Long reads
Analysis: Netflix-Warner Bros reactions and warnings
Industry observers say ambition must not end at $83bn (£62bn) price tag
More long reads
Unpacking the impact of Australia’s new streaming quotas
Industry reacts to new legislation that marks a first for the English-speaking world
Impact production: What is it & why is it needed?
Turning on-screen stories into off-screen outcomes is a process that’s gaining momentum, writes ImpactWild founder Cherique Pohl
How BBCS & Globo are leveraging Brazil’s ‘factual moment’
BBC Studios’ Paula Teruko and Globo’s Gabriel Jacome unpack companies’ first co-production
Pact: UK TV exports break £2bn mark for first time
Sales into the US soar as co-productions stabilise amid ‘challenging’ market
Treating trauma: How Bataclan survivors sparked hope on screen
Oscar winner Jean-Xavier de Lestrade on turning the true story of hostages from the 2015 Paris terror attacks into a hit miniseries
Retracing Levison Wood’s Last Burma Star journey
How the explorer and historian Alex Bescoby raced to recognise veterans from a largely forgotten chapter of WW2
How Spain, Italy & France are driving a format revival
Exclusive data points to increasing unscripted format buying across key European territories
Switching The Witcher: the monster show returns
On the set of Netflix’s fantasy epic, execs open up about replacing stars, creating visceral worlds and why battles are like ballroom dancing
Fear factor: Unpacking Netflix’s Nightmares of Nature
Series producer Doug Mackay-Hope and director Nathan Small on the streamer’s new genre-blending series
Who’s in the mix for Warner Bros Discovery?
It has been a tumultuous 12 months for David Zaslav’s company with a future that remains unclear as suitors circle
Five takeaways from Netflix’s Q3 earnings call
Live sports, M&A, the pros and cons of AI, and Brazilian tax law among key topics
How Mipcom 2025 provided a new perspective
Blue Ant Studios’ Diane Rankin says adaptability and grit are delivering returns in a shifting landscape
Mipcom 2025: Industry takeaways from Cannes
Senior execs from around the world reveal the key talking points from this year’s event and what’s in store for 2026
Interview: Bad Wolf enters a new phase
How the Red Eye indie is adapting its budgets, but not its ambitions, in the face of funding challenges
Mipcom unveils delegate numbers, outlines London plans
Event director Lucy Smith says embrace of creator economy marks Cannes event’s ‘biggest step change in a generation’
How AI is making inroads into kids content
The children’s TV sector is approaching the technology with optimistic caution – keen to exploit its benefits but wary of the drawbacks
Free Nelson Mandela: How music reframed an iconic story
Rogan Productions uncovers what is believed to be former South African leader’s first TV interview
Commissioners look for safe bets amid TV drama downturn
Leading TV executives on how they are navigating a changed landscape
Regulating kids’ content in a YouTube world
Broadcast gauges industry reaction to Australia’s decision to restrict how under-16s use the platform and its likely impact on producers
Taking a bite out of YouTube innovation
Streamers and broadcasters want to work with YouTube talent, while producers see it as a place to collaborate with content creators and IP owners