Eddie AI launches V2 of “ChatGPT for video editing”
FilmLight introduces Baselight for macOS
Slapshot launches AI-powered rotoscoping & frame generation app
Cinesite secures US$215m investment
Avid bolsters leadership team
Innovate UK awards £500k to AI rotoscoping tool
Splice adds Jamieson as senior colourist
Adobe announces initiatives to help film and TV creators
Dirty Looks certifies as B Corp
Jellyfish Pictures suspends operations
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IWD 2025: How to make tangible steps towards lasting change
Victoria Poole, founder of IfNotNowWhen, on moving beyond conversations about gender equality and doing something about it
IWD 2025: Championing diversity and inclusion in the creative industry
Amanda Luckwell, co-founder of Unit, explains how she is leading the charge to accelerate action towards achieving gender equality
The Farm bolsters leadership team
The newly reinstated post house has promoted Milena Cave to head of production and Mark Wynter to general manager
Post uncovered: Space Digital on Missing You (Netflix)
The Salford-based visual effects house explains its work on the Harlan Coben adaption
Halo recruits senior colourist Will Coker
He previously held colourist positions at The Farm, Pictureshop and Encore
The fall of Technicolor – what went wrong
Will Cohen explains why the demise of Technicolor and its UK brands – MPC, The Mill and Mikros – was, sadly, inevitable, and what happens next
Post uncovered: Scanline VFX on American Primeval (Netflix)
Over 1,000 VFX shots were produced for western
The Mill US team leaves Technicolor to launch new venture, Arc Creative
Creative leadership and staff working with Dream Machine FX on short-form VFX business
Technicolor UK appoints administrator and makes “majority” redundant
Interpath Advisory claims labour costs and writers’ strike exacerbated existing financial difficulties
Post uncovered: Space Digital on Missing You (Netflix)
The Salford-based visual effects house explains its work on the Harlan Coben adaption
Post uncovered: Scanline VFX on American Primeval (Netflix)
Over 1,000 VFX shots were produced for western
VFX uncovered: Absolute on Sweetpea (Sky)
Absolute’s Film & TV department delivered 484 shots over six episodes
Post uncovered: Vine FX on The Rig (season 2)
The VFX house established a new USD (Universal Scene Description) pipeline to handle the volume and complexity of the assets
Post uncovered: Unit lights up Shoreditch skies with 3D holograms for Samsung
The effects included a blue whale gliding through the sky, displays of the northern lights and flowers blooming to life
Post-production uncovered: Four Kings (Prime Video)
Director and DP Stewart Kyasimir explains how the boxing docu-series was post-produced at Workerbee