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Broadcast Magazine
Jed Mercurio: Ready for duty
Line Of Duty creator on working with new writers and his issues with the UK’s commissioning set-up
Analysis: The indie sector has its say
Comments from 100-plus respondents to the Indie Survey provide an unvarnished snapshot of life as a producer
AFP comes into its own
Ad-funded programming is enjoying a resurgence as its reputation improves and traditional ad spots take a hit from the pandemic
British comedy hits the US sweet spot
Interest in UK series remains strong across the pond, with growing demand for remakes and finished tapes
Asacha plots an empire
Pan-European group has been steadily acquiring production firms and has now gained a foothold in the UK with the acquisition of Wag TV
The Syndicate: Eyes on the prize
Writer Kay Mellor on her determination to mix young working-class actors with more familiar faces as her Lottery-winner drama returns
Special Features
End Credits: Nagajan Modhwadia
Glued to the Screen: Cornwall: This Fishing Life
How are you responding to broadcasters’ calls for more off-screen diversity?
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Quotas to the fore as Davie’s change agenda gathers pace
The BBC is to produce more shows outside of London, but devolution of commissioning power is unclear
TV should lead the way on ending workplace bullying
We have a duty of care to each other and our industry should be ahead of the curve in calling out bad behaviour, says Jane Perry
We must pressure government to do right thing on prominence
Broadcasters have to work with the global streamers or risk becoming irrelevant – but they have an ace up their sleeve
Sketch comedy is flourishing but needs more space to shine
Young talent are breathing new life into a genre that looked dead and buried just a few years ago, says Lorelei Mathias
Lockdown lesson: if you wanna get ahead, get a shed
Garden working has been great, but I’ve had to swap Channel 4 for Naked without meeting my colleagues, says Fatima Salaria