All Comment articles – Page 2
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CommentWho’s ready to run the BBC – and push for board reform?
Tim Davie’s successor will face the same battle over bias, so a governance overhaul feels essential, writes Chris Curtis
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CommentNurturing emerging talent in an AI world
Thomas Pearson, global director of people at Bitmovin, on how the industry can continue to train while integrating AI tools
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CommentTrue indies must partner with digital creators and each other to thrive
Indies without a global parent company need to shake up their way of thinking and embrace the digital world, says Lisa Chapman
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CommentWhy AI’s video future will be built in the open
Max Sebti, founder and CEO of Score, on why he believes AI is set to be open source across editing, reformatting, scene detection and more
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CommentThe BBC Trump scandal is about more than one bad edit
There are deep structural problems which led the BBC to its current predicament, writes Hugo Ward
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CommentWhy does TV ignore The Deaflympics?
Ashley Kendall at Lumo TV explains why he’s attempting to get broadcasters to pick up the tournament, which is celebrating its 100th anniversary
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CommentDorothy Byrne: The BBC’s biggest problem is its silence
The BBC has shot itself in the foot, not through inherent bias but by failing to take action when the crisis hit
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CommentWhy engaging a colourist early can elevate a series
Residence Pictures co-founder and colourist Paul Harrison explains why a colour grade is just as vital as performance, cinematography, or sound design
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CommentWhy in-person events need to be designed around the at-home experience
Hicham Chahine, Ninjas In Pyjamas Group co-CEO, reveals what the esports company has learned from prioritising the viewer at home
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CommentHow BTS docuseries are reshaping the sport broadcast landscape
Daniel Funston, senior account director in the sport & fitness team at The PHA Group, looks at how documentaries are changing rights holder-fan relationships
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CommentMark Urban: The BBC must get a grip on its internal approach to tackling bias
Ex-BBC journalist Mark Urban on the workforce divisions at the root of what has become a deep crisis for the BBC
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CommentLeader: Trump troubles tipped Tim Davie over the edge
The energetic and determined DG has called time on his tenure after the cumulative pressure of controversy after controversy, writes Chris Curtis
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CommentSky and ITV have been here before - so what’s changed?
The pay-TV giant’s former chief operating officer Mike Darcey explores whether the stumbling blocks which thwarted the deal 19 years ago still exist
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CommentWhat producers need to know after the Getty AI ruling
Benjamin Field, CEO of Deep Fusion Films, looks at the latest legal battle over AI and what it means
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CommentWhy live podcasts are the next big stage for brands
Oli Bealby, managing director at Stereo Creative, looks at the fast growth of touring podcasts
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CommentHow we impressed Hollywood with a $3k film produced in our garage
Navaz and Roman Dowling extensively used virtual production to produce Entrenched, a polished Star Wars fan film that has seen them gain work in film and TV
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CommentFatima Salaria: In difficult times, simple things make a difference
As resilience wears thin, we need to reach out and support each other
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CommentThe “speed of thought” era in TV and film production
Guy Gadney, co-founder and CEO of Charismatic.ai, looks at how AI could change production
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CommentIn an evolving media landscape, we must work together to amplify new voices
ITN Productions’ head of digital content Rubina Pabani on how the company is platforming new talent
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CommentAI should be seen as an asset for sport broadcasters, not an enemy
Pawel Osterreicher, CEO of ReSpo.Vision, looks at where AI could make a difference


















