Podcast: The BFI National Archive at 90
South Shore selects Tanooki to manage archive and ongoing productions
Forever Audio adds Wave founder to lead studio partnerships
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Substack launches TV app
App will allow Apple TV and Google TV users to watch video posts and live streams
Filmlight launches Baselight v7
Latest version of grading software includes new matte, conforming and finishing tools
Base FX opens London studio, led by David Fowler and Alasdair MacCuish
The Emmy and BAFTA-winning visual effects company is opening its first European facility in London
Post uncovered: Cinesite and Vine FX on The Witcher, Season 4 (Netflix)
Cinesite reimagined iconic sequences, while Vine FX delivered VFX shots across 18 sequences for Season 4 of the fantasy drama
Post uncovered: Milk VFX on The Rats: A Witcher Tale (Netflix)
Milk VFX delivered complex creature and visual effects work for The Rats: A Witcher Tale, working closely with Production VFX supervisor Sara Bennett and VFX producer Gin Godden.
Post uncovered: Dock10 and Space Digital on Run Away (Netflix)
The MediaCityUK facilities delivered post-production and VFX on the eight-part Netflix thriller produced by Nicola Shindler’s Quay Street Productions
Comment: From Tuning In to Choosing In
YouTube’s victory over the BBC in monthly reach figures marks the moment television went beyond the box, writes James Kirkham
MPTS 2026 opens registration for 10th anniversary edition
MPTS 2026 takes place at Olympia London on 13-14 May, with 300+ exhibitors, a new Creator Hub, live podcast studio, and enhanced networking spaces
Zeb Chadfield becomes sole owner of The Finish Line
He’s acquired full ownership of the three-time Gold Winner of Broadcast’s Best Places to Work and plans to double its workforce in the coming years
ERA appoints Phillip Boettcher as pre-sales manager
Boettcher joins from Jigsaw24 where he spent 14 years supporting production and post-production clients
Goalhanger appoints CFO, operations director and editorial director
Andy Hodgson joins as chief financial officer, Chloe Straw as director of operations and Emily Kent Smith as editorial director
Timelapse video shows ITN’s renovation of Good Morning Britain studio
The six-month renovation project sees LED technology replacing the virtual reality sets used since 2004
Bristol TV & Film fleet goes to auction
OB and production services business went into administration in September
From IP to the cloud – the future of connectivity
Sponsored: Broadcast Tech speaks to AJA Video Systems’ director of technical sales, EMEA, Andy Bellamy, about what’s next for the industry and AJA
Cube Studio launches Norwich VP facility
Company adds to Berkshire location by partnering with FocalPoint
CAMB.AI launches MARS8 text-to-speech system for production
MARS8 is a family of four specialised text-to-speech architectures designed for different production environments
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MPTS unveils a host of new features for 2026
Two weeks to go until MPTS 2025
MPTS 2025: LucidLink to display latest collaboration updates
MPTS 2025: Jigsaw24 Media to showcase tech for post, production & agencies
MPTS 2025: Fujifilm to exhibit Kangaroo Lite
MPTS 2025: freispace to launch in the UK
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Podcast: The BFI National Archive at 90
The BFI’s head of conservation Kieron Webb joins Memnon CEO Heidi Shakespeare to discuss how the organisation is preserving Britain’s screen heritage
Broadcast Tech - Autumn 2025
Click the magazine to read about IBC 2025; the rise of video podcasts; the risks & opportunities of AI; the state of sustainability in post & VFX; cine cameras used in live broadcasts; how an AI production studio works; training in post-production; how VFX needs to change gear; and more