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shows of the year

Broadcast’s shows of the year

View all chapters

Members of the team pick their favourite programmes of 2024

  • shows of the year Currently reading

    Broadcast’s shows of the year

  • 2
    Hell Jumper

    Chris Curtis: Hell Jumper (Expectation for BBC2)

  • 3
    We Might Regret This

    Alice Redman: We Might Regret This (Roughcut TV for BBC2)

  • 4
    Day of the Jackal

    Richard Middleton: The Day of the Jackal (Carnival Films for Sky Atlantic)

  • 5
    Sambre

    Ellie Kahn: Sambre – Anatomy of a Crime (Federation Studios, Versus Production)

  • 6
    Shogun - Anna Sawai as Toda Mariko

    John Elmes: Shōgun (DNA Films, FX Productions, Gate 34 Productions, Michael De Luca Productions for FX)

  • 7
    08_02_ThePenguin_S01

    Heather Fallon: The Penguin (HBO/Sky Atlantic)

  • 8
    Industry

    Paul Weatherley: Industry (Bad Wolf for HBO and BBC1)

  • 9
    the traitors final

    Marian McHugh: The Traitors (Studio Lambert for BBC1 and other versions)

  • 10
    Ripley

    Tom Williams: Ripley (Netflix)

  • 11
    English Teacher

    Fleur Feeney: English Teacher (FX)

  • 12
    One Day

    David Singleton: One Day (Drama Republic and Focus Features for Netflix)

shows of the year
Features

Broadcast’s shows of the year

2024-12-19T11:35:00+00:00

  • No comments

Hell Jumper

Chris Curtis: HELL JUMPER (Expectation for BBC2) 

we might regret this pic

Alice Redman: WE MIGHT REGRET THIS (Roughcut TV for BBC2)

Day of the Jackal

Richard Middleton: THE DAY OF THE JACKAL (Carnival Films for Sky Atlantic) 

Sambre__alix_poisson_et_thais_vauquieres_preview_2300_921381

Ellie Kahn: SAMBRE – ANATOMY OF A CRIME (Federation Studios, Versus Production) 

Shogun - Hiroyuki Sanada as Toronaga

John Elmes: SHŌGUN (DNA Films, FX Productions, Gate 34 Productions, Michael De Luca Productions for FX) 

The Penguin(1)

Heather Fallon: THE PENGUIN (HBO/Sky Atlantic) 

Industry

Paul Weatherley: INDUSTRY (Bad Wolf for BBC1)

One Day

David Singleton: ONE DAY (Drama Republic and Focus Features for Netflix)

The Traitors

Marian McHugh: THE TRAITORS (Studio Lambert for BBC1)

Ripley

Tom Williams: RIPLEY (Netflix) 

English Teacher

Fleur Feeny: ENGLISH TEACHER (FX) 

Topics

  • Broadcasters
  • Features
  • Indies
  • No comments

Broadcast’s shows of the year

shows of the year

Members of the team pick their favourite programmes of 2024

  • shows of the year Currently reading

    Broadcast’s shows of the year

  • 2
    Hell Jumper

    Chris Curtis: Hell Jumper (Expectation for BBC2)

  • 3
    We Might Regret This

    Alice Redman: We Might Regret This (Roughcut TV for BBC2)

  • 4
    Day of the Jackal

    Richard Middleton: The Day of the Jackal (Carnival Films for Sky Atlantic)

  • 5
    Sambre

    Ellie Kahn: Sambre – Anatomy of a Crime (Federation Studios, Versus Production)

  • 6
    Shogun - Anna Sawai as Toda Mariko

    John Elmes: Shōgun (DNA Films, FX Productions, Gate 34 Productions, Michael De Luca Productions for FX)

  • 7
    08_02_ThePenguin_S01

    Heather Fallon: The Penguin (HBO/Sky Atlantic)

  • 8
    Industry

    Paul Weatherley: Industry (Bad Wolf for HBO and BBC1)

  • 9
    the traitors final

    Marian McHugh: The Traitors (Studio Lambert for BBC1 and other versions)

  • 10
    Ripley

    Tom Williams: Ripley (Netflix)

  • 11
    English Teacher

    Fleur Feeney: English Teacher (FX)

  • 12
    One Day

    David Singleton: One Day (Drama Republic and Focus Features for Netflix)

Related articles

  • One Day
    Features

    David Singleton: One Day (Drama Republic and Focus Features for Netflix)

    2024-12-19T11:12:00Z

    “It was brilliant and beautiful and heartwarming”

  • Day of the Jackal
    Features

    Richard Middleton: The Day of the Jackal (Carnival Films for Sky Atlantic)

    2024-12-19T10:34:00Z

    “This is a classy show that commands attention”

  • the traitors final
    Features

    Marian McHugh: The Traitors (Studio Lambert for BBC1 and other versions)

    2024-12-19T10:20:00Z

    “No other show this year has had me constantly on the edge of my seat at every turn”

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