Broadcast Tech - Autumn 2026
Racoon adds Kavanagh as senior post producer
Bsquared bolsters Glasgow team with Alex Broad hire
Lux Aeterna adds Stay to senior team
The Finish Line launches Production Buddy platform
Peace joins runVT as senior post producer
The Edit bolsters audio dept with Sam Castleton
Post uncovered: Vine FX on Enola Holmes (Netflix)
RunVT strengthens team with two Fifty Fifty hires, Joe Stabb and Gavin Allingham
Post uncovered: The Look on Rivals (Disney+)
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Post uncovered: MediaCity Post on The Blame (ITV)
MediaCity Post delivered a UHD HDR grade and bespoke remote workflow across London and Manchester
UFO launches in London with remote audio post platform
The audio post-production house is built around a proprietary remote session platform using custom-calibrated headphones
Tom Stow joins Storm as finishing editor
Stow has been in the indusrty for over a decade with Roundtable, Evolutions and others
Judges revealed for Broadcast Tech Innovation Awards 2026
Senior figures from Netflix, Disney, Banijay, Sky, BBC, ITV, the EBU, Hearst Networks and more to judge
Freefolk launches new colour department
Five colourists join team to act as a freelance collective
Untold Studios appoints Adrianna Cohen as president of film & episodic VFX
Cohen has previously worked at Blue Sky Studios, Fox Animation, Mikros Animation, and McKinsey
Soho post house Fifty Fifty closes after 23 years
Founder Sally Pacy says the independent facility explored every option to survive, but the economics of today’s industry made closure inevitable
Envy secures investment from Morris Group
Morris Group takes non-controlling stake in the post house
Freefolk appoints Matt Fisher as first head of creative technology
Fisher is tasked with reshaping production pipelines by bridging traditional craft with generative AI, 3D tools and emerging technologies
Post uncovered: Vine FX on Enola Holmes (Netflix)
Cambridge-based VFX house produced 150 shots for Legendary production
Post uncovered: The Look on Rivals (Disney+)
The Look developed a richer, more nuanced visual language for the second season of Disney+’s Rivals
Post uncovered: MediaCity Post on The Blame (ITV)
MediaCity Post delivered a UHD HDR grade and bespoke remote workflow across London and Manchester
Post uncovered: BlueBolt crafts 160 VFX shots for Outlander’s final season
BlueBolt transformed Scottish and Derbyshire locations into colonial Georgia and crafted a multi-layered fire sequence
Post uncovered: Residence Pictures on Intelligence Rising (feature)
Documentary film looks at what the rise of AI could mean for the future
Post uncovered: Space Digital on The Witness (Netflix)
The VFX house provided invisible fixes, world extensions and period car additions for the three-part limited series about the 1992 murder of Rachel Nickell