Features – Page 346
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FeaturesE4: A decade of TV innovation
The launch of E4 in 2001 created a whole new style of youth-skewing TV. In the 10 years since, the channel has proven consistently entertaining, daring and different, says Balihar Khalsa.
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Behind The ScenesFreddie vs the World, ITV4
The brief was to take Freddie out of his comfort zone - and the extreme sports he was asked to try out certainly did that, says Dominic Sharman.
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FeaturesTV Logic TDM 150W (3D OLED)
A monitor for 3D productions and those that require on-set stereoscopic visualisation
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FeaturesLouie Spence's Showbusiness
Full post on 13 episodes of the follow-up to Pineapple Dance Studios
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FeaturesHuman Planet
Differentiate the programme from previous BBC Natural History shows by creating a more cinematic feel
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The Broadcast InterviewDiana Howie, factual, ITV
ITV’s factual commissioning editor is keen to explore ideas beyond the countryside-based series she introduced in early evening slots, such as Countrywise and The Lakes.
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FeaturesFreelancer survey: what makes employers 'good' or 'bad'?
Respondents to Broadcast’s Freelancer Survey give their views on how employers can keep their workforce happy.
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The Broadcast InterviewGrant Mansfield and Natalka Znak, Zodiak USA
With the US remake of their BBC3 hit Being Human about to start on the SyFy channel, Zodiak USA’s chief executive and chief creative officer tell Catherine Neilan about working in LA.
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Behind The ScenesBig Fat Gypsy Weddings, Channel 4
When C4 ordered a series building on hit Cutting Edge doc My Big Fat Gypsy Wedding, Jes Wilkins knew the shoot would be anything but predictable.
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The Broadcast InterviewFactual Commissioning Report: Top tips for getting your idea greenlit
In the third extract from Broadcast’s Factual Commissioning Report, creatives at five leading factual indies offer their tips and inside knowledge on the best ways to grab the attention of commissioners.
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The Broadcast InterviewFactual Commissioning Report: how to score a global hit
A top factual distributor and a leading buyer offer their perspectives on taking a strong factual programming concept through to commissioning and international success.
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FeaturesFalling Skies, TNT (US)
Broadcast shines the spotlight on the forthcoming alien invasion drama from executive producer Steven Spielberg.
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FeaturesA look forward: TV in 2011
Broadcast looks at the issues facing the content industry and the key programming for 2011.
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FeaturesHow freelancers view working in TV
From an increase in hours to a decline in standards and budget cuts, freelancers had plenty to say about their working lives. Moray Coulter reports on their industry perceptions.
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FeaturesTV 2011: BBC - the year of change
The agenda for the next 12 months at the BBC has been set firmly by events in 2010 - dominated, of course, by the licence fee settlement.
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FeaturesTV 2011: ITV - the year of revenue challenges
ITV will enter 2011 in bullish mood. Advertising revenues for 2010 are thought to be up by as much as 15.5% and the commercial broadcaster is in the hands of a pragmatic new line-up of senior manageme
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FeaturesTV 2011: Channel 4 - the year of experimentation
After a year of upheaval, C4’s latest ‘golden triangle’ of management will officially be completed with next week’s arrival of Jay Hunt as chief creative officer.
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FeaturesTV 2011: Channel 5 - the year Desmond has to deliver
It’s been a year of upheaval for Channel 5, which changed hands after Northern & Shell owner Richard Desmond paid RTL £104m for it in July.