Analysis – Page 19
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The Broadcast InterviewBrian Hill and Katie Bailiff, Century Films
Film-makers Brian Hill and Katie Bailiff talk about putting are before profits and experimenting with form - even when producing more mainstream output
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The Broadcast InterviewAlison Kirkham: giving BBC factual a shot in the arm
Alison Kirkham and her team want to work creatively with indies to bring ambitious projects to life.
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The Broadcast InterviewGreg Brenman and Roanna Benn, Drama Republic
Drama Republic’s co-founders talk to Robin Parker about their indie’s rapid rise, working with writers, and scoring two hits in the same week with Doctor Foster and An Inspector Calls
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The Broadcast InterviewAlan Hayling & Alex Cooke; Renegade
The team behind Don’t Tell The Bride and Drugs Live tell Matthew Campelli that creating successful mainstream formats gives them licence to explore meaningful projects
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The Broadcast InterviewWill Macdonald & David Granger, Monkey
Made In Chelsea indie bosses David Granger and Will Macdonald tell Peter White they have US primetime in their sights and are on the hunt for the next Don’t Forget Your Toothbrush.
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The Broadcast InterviewAlan Clements, STV Productions
Alan Clements talks to Matthew Campelli about delving into different genres to find the next show that, like Antiques Roadtrip, nails the three Rs: rights, returnability and reputation
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The Broadcast InterviewJulian Bellamy, ITV Studios
Fresh from welcoming Mammoth Screen and Twofour Group into the ITV Studios family, Julian Bellamy talks to Matthew Campelli about building a creative powerhouse - and the importance of getting the chemistry right
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The Broadcast InterviewJon Rolph, Retort
Retort managing director Jon Rolph talks to Matthew Campelli about the lack of working-class heroes in contemporary comedy - and his ambition to create something for everyone
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The Broadcast InterviewSteve November, ITV
ITV director of drama Steve November tells Matthew Campelli about his plans to refresh the schedule after Julian Fellowes’ hit period piece comes to an end later this year
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The Broadcast InterviewTony Hall, BBC
Director general Tony Hall on the challenges facing the BBC and why the public must be involved in the licence fee debate
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The Broadcast InterviewSean McAllister: A Syrian Love Story
Seasoned documentary-maker Sean McAllister talks to George Bevir about filming during the Arab Spring, and why commissioning editors should reject the urge to play it safe
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The Broadcast InterviewRicochet
It’s been a busy time for Ricochet since Jo Ball became chief exec last year, with Katy Thorogood joining Simon Knight to help expand the indie’s slate. Hannah Gannagé-Stewart meets the trio
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The Broadcast InterviewJim Allen, RDF Television
RDF Television’s managing director Jim Allen talks to Peter White about reviving the indie after Queengate and shouting about its entertainment credentials via a new label
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The Broadcast InterviewWayne Garvie, Sony Pictures
Sony’s Wayne Garvie talks to Peter White about the US company’s desire to find the next Millionaire, boosting scripted in the UK and the dangers of messing with terms of trade
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The Broadcast InterviewPeter Rhodes, Reed Midem
Rhodes tells Peter White about the outrageous characters who attended the market and how much has changed over 30 years
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The Broadcast InterviewSøren Sveistrup, The Killing
The Killing creator Søren Sveistrup tells Peter White about the indie he has set up with Borgen creator Adam Price and its ambitions to produce scripted series for an international market
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The Broadcast InterviewChantal Rickards, Bafta LA
Bafta LA’s first chief executive talks to Maggie Brown about her latest challenge
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The Broadcast InterviewMorgan Matthews, Minnow Films
Morgan Matthews talks about his first feature film X+Y and the future for expanding UK production outfit Minnow Films
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The Broadcast InterviewBen Frow, C5
C5 director of programmes talks about changing perceptions of the channel and what he plans to do with the bigger budget provided by Viacom
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The Broadcast InterviewSophie Clarke-Jervoise, Tiger Aspect
The managing director on how a collaborative culture is delivering cross-genre shows and why she is excited by Endemol’s merger with Shine