The Farm, Goldcrest, Fifty Fifty & Unit join Residence’s Pixel Pathway scheme
ITN Post takes the next step
Deep Fusion launches GenAI VFX division
The Look adds screening rooms and grading suites to London HQ
Foundry unveils Nuke Stage updates for virtual production workflows
Absolute & Blind Pig close down
Blazing Griffin opens theatrical film grading suite in Glasgow
Post uncovered: Time Based Arts on Mint (BBC1)
Post uncovered: Margo’s Got Money Troubles - title sequence (Apple TV)
Framestore appoints Theo Jones as creative director, AI
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The Loc Studios triple hire expands 3D & high-end episodic services
Jonathan Rawlinson, James Coore and Jack George all arrive from Realtime
Hybrid AI VFX studio The Next Valley launches
Alibi Studios and nmatic.ai have joined forces to launch The Next Valley, a hybrid AI VFX studio that combines human-led creative disciplines with genAI
Marshall Street Editors closes after 27 years, citing rent rises and costs
The editing house, founded in 1999 by Tim Thornton-Allan and John Mayes, announced its closure on Instagram, thanking staff, clients and partners
Jumbuck promotes Zubova & Boot
Zubova becomes deliverables manager, while Boot moves to ADR mixer
Broadcast Tech - Spring 2026
Click the magazine to read about MPTS 2026, traditional TV companies’ efforts to partner with creators; the new types of content being produced with AI; sustainability in post-production; producing for US networks from the UK; what’s happening with Welsh studios; how VFX is approaching AI; and more
Blackmagic adds AI search and voice creation in DaVinci Resolve 21
Latest major update also includes new stills page
Adobe adds colour grading mode to Premiere Pro
Addition to editing software now in private beta
Enbarr launches with Dublin VFX house
Facility becomes part of Dream Machine FX Group
Suite makes trio of senior hires
Max Goldini arrives from Home as senior colourist
Post uncovered: Time Based Arts on Mint (BBC1)
Director Charlotte Regan, DP Christopher Sabogal and colourist Simone Grattarola explain how they created a distinctive visual style for BBC’s crime-drama
Post uncovered: Margo’s Got Money Troubles - title sequence (Apple TV)
The creative team at Peter Anderson Studio explain how they built the intricate ‘Assault Course of Life’ sequence
Post uncovered: Dock10 on Waterloo Road, series 17 (BBC)
The MediaCity facility has posted the BBC drama since its 2022 return, creating tailored workflows including on-set connectivity and remote recording capabilities
Post uncovered: Vine FX on After the Flood, Season 2 (ITV)
Vine FX delivered a full suite of effects across 336 shots and 94 sequences spanning all six episodes
Post uncovered: Milk VFX on Under Salt Marsh
The visual effects house created a series of invisible VFX focused on expansive environments, dramatic weather and significant digital world-building
Post uncovered - Union VFX on 28 Years Later: The Bone Temple (feature)
Union has returned as sole VFX vendor on 28 Years Later: The Bone Temple, delivering 380 shots for Nia DaCosta’s continuation of the franchise