ES Broadcast set to appoint administrators
Deep Fusion launches GenAI VFX division
Electra to close after 40 years citing unsustainable competition
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The Look adds screening rooms and grading suites to London HQ
The post-production house is expanding its central London headquarters, supported by funding from Allica Bank
Foundry unveils Nuke Stage updates for virtual production workflows
The updates follow customer feedback, including on upcoming Amazon MGM Studios feature, The Thomas Crown Affair
Absolute & Blind Pig close down
Envy had acquired the commercial post and animation facilities in November 2022
Vizrt and NEP Europe named Eurovision 2026 suppliers
Vizrt is providing graphics rendering and virtual studio tech, while NEP delivers broadcast control systems and is integrating cinematic cameras into the live workflow
Gravity Media launches Studio W12 at London hub
The studio completes Gravity Media’s London Production Centre’s end-to-end offering
Grass Valley expands Ravensbourne partnership for next-gen training
Technology provider strengthens educational collaboration with London university to give students hands-on experience with professional workflows
Blazing Griffin opens theatrical film grading suite in Glasgow
The Glasgow-based post-production company has built a DCI-spec theatrical Baselight grading suite with 4K Christie projection
Little Dot Studios launches in-house podcast studio
The studio will support History Hit’s transition to full video podcast production, with the network on track to deliver more than 1,000 episodes annually by the end of 2026
MPTS confirms Michael Gove, Grace Dent, Jordan Schwarzenberger as speakers
MPTS takes place this Wednesday and Thursday (13-14 May 2026) at the Grand Hall, Olympia London
Former Molinare Director Launches PixelPantry Self-Serve Post Tools
Tom Woodall has launched PixelPantry, a series of self-serve tools for post production teams
Post uncovered: Time Based Arts on Mint (BBC1)
Director Charlotte Regan, DP Christopher Sabogal and colourist Simone Grattarola explain how they created a distinctive visual style for BBC’s crime-drama
Post uncovered: Margo’s Got Money Troubles - title sequence (Apple TV)
The creative team at Peter Anderson Studio explain how they built the intricate ‘Assault Course of Life’ sequence
Behind-the-scenes at Warner Bros. Studios Leavesden
Broadcast tours the UK’s largest studio complex to explore its expansion plans, training initiatives and pipeline of productions
How TV can work in harmony with creators
Broadcast analyses how tradional TV is increasingly finding ways to tap into YouTube stars’ massive global fanbases
Shepperton Studios unveils The Maggie Smith Stage
The new stage has been named to honour Dame Maggie Smith’s contribution to film, television, and the performing arts
NewGen launches AI platform to streamline creator campaigns
The Multiple platform brings creator matching, outreach, approvals, publishing and performance tracking into one system
Stingr launches second screen interactivity app at MPTS 2026
MPTS 2026: Riedel presents a new standard in audio production
MPTS 2026: Hollyland displays wireless audio & video ecosystem
MPTS 2026: Boland unveils new monitor
MPTS 2026: Argosy to exhibit infrastructure range
MPTS unveils first 130 speakers for tenth anniversary event
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Broadcast Tech Talks: Is cloud right for every production?
Recorded live at the Broadcast Tech Cloud Innovations Forum, this panel features industry experts debating the merits of cloud versus local and hybrid workflows
Broadcast Tech - Spring 2026
Click the magazine to read about MPTS 2026, traditional TV companies’ efforts to partner with creators; the new types of content being produced with AI; sustainability in post-production; producing for US networks from the UK; what’s happening with Welsh studios; how VFX is approaching AI; and more