Vine FX opens Manchester studio, led by Jim Solan
Loop Talent expands post-production division amid sector turbulence
Harbor Picture Company appoints Nick Melville as senior sales executive
Post Production World Conference Europe opens for ticket sales
Roundtable Post ceases trading
Best post-production house: Suite
Exclusive: Farm Soho unveils major Gt Marlborough St facility transformation
Forever Audio appoints Tim Sketchley as sound engineer
Unit appoints Stephen “Huggy” Henry as head of 3D
The Voiceover Gallery launches division for short-form content production
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Racoon appoints Will Garbutt as commercial director
Will Garbutt joins the post house following an 11-year stint at Halo
Slapshot launches Autopilot AI system for automated rotoscoping
The AI-powered system, now in use on large-scale productions, is designed to save days or weeks at the start of post-production
Forever Audio adds Wave founder to lead studio partnerships
Audio post house Wave closed down at the end of 2025
Filmlight launches Baselight v7
Latest version of grading software includes new matte, conforming and finishing tools
Base FX opens London studio, led by David Fowler and Alasdair MacCuish
The Emmy and BAFTA-winning visual effects company is opening its first European facility in London
Post uncovered: Cinesite and Vine FX on The Witcher, Season 4 (Netflix)
Cinesite reimagined iconic sequences, while Vine FX delivered VFX shots across 18 sequences for Season 4 of the fantasy drama
Post uncovered: Milk VFX on The Rats: A Witcher Tale (Netflix)
Milk VFX delivered complex creature and visual effects work for The Rats: A Witcher Tale, working closely with Production VFX supervisor Sara Bennett and VFX producer Gin Godden.
Post uncovered: Dock10 and Space Digital on Run Away (Netflix)
The MediaCityUK facilities delivered post-production and VFX on the eight-part Netflix thriller produced by Nicola Shindler’s Quay Street Productions
Zeb Chadfield becomes sole owner of The Finish Line
He’s acquired full ownership of the three-time Gold Winner of Broadcast’s Best Places to Work and plans to double its workforce in the coming years
Post uncovered: Cinesite and Vine FX on The Witcher, Season 4 (Netflix)
Cinesite reimagined iconic sequences, while Vine FX delivered VFX shots across 18 sequences for Season 4 of the fantasy drama
Post uncovered: Milk VFX on The Rats: A Witcher Tale (Netflix)
Milk VFX delivered complex creature and visual effects work for The Rats: A Witcher Tale, working closely with Production VFX supervisor Sara Bennett and VFX producer Gin Godden.
Post uncovered: Dock10 and Space Digital on Run Away (Netflix)
The MediaCityUK facilities delivered post-production and VFX on the eight-part Netflix thriller produced by Nicola Shindler’s Quay Street Productions
Post uncovered: Union VFX on Anemone (film)
The VFX house worked on shots including an apocalyptic hailstorm and a photoreal sculptural creature
Post uncovered: Lux Aeterna on Squid Game: The Challenge, Season 2 (Netflix)
Studio Lambert brought in VFX house Lux Aeterna to maintain the high-end visual standards of the original Korean drama
Post uncovered: Milk on The Witcher Season 4 (Netflix)
Milk created 46 shots for the series – watch the VFX breakdown below