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CommentLouisa Compton: Glad to be gay is C4’s default setting
‘The channel has always been true to its remit by speaking to audiences that others don’t’
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Ash Atalla: Success can feel fleeting so cut yourself some slack
Pinballing between anxiety, joy and disappointment is the price we have to pay for working in such a stimulating sector
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Great shows give succour, even as overnights tumble
Judging performance has never been trickier – but quality will always cut through, says Chris Curtis
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Sports rights: the new battleground in the streaming wars
Jean-Christophe Pineault, sales manager, sports at MediaKind, on why sport will be the next frontier for the streaming giants
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How AI can help re-engage a global news audience
With news appetites declining globally, Papercup CEO Jesse Shemen investigates new localisation options to help halt the slide
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Talent crisis won’t be solved by entry level recruitment
Richard Wallis and Christa van Raalte argue that it’s time to change the culture that allows an experienced workforce to leave the industry
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Managing bandwidth in remote production
Stephen Tallamy, CTO at EditShare, on one of the main challenges to remote production
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The hair and makeup diversity divide
Cynthia De La Rosa outlines the three major problems facing talent of colour
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Why the evolution of graphics is adaptive
Petter Ole Jakobsen, chief innovation officer of Vizrt, give his opinion on the future of graphics in broadcast
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Bridging animation’s inclusivity gap
JoJo & Gran Gran animation producer Katherine McQueen calls for broadcaster budgets to help fund training for diverse talent
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Lorraine Heggessey: Plaudits and awards don’t excuse bad behaviour
TV needs to get its house in order if it is to continue to attract the brightest and best creative talent
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Rupert Binsley: The sky’s the limit for first-person drone technology
This new technique allows the kind of cinematic shots that could not previously have been achieved on a TV budget
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Playing it safe with familiar content is a risky tactic
Broadcasters are holding their own against the streamers, but too many reboots could undermine that
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How two deaf friends became Hunted competitors
Executive producer Lucy Shepherd talks casting, communication and cohorts
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Digital humans in the future of film
Goran Milic, Nils Lerin, Anton Söderhäll, and Jonas Törnqvist from VFX studio Goodbye Kansas Studios discuss the evolution of digital humans and how digital humans will affect identity, cinema, and society in the future
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Finding value in artificial intelligence
Dan Carew-Jones at Arrow International Media explains how covid-restrictions led to previously untapped opportunities using AI
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Sports Content Summit: Diverse crew bring fresh perspective
The team behind Buzz16’s doc Micah Richards: Tackling Racism explain how the company’s approach to diversity helped create a powerful film
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Caught In the Net: Using graphics to demystify data
Ash Potterton, executive producer, Arrow Media, explains how cleverly crafted graphics help explain the role of digital data in solving a series of murders
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Why talent is never an excuse for bullying
Workplace relationships expert Arran Heal sets out the need for a ‘clear air’ culture
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Building positive narratives across our communities
Departing Together TV chair Caroline Diehl calls for greater investment in impact-driven media
