Harvey-Luckwell returns to the VFX house with credits including Slow Horses, 28 Years Later and Wolf King
Mark Benson believes VFX supervisors and artists are leading the charge in meeting the complex demands of new platforms and formats
The acquisition reunites two facilities that were previously sister companies, as Picture Shop Bristol rebrands to Home Post Production, Bristol
AI tool allows VFX artists to change the lighting, background, props, costumes, and on-screen world of a video
The former Evolutions and ITV editor joins the post house as it expands its editorial and picture/audio capacity in Fitzrovia
Jamie Gettings to lead offering as camera facilities manager
Post house has brought in scheduling software after acquisition by North Star Media
Alastair McCleave joins as senior dubbing mixer and Michelle Tesfamichael joins as client services and facilities manager
Foundry products such as Nuke will be integrated into Griptape’s platform for AI tools
The visual effects house created a series of invisible VFX focused on expansive environments, dramatic weather and significant digital world-building
Union has returned as sole VFX vendor on 28 Years Later: The Bone Temple, delivering 380 shots for Nia DaCosta’s continuation of the franchise
Cinesite reimagined iconic sequences, while Vine FX delivered VFX shots across 18 sequences for Season 4 of the fantasy drama
Milk VFX delivered complex creature and visual effects work for The Rats: A Witcher Tale, working closely with Production VFX supervisor Sara Bennett and VFX producer Gin Godden.
The MediaCityUK facilities delivered post-production and VFX on the eight-part Netflix thriller produced by Nicola Shindler’s Quay Street Productions
The VFX house worked on shots including an apocalyptic hailstorm and a photoreal sculptural creature