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CommentTop 10 comment articles of 2025
Including Alf Lawrie, Fatima Salaria, James Burstall, Camilla Lewis and Dorothy Byrne
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CommentThe realism revolution: How Jamie Johnson FC scores big with Gen Alpha
Sam Talbot, executive producer of Jamie Johnson FC and co-founder of Strike, looks at how realism has informed the show’s success
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CommentResults can’t be everything for football club content
Dom Goldman, CCO & founder of You’re The Goods, looks at how clubs shouldn’t focus too much on what’s on the pitch
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CommentScience programming can be saved with bold, multi-platform storytelling
The Royal Institution Christmas lectures show how much love there still is for the genre, says Windfall’s David Dugan
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CommentShaping tomorrow: why Wales deserves its place on the global creative stage
Brilliant things are happening in Cymru, but it needs a coordinated strategy to continue fulfilling its creative potential
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CommentCollaboration musn’t be used as a euphemism for exploitation
Expecting development producers to accept they may only get paid if a show is made will squeeze them out, an anonymous freelancer warns
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CommentIndies need to talk to each other if we want to thrive
Curve Media chief executive Camilla Lewis on what she learned from bringing together 60 of the top unscripted indies
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CommentNetflix’s takeover of Warner Bros is a threat to jobs and entertainment diversity
Head of Bectu Philippa Childs says the impact of the deal could go far beyond workers’ terms and conditions
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CommentComment: How Indie docs can give the big dogs a run for their money
Jonny Madderson of JustSo explains why the company’s Broadcast Sport winning documentary Hustle and Run was so well received
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CommentWhere can AI be used safely?
Ceyda Sıla Çetinkaya, COO of Merzigo, looks at where it may be more commercially safe to use the technology
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CommentDoes the next director general really need to be a journalist?
With little proof that having a newshound at the helm will help the BBC avoid scandal, perhaps it’s time to look further afield argues Steven D Wright
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CommentKate Bulkley: The next disruption could be just around the corner
YouTube and creator-led content are having their day, but producers must be alert to how quickly things can change
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CommentRoy Ackerman: The industry gatekeepers are no longer needed
While the content custodians of old had their place, it’s time to look forward and embrace the creator economy
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CommentImpact production: What is it & why is it needed?
Turning on-screen stories into off-screen outcomes is a process that’s gaining momentum, writes ImpactWild founder Cherique Pohl
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CommentHow TNT’s Ashes cricket experiment mirrored Bazball
Casey Harwood, chief business officer at Engage Digital Partners, looks at TNT’s commentary change for a lightning quick first Ashes test
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CommentLorraine Heggessey: Every doc should find a place for those at start of career
Only a radical and properly resourced plan can ensure the health of the genre over the long term
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CommentHow F1 is powering its next generation content
Nicolas Avila, CEO of Globant’s media & entertainment AI studio, looks at how its partnership with F1 has yielded results in content
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CommentWhy Sky Sports Halo was doomed from kick-off
Kate Higginson, content editor at eight&four, looks at where the female-focused TikTok channel went wrong
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CommentRedefining AI as Augmented Intelligence
Richard Wormwell at dock10 lays out the key strategic moves organisations should make to ensure AI doesn’t replace people, but amplifies them
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CommentIs it time to rethink what ‘creator’ means?
Banijay Rights’ Shaun Keeble on the far-reaching role of distributors on YouTube and why they matter