Features – Page 91
-
FeaturesLove In The Flesh
‘This could provide a more acceptable way into that TV community because of its authenticity’
-
-
FeaturesDream Home Makeovers With Sophie Robinson
‘It’s about everyday transformation, and that’s what makes it so applicable to the international market’
-
-
FeaturesMurder: First on Scene
True-crime, high-end history and specialist factual all feature in programmes most likely to grab the attention of buyers
-
-
FeaturesCops On the Rock
‘Yes, it’s true crime, but it feels premium factual because of the nature of the programming and the way that Rare sells things’
-
FeaturesRob Carey and Camilla Lewis on broadening the scope of Curve Media
Our Dementia Choir indie founders on landing bigger commissions, navigating Covid, moving into feature docs and working with streamers
-
FeaturesTop Takeout
The ever-popular realms of dating formats and cookery competition shows are given new twists in our selection
-
FeaturesQuestion Team
‘Everyone’s trying to make a buzzy show while adhering to Covid regulations - Question Team really ticks off a lot of boxes”
-
FeaturesThe Twelve
‘This is a high-end, hard-hitting, voyeuristic story, with an element of whodunnit’
-
FeaturesMobile 101
‘It’s the story of an underdog, and audiences nowadays seem to gravitate to recent history true stories’
-
-
-
FeaturesAfter The Trial
‘Because of the nature of the show, it is something that we think will be very transferable’
-
-
-
FeaturesLife After Life
‘As a piece of distinctive storytelling, it could work on any platform and would be a highlight in most buyers’ schedules’
-
-
FeaturesGallery: Peaky Blinders, BBC1
Selection of images from the final series of the Caryn Mandabach Productions and Tiger Aspect period gangster drama