Victoria Poole, founder of IfNotNowWhen, on moving beyond conversations about gender equality and doing something about it
Amanda Luckwell, co-founder of Unit, explains how she is leading the charge to accelerate action towards achieving gender equality
The newly reinstated post house has promoted Milena Cave to head of production and Mark Wynter to general manager
The Salford-based visual effects house explains its work on the Harlan Coben adaption
He previously held colourist positions at The Farm, Pictureshop and Encore
Will Cohen explains why the demise of Technicolor and its UK brands – MPC, The Mill and Mikros – was, sadly, inevitable, and what happens next
Over 1,000 VFX shots were produced for western
Creative leadership and staff working with Dream Machine FX on short-form VFX business
Interpath Advisory claims labour costs and writers’ strike exacerbated existing financial difficulties
The Salford-based visual effects house explains its work on the Harlan Coben adaption
Over 1,000 VFX shots were produced for western
Absolute’s Film & TV department delivered 484 shots over six episodes
The VFX house established a new USD (Universal Scene Description) pipeline to handle the volume and complexity of the assets
The effects included a blue whale gliding through the sky, displays of the northern lights and flowers blooming to life
Director and DP Stewart Kyasimir explains how the boxing docu-series was post-produced at Workerbee