Cohen has previously worked at Blue Sky Studios, Fox Animation, Mikros Animation, and McKinsey
Russ Shaw, founder & head of virtual production at Quite Brilliant, reveals its work on a commercial for Warburtons
The Synthetic Video Detector NVIDIA NIM microservice is part of the NVIDIA For Media platform
Scene Search doesn’t rely on metadata to find moments in archived material
Themes have been revealed for the expanded 2026 event, which will take place at BFI Southbank on 11 November
It is unclear if the other stages will continue to run on the smaller footprint
Peter Barber, now CEO of Atomos, has also taken fellow co-founders Grant Petty and Douglas Clarke to court
Founder Sally Pacy says the independent facility explored every option to survive, but the economics of today’s industry made closure inevitable
Morris Group takes non-controlling stake in the post house
Fisher is tasked with reshaping production pipelines by bridging traditional craft with generative AI, 3D tools and emerging technologies
The FX5 brings Open Gate shooting, Dual Gain mode, three base ISOs and 32-bit float audio to a portable body
Broadcast Tech speaks to co-CEO Nick Price and chair Mark Benson about the new AI-powered VFX house
VFX company Unit has strengthened its production department with the appointment of Grew, who brings more than 26 years of experience to the role
Foundry’s AI-driven SmartRoto add-on for Nuke enables artists to work up to 4x faster compared with manual rotoscoping alone
Wood previously worked at Envy from 2010-2021
The Synthetic Video Detector NVIDIA NIM microservice is part of the NVIDIA For Media platform
Recorded live at the Broadcast Tech Cloud Innovations Forum, this panel features industry experts debating the merits of cloud versus local and hybrid workflows
Click the magazine to read about MPTS 2026, traditional TV companies’ efforts to partner with creators; the new types of content being produced with AI; sustainability in post-production; producing for US networks from the UK; what’s happening with Welsh studios; how VFX is approaching AI; and more