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CommentJeremy Daldry: The truth is often ugly and uncomfortable
ITN Productions’ deputy head of UK factual unpacks the complexities of exploring the Gisèle Pelicot case for Channel 5
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CommentWhy “Crimbo Limbo” is the gift sports organisations can’t ignore
Kahlen Macaulay, senior manager of international sports partnerships at Snapchat, looks at when sport organisations should be looking to engage over the holidays
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CommentWhy hybrid editing is crucial for the survival of the post house
John Rogerson explains why a massive cull of Soho offline suites is essential to ensure a healthy future for the post sector
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CommentAll hail TV’s ‘women of a certain age’
After many years of challenges, a generation of tough and determined female execs are the ones ready to speak out, writes Kelly Webb-Lamb
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CommentComment: Why you should go all-in on D2C fan engagement in 2025
Paolo Cuttorelli, SVP of global sales at Evergent, believes the next 12 months are the right time to dive in
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CommentSticking to the old systems won’t solve TV’s harassment problem
The burden on freelancers to call out bad behaviour is too great – so things need to change, writes Philippa Childs
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CommentScott Bryan: Why is it so hard these days to find something to watch?
There’s an abundance of choice, but navigating endless platforms is tedious. What we need is Project Kangaroo 2.0
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CommentSelf-funding shows: If you build it, will they come?
Blue Ant’s Ben Barrett on balancing the stress & success of financing shows
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CommentKate Bulkley: C4’s YouTube strategy is a lesson in youth engagement
The broadcaster has shifted its mindset to harness the power of a company previously considered a rival
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CommentWhat next for Lineker and MOTD after the long goodbye?
Tim Jotischky, divisional managing director of reputation at The PHA Group, looks at how podcasting has changed Lineker’s career
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CommentCommissioners and producers need a reset in relations
With a disconnect between tariffs and editorial ambitions, the industry’s key creative relationships feel increasingly fraught, says Chris Curtis
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CommentHints of optimism after a tough period
Commissioners in our survey see signs that the market is improving
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CommentThe Basics: why is a green room called a green room?
Danny Owens, client services coordinator at dock10, takes a look at one of the most well known terms in the industry
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CommentComment: why broadcasters & streamers should partner as subscriber ceiling approaches
Guy Meyers, director of customer success at Recurly, looks at how the pair can work together
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CommentNetflix, DAZN & the future battle for viewer attention
Daniel Apostolos is a senior account director at The PHA Group, gives his predictions for the future of live sport after Netflix made its first major broadcast
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CommentThe future of intimacy coordination: beyond scripted TV
Dating Naked intimacy consultant Tommy Ross-Williams outlines their role on the MTV format and why it could be beneficial for the unscripted arena
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CommentWorld TV Day: What will the future of TV look like?
Figures from across the industry give their view on the future of the medium
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CommentComment: It’s time to bring more influencers into sport broadcasting
Alma Fabiani, head of content at Screenshot Media
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CommentComment: Why I believe remote working is the future of post-production
Steve Good, technical director at Hireworks, explains why he believes post-production houses will need to continue to expand remote working
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CommentComment: AI & automation are key to the future of sport broadcasting
Spiideo co-founder and CEO Patrik Olsson believes AI can save budgets and allow for lower-tier leagues to boost quality