Long reads – Page 5
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CommentAI can complement creative and co-pro spirit: Steve Matthews’ Göteborg Takeaways
Banijay’s newly appointed global scripted creative lead sees opportunity after travails of last year
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FeaturesWhat next for AI and factual TV?
As the unscripted industry congregates for Realscreen, Broadcast International delves into how AI is making waves in factual TV
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NewsWhat to expect from Netflix in 2025
A dozen events held concurrently around the world have laid out the streamer’s global content strategy and priorities
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FeaturesUnpacking plans for Mip London
One month out from inaugural event, RX France’s entertainment chief Lucy Smith explains how the UK-based event is shaping up
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FeaturesMeet the fixers turning ideas into reality
As the event circuit swings into gear, Broadcast hears from the fixers who help producers overcome budget squeezes to get projects onto screen
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FeaturesHow Turkish drama is conquering the world
Despite domestic challenges, Turkish scripted series are growing in demand as producers seek global partnerships
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FeaturesHow Amazon Studios is tapping into Lat Am’s potential
Javiera Balmaceda, head of originals for Amazon Studios in Latin America, Australia and Canada, talks rights, remits and delivering hits
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FeaturesUnpacking why an unlikely Golden Globes matters
Arrested Industries chief executive Anthony Kimble reflects on what the Golden Globes mean for international TV
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FeaturesHow Spain is enticing international productions
UK producers explored country’s tax rebates and skills base at London event
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NewsBritishness and Bake Off fuel Wizards of Baking bump
Exec producer Robin Ashbrook underscores importance of UK ‘TV production language’ at heart of Max breakout show
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FeaturesWhatever to do with linear TV?
Unpacking the unique problem facing US studios and national commercial broadcasters alike
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CommentFAST, India & second windows: Rashmi Bajpai’s ATF takeaways
Banijay Rights Asia EVP Rashmi Bajpai discusses her key takeaways from the Asia TV Forum & Market (ATF)
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FeaturesWhy WBD & Max have it all to prove in 2025
Warner Bros Discovery rolled out the big guns in London this week to put international front and centre
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CommentSelf-funding shows: If you build it, will they come?
Blue Ant’s Ben Barrett on balancing the stress & success of financing shows
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CommentFrom TV4 & SVT to Netflix: How a Swedish prodco went global
B-Reel Films’ Ulf Synnerholm on securing Netflix, TV4 & SVT commissions
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FeaturesCarnival Films: Aiming for global glory in drama
Gareth Neame and Nigel Marchant on creating Sky’s biggest ever original drama in The Day Of The Jackal, and their plans for global glory
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CommentUnpicking the formula of Israel’s scripted format success
Yes Studios managing director Sharon Levi on the potential of scripted formats and how her company has become so prolific
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FeaturesWhy Netflix’s move for a YouTube format underlines industry evolution
Cowshed Collective co-chief George Cowin on what Netflix’s commission of The Sidemen’s Inside means to the wider landscape
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FeaturesBuyer’s Profile: Joseph Maxwell, head of unscripted, SBS (Australia)
Unscripted chief at Australia’s SBS wants risk-taking shows that provoke debate and push boundaries