

Gary Chippington reveals how the quiz became the first major entertainment series to return to studio post-lockdown

Jago Lee

Why podcasts are TV’s new obsession

Audio allows producers to attempt the ‘unproduceable’, says Jago Lee


Life in an audio post house during Covid-19

Lee Walpole , Sound Editor and Re-recording Mixer, Boom

Grayson’s Art ClubC

PSBs must be clear-eyed about scale of challenges ahead

Ofcom content chief Kevin Bakhurst questions what the UK broadcasting sector’s ‘lockdown legacy’ will be

Amanda Rees S4C

Podcast: S4C’s Amanda Rees on Covid-19 and co-pros

Director of content is keen to build stronger partnerships with the production community

The Morning Show

Why The Morning Show is more than just the first great #MeToo drama

Showrunner Kerry Ehrin, director Mimi Leder and Gugu Mbatha-Raw speak to Screen about the Emmy-nominated drama

Matt Cain2

Incentivise the industry to save production

Without intervention, indies face reduced broadcaster commissioning budgets for years to come, says Matt Cain of Oliver & Ohlbaum


Why I’m waving goodbye to TV

Production’s a wonderful way to make a living but it’s no longer worth the stress, says Gigi Eligoloff


Green shoots sprout at ITV

First-half results cause for some optimism – but production margins under pressure

Mash report

Nish Kumar: taking UK satire to the US

The British comedian and broadcaster on Quibi series Hello America and why the BBC deserves credit for taking a chance on The Mash Report


Our journey into Fidel Castro’s Cuba

Co-producing the story of socialism in Cuba tested our journalistic skills to the limit, says Mick Gold

The TalkI

Preparing for The Talk with C4

Distancing posed a challenge when filming celebrity contributors and their parents for our exploration of a little-known Black British custom

Phil edgar jones sky official

Podcast: Edgar-Jones on Sky Arts’ ambitions

Channel director sets out commissioning plans following free-to-air move

lorraine_10 (1)

The diary of an agent in lockdown

Supporting talent, negotiating fees and encouraging creative development have been key, says InterTalent Rights Group chairman Jonathan Shalit OBE


Insurance breakthrough paves way for autumn restart

Optimism that prodcution capacity could shortly be back to 70%-80%

WhatsApp Image 2020-06-28 at 19.25.05

Cooking up a lockdown barbecue treat for Food Network

Covid-19 forced Blink Films to grill every decision when making Tom Kerridge Barbecues, says Simon Arnold

Courtney White index

Podcast: Food Network’s Courtney White shakes up the schedule

President of Discovery’s food channel tells Hannah Bowler she is taking the network in a new direction


Quiz of the Week

Test yourself in our quiz of the past seven days

VeryNice Mirror Mirror

TV is an infinity mirror of itself

For too long we have dumbed down and homogenised the way we represent our nation, says Andrew Robertson

Chris curtis

Squeezed indies caught in the middle

Tough choices for production sector as it gets back to work

Adeel Amani index

TV and racism: where next for the industry?

Key moments from June’s TV Mindset debate on racism in television

Watchmen 4

Why Damon Lindelof adapted Watchmen for TV

The Leftovers creator adapted Alan Moore’s graphic novel to confront America’s volatile political and cultural landscape

Stuart Carter

The co-production survival guide

Working with production partners isn’t perfect but it’s more necessary than ever, says Stuart Carter


Finding the heart of The Real Eastenders

The Isle of Dogs has a magical aura and it was our challenge to represent that on screen, says Ashley Francis Roy

The School That Tried To End Racism23

Indie leadership lessons are vital - so let’s share them

ScreenSkills and Broadcast hosting 22 July event to discuss challenges of the pandemic


Building HGTV’s Weekend Workshop in lockdown

With productions halted and staff fighting effects of the virus, our DIY series for HGTV was a lifesaver, says Richard Osborne


Newswrap podcast #12 SVoD special

Netflix, Peacock and a UK streaming play by Discovery grab the limelight


Quiz of the Week

Test yourself in our quiz of the past seven days


What the Radio 1 of yesteryear can teach today’s BBC

Paul Robinson on what radio’s relationship with 15-24s reveals about an audience that’s falling out of love with the BBC


My Mentor: Emily Dollman on Steven D Wright

The long-time Broadcast columnist may have a reputation as a grumpy telly hater, but nothing could be further from the truth, says Emily Dollman

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Having the craft to beat Covid-19

Nominees from tonight’s Bafta TV Craft Awards reflect on how the pandemic has impacted their work

Antiques Road Trip returns to filming

Hats off to hard-working indies

Return to production is result of gruelling efforts


Covid-19 commissioning strategies revealed

Latest Broadcast Intelligence report Commissioning Under Covid tracks broadcasters’ response to lockdown

Mummies with Linda - ​The Hunt for Cleopatra’s Tomb

Covid and Cleopatra: the story of C5’s Egyptian dig

Organising filming of a tomb excavation felt at times like the impossible puzzle, says Lucie Ridout

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Is Gen Z lost to the PSBs?

Claire Hungate asks whether linear broadcasting can win back young audiences


My Mentor: Greg Sanderson on Nick Fraser

The former BBC Storyville supremo taught me the true art of keeping filmmaking simple, says Greg Sanderson

Angela Griffin and Robin Shepphard

My Mentor: Angela Griffin on Robin Sheppard

Robin Sheppard helped the popular actor realise she is capable of working behind the camera, not only in front of it


Sex Education star on resuming production

‘They want to get it right – there will be a lot of safety protocol put in place’

House Through Time S3

Quiz of the Week

Test yourself in our quiz of the past seven days


Banijay faces structural balancing act

Creativity and efficiency are elusive combination for whole production sector


How Dragonfly filmed frontline paramedics during the pandemic

Safely and successfully following NHS workers during lockdown for Channel 4 impacted us all, says Peter Wallis-Tayler

James Friend

My Mentor: James Friend and James Stier

How cinematographer James Friend is supporting camera assistant James Stier’s move from docs into high-end drama

BTS the country walk

‘Excluded freelancers seem to have become the permanently forgotten’

Series director/senior producer James Taylor’s personal experience shows ‘the government doesn’t understand how our industry actually works’

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Tim Crescenti on discovering Dragons’ Den

The moment the formats guru saw a ropey trailer for the Japanese business format, he knew it was a hit


Crossing a cultural chasm to shoot Giri/Haji in Japan

Why filming in Tokyo was crucial for executive producer Chris Fry to ensure the Sister crime thirller felt authentic

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Edgar-Jones on catching the zeitgeist in Normal People

Star of Element Pictures’ series on finding Sally Rooney’s Spotify playlist and working with an intimacy coordinator


Firing up Succession’s central relationship

Brian Cox and Jeremy Strong discuss their roles on HBO’s drama

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Streaming 360-degree video: The challenges to overcome

InterDigital tech staff discuss the stumbling blocks on the way to offering high-definition 360-degree video streams to a mass market

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How the Nolans stayed in cruise control for Quest Red

The coronavirus put paid to several European excursions we’d planned for the Nolan sisters but we adapted, says Dimitri Nicomanis

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C4’s Growth Fund must not become a Covid-19 casualty

Kate Bulkley says it is a lifeline to producers – and generates healthy returns


How Rachel Khoo made a coronavirus era cooking show

Creating a Food Network series while self-isolating in a remote Swedish village was a unique experience, says celebrity chef Rachel Khoo

Tiger King

Quiz of the Week

Test yourself in our quiz of the first half of 2020

My Grandparents War

Pressure mounts on indie community

Closure of Wild Pictures points to sector under strain

Vanessa K

The more who come forward, the better

Vanessa Kirkpatrick, one of the UK’s first black newsreaders, says speaking out is vital for change as she recalls her experiences of racism within the industry

Trump in Tweets

Telling Trump’s tale through tweets for BBC3

Communicating ‘The Donald’s’ revolutionary method of speaking to the electorate was made all the harder by lockdown, says director Emeka Onono

Redrow Social Distance Shoot

The new rules of production and the role of the on-set Covid Operative

Dominic Allen, video director and scriptwriter at DRPG on returning to shoots post-lockdown and the new role of the Covid Operative

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Tales of a veteran TV hack

Robin Parker looks back over a 13-year career with Broadcast as he signs off from the title


Gallery: Television Centre’s 60th anniversary

Selection of of previously unseen images of the BBC’s White City location and landmark programmes made there

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2013: Charlotte Moore confirmed as BBC1 controller

Documentaries commissioner beat entertainment boss Mark Linsey to the role


David Cornwall on ‘serendipitous’ Diana doc

Navigating secretive contributors, demanding commissioners and NDAs were all worth it for the Scorpion TV founder


Carlotta Rossi Spencer’s format trio

Every deal, good or bad, is a learning experience, says Banijay formats guru

Rob Greig

Clearing the way for C5's mega-landfill doc

We needed a full arsenal of kit to capture the best footage of a giant, dusty California landfill site, says Rob Greig


Disney and Sky: a linear relationship that fizzled out

The breakdown of carriage for linear kids’ channels speaks to new imperatives for both sides


Romesh: diversity in TV isn’t where it should be

The comedian and presenter discusses why progress on diversity is behind schedule and producing The Ranganation in lockdown

Inside the Zoo - Tern

Quiz of the Week

Test yourself in our quiz of the past seven days

The School That Tried to End Racism behind the scenes pic

Behind the scenes at The School that Tried to End Racism

Our ob-doc mini-series about unconscious racial bias in children helped out production team understand more about themselves, says David DeHaney


Cross-media partnerships hint at a deeper consolidation to come

Consumer gatekeepers will broaden carried services

Jellyfish Pictures Global Hubs

Jellyfish: Why We’re Going Remotely Global

Jellyfish CEO Phil Dobree on how virtualised production has eliminated global boundaries

Graham Sherrington

Don’t let Covid-19 derail nations and regions progress

Industry must not retreat to London post-pandemic, says Graham Sherrington

Ashley Jean Baptiste

Creating an industry of equality

Broadcasting can be inclusive of young people from all backgrounds, says Ashley-John Baptiste

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Building a pyramid for C4

Constructing a real-life pyramid from scratch in Mexico was a unique TV challenge, says Bella Falk


Quiz of the Week

Test yourself in our quiz of the past seven days

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Nikki Lilly Bakes: truly a family affair

Our teenage baking star’s parents became vital members of our production, says Sarah Murch

Top Gear

Ingenuity and insurance key as production restarts

Creative thinking is central to helping overcome social distancing obstacles

Make Me Famous (20)

Dramatising the reality of fast fame

Reggie Yates’s drama exploration of reality TV feels like an urgent story to tell, says Sue Horth

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Mo Gilligan: the industry must do better

The comedian and presenter tells Desiree Ibekwe it’s time TV gives diversity talent a consistent chance to excel

Afua Hirsch

Afua Hirsch & Lucy Pilkington: plotting change

Presenter Hirsch has partnered with Milk and Honey Productions founder to create a ‘safe space’ production venture with diversity at its heart

David Wise

My Mentor: Mel Bezalel on David Wise

Fresh One creative director steered the RDF development chief through her early career with ’generosity and genuine interest’

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TV will survive if we work together

Lockdown has been hard but starting up again is an even bigger challenge, says Craig Hunter

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The time for real action is now

Every single company has a responsibility to create a diverse production sector, says Fraser Ayres

Idris Block

UK pay-TV resists the Covid Crunch

Sports restart will boost subscriber numbers