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CommentBrad Pitt is right: AI can rescue mid-budget film production
Thomas Righini Carrington, director and co-founder of James Drake Media, responds to Brad Pitt’s Esquire comments on AI and film economics
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CommentWhy we should blow up the BBC to save it
Rather than fighting to preserve the institution, let’s start asking what we actually need it to do, writes Matt Deegan
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CommentRoy Ackerman: Big Tech has much to learn as it transforms the industry
Working culture in Silicon Valley is very different to our industry and must not be allowed to get in the way of creativity, says Roy Ackerman
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CommentHow one chat sparked a partnership to remove class barriers for new writers
Sid Gentle Films boss Sally Woodward Gentle and writer James Graham on supporting Fringe shows to boost TV class diversity
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CommentCécile Frot-Coutaz: The Sky-ITV deal is an investment in brilliant British storytelling
The Sky Studios chief on why the benefits of the deal will stretch far beyond the two companies involved
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CommentLife after the festival: let’s write Scottish TV’s next chapter
Instead of mourning the loss of the annual gathering in Edinburgh, let’s work out what needs to happen now, says Claire Mundell
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CommentChris Curtis: YouTube is a phenomenon – but let’s say the quiet bit out loud
The platform’s rapid rise has changed the environment for commercial broadcasters writes Broadcast’s editor-in-chief
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CommentWhat can we learn from the timing of the Sky-ITV deal?
The Comcast NBCU-owned outfit could have bought the PSB at any time – Mathew Horsman explores why it’s happening now
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CommentScott Bryan: Bravery and empathy can help bring societal change
As the commissioning slowdown hits queer programming, the need to back ideas outside the mainstream is greater than ever
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CommentWhat is Gaussian splatting?
Alex Dewar, lead capture technician at Clear Angle Studios, explains what the new VFX technique entails
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CommentTaking care of mental health in the edit suite
Liam Camps at Woodcut Media reflects on facing a family health crisis mid-production and makes the case for a more open approach to mental health in post-production
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CommentWhy the BBC’s job cuts will have a hidden impact on diversity
We mustn’t overlook the costs to freelancers, particularly those from ethnic minorities, says Jaldeep Katwala
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CommentWhy Netflix’s Beat Luke Littler matters beyond darts
Sam Bird, SVP of sport and entertainment at WPP Media, looks at how sport entertainment is evolving
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CommentWhy content is vital to bring Gen Z back to stadiums
Jason Lemiere, audio-video design associate at stadium designer ME Engineers looks at how to attract younger supporters
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CommentEvaluating the BBC & ITV’s World Cup coverage
Dan Funston of The PHA Group assesses how the two broadcasters fared across the tournament
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CommentDon’t dismiss breakfast TV in the era of digital viewing
Good Morning Britain editor Daniel Robinson on how the live staple is expanding its reach online
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CommentWhat MPs didn’t ask during the BBC Charter Review Select Committee hearings
Key questions of racial, gender and sexual diversity missed out on parliamentarians’ scrutiny, says Jaldeep Katwala
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CommentWhat the Murrays’ YouTube launch signals for sports rights holders
Gabriel Kennedy, channel manager at Brave Bison, looks at what federations and others can take from athlete YouTube channels
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CommentWhy football clubs need to change their engagement to reflect multi-club fans
Matt Kyle, head of insights at Engage Digital Partners, looks at how football clubs can attract supporters who ahve more than one side
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CommentHow Arsenal proved the biggest opportunities in sport aren’t always global
Ben Essen, global chief strategy officer at Iris London, looks at a different way of positioning a sport brand