Deputy chief exec talks super-serving fans and retaining focus on core business, while exploring M&A and digital innovation
Including a real-life version of The Pitt, two natural history big-hitters and a three-parter on the late princess Diana
Including a John Le Carré adaptation, a darkly comedic drama and Stephen Fry’s tribute to procedurals
‘With museum heists back in the headlines, this docuseries lands at exactly the right time’
‘This doesn’t feel like a biology lesson. It’s fun and fast-paced, with a strong narrative engine’
‘It’s her story, told in her own words: fame, heartbreak, resilience and building a business’
‘We take one person and see them go through a narrative journey of weeks, if not months’
‘We wanted it to feel less like looking through a microscope and more like going on safari’
‘If Diana were here now, this would be her documentary. This is the one she would tell. This is her voice’
‘Conrad will keep audiences on edge by dazzling them with his master interrogation skillset’
‘It’s an original, high-stakes crime drama - a genuinely distinctive piece of TV’
‘Just like Blue Lights and Belfast, the place is a character in the show’
‘Love and betrayal are the essence of my dad’s stories, and of all spy stories’
‘It is badly behaved, very smart, funny, hooky and full of eye-popping characters’
Some distributors are concerned that deals between broadcasters and streamers will impact second window sales, but others spot an opportunity
The sector is looking to YouTube and FAST channels as a means to monetise existing content. But do the numbers add up?
Market leader bucks trend with 20% revenue rise while biggest competitors all report declines
Former C4, Maverick and Viacom exec Claire McArdle unpacks her strategy for international partnerships
Streamers and broadcasters unveiled a strong line-up at La Rochelle but producers know financial pressures are only growing
Analysts unpack what the US studio’s deal to settle US states’ antitrust action means for the wider industry
UK-based exec talks period romance, a shapely forearm and his focus on ’emotional generosity’