Features – Page 318
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Behind The Scenes10 O'Clock Live, Channel 4
C4 and Zeppotron faced a steep learning curve last year with their risky live topical comedy. Execs open up to Paul Whitelaw about its flaws - and their hopes for a more ‘fluid’ series two.
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Behind The ScenesSubmarine Patrol, Nat Geo/C5
Spending 50 days filming with the crew of HMS Turbulent was cramped and difficult – but we had the adventure of a lifetime, says Geoff Small.
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FeaturesSparking creativity: expert tips
Hazel Marshall of the BBC Academy’s creativity and special projects team asks five leading creatives for their tips on generating ideas and allowing inspiration to flourish.
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FeaturesCall the Midwife
Create titles that place the BBC drama in the 1950s and link it to the memoirs of Jennifer Worth
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FeaturesGet the Look
Produce titles and in-programme graphics that reflect the look and style of the show
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FeaturesStrictly Soulmates
Complete full post on the series, which examines how young people from different religions find their partners
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The Broadcast InterviewBill Patrizio, Red Bee Media
‘The EPG on steroids’ is how Red Bee’s chief executive describes the company’s latest offering. He tells Chris Curtis why viewers’ desire for interaction is driving the content delivery agenda.
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The Broadcast InterviewJez Nelson, Somethin' Else
Somethin Else’ founder Jez Nelson speaks to Alex Farber about the firm’s unique business model – and why convergence is the future.
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FeaturesUS exports: acquisitions strategies
A year on from Sky Atlantic’s launch, Andy Fry looks at the impact its stranglehold over US imports has had on the market - and what’s left for rival broadcasters.
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Behind The ScenesProtecting Our Children, BBC2
Being in the right place at the right time was key to getting what we needed, says Sacha Mirzoeff, but it took six frustrating months to get there.
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FeaturesRachel Job, A+E
Head of acquisitions and commissioning, History and Military History at A+E Networks UK.
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Features4 O'Clock Club
Introduce the relationship between the two main characters of the new CBBC comedy
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Behind The ScenesGypsy Blood, Channel 4
Photographer Leo Maguire discovered that film was the only way to unlock the emotional truth of male gypsies’ life - and in their own words.
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FeaturesJapan: opportunities for UK indies
The Japanese TV market is set to grow rapidly following last year’s digital switchover. Lisa Campbell visited Tokyo with Pact and a group of UK indies to discover more.
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The Broadcast InterviewPeter Fincham, ITV
The Downton Abbey v EastEnders Christmas Day clash was a turning point in ITV’s navigation of the commercial/editorial divide, its programming chief tells Lisa Campbell.