RunVT strengthens team with two Fifty Fifty hires, Joe Stabb and Gavin Allingham
The Edit bolsters audio dept with Sam Castleton
Post uncovered: Vine FX on Enola Holmes (Netflix)
Post uncovered: The Look on Rivals (Disney+)
Post uncovered: MediaCity Post on The Blame (ITV)
UFO launches in London with remote audio post platform
Tom Stow joins Storm as finishing editor
Judges revealed for Broadcast Tech Innovation Awards 2026
Freefolk launches new colour department
Untold Studios appoints Adrianna Cohen as president of film & episodic VFX
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Soho post house Fifty Fifty closes after 23 years
Founder Sally Pacy says the independent facility explored every option to survive, but the economics of today’s industry made closure inevitable
Envy secures investment from Morris Group
Morris Group takes non-controlling stake in the post house
Freefolk appoints Matt Fisher as first head of creative technology
Fisher is tasked with reshaping production pipelines by bridging traditional craft with generative AI, 3D tools and emerging technologies
Why we set up AI powered VFX house The Next Valley
Broadcast Tech speaks to co-CEO Nick Price and chair Mark Benson about the new AI-powered VFX house
Unit appoints Belinda Grew as executive producer
VFX company Unit has strengthened its production department with the appointment of Grew, who brings more than 26 years of experience to the role
Foundry launches AI-powered SmartRoto plugin for Nuke
Foundry’s AI-driven SmartRoto add-on for Nuke enables artists to work up to 4x faster compared with manual rotoscoping alone
Danny Wood rejoins Envy as senior colourist
Wood previously worked at Envy from 2010-2021
Elephant Goldfish appoints Light Iron co-founder as executive director
Light Iron co-founder and former Samsung global head of cinematic innovation Des Carey joins the Molinare Creative Group’s Dublin operation
Foundry appoints Griptape founder Kyle Roche as chief AI officer
The appointment signals Foundry’s ambition to position Griptape as the foundational AI architecture for professional VFX and animation pipelines
Post uncovered: Vine FX on Enola Holmes (Netflix)
Cambridge-based VFX house produced 150 shots for Legendary production
Post uncovered: The Look on Rivals (Disney+)
The Look developed a richer, more nuanced visual language for the second season of Disney+’s Rivals
Post uncovered: MediaCity Post on The Blame (ITV)
MediaCity Post delivered a UHD HDR grade and bespoke remote workflow across London and Manchester
Post uncovered: BlueBolt crafts 160 VFX shots for Outlander’s final season
BlueBolt transformed Scottish and Derbyshire locations into colonial Georgia and crafted a multi-layered fire sequence
Post uncovered: Residence Pictures on Intelligence Rising (feature)
Documentary film looks at what the rise of AI could mean for the future
Post uncovered: Space Digital on The Witness (Netflix)
The VFX house provided invisible fixes, world extensions and period car additions for the three-part limited series about the 1992 murder of Rachel Nickell