More News – Page 5001
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Will and Grace comes out on C4.
Channel 4 has bought the terrestrial rights to air three seasons of high-profile NBC sitcom Will and Grace - 'the gayest show on US TV', writes Ashley Davies.
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LOONLAND'S CBBC LINK.
BBC controller of children's Nigel Pickard has bought two long-running series from German-based animation group TV-Loonland, writes Colin Robertson. The deal, TV-Loonland's first with the BBC, includes 26 x 30-minute episodes
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RED PEPPER RENAMES.
Red Pepper Film Company has renamed itself Red Pepper ID. Managing director Richard Markell said the repositioning was for two reasons: to better reflect the company's core business of branding and
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FRONTLINE AUDIO SUITE.
Covent Garden facility Frontline/Happy Fish is opening an audio suite this week and has appointed Robin Fellows to provide audio mixing and sound design. Fellows started his career in 1987 and
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INFERNO OP MOVES.
Inferno operator Johnny Hicks is to move to Clear. He joins after five years at Glassworks, where his credits included George Michael's Fastlove promo and the Orange advertising campaign. Managing director
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IBC GOES INTERACTIVE.
The International Broadcasting Convention is to target producers with a special focus on interactive television at this September's Production Festival in Amsterdam. A day of sessions on the creative and business
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TOP EDITOR RETURNS.
Martin Hicks has returned from the US to join Oasis Television, bringing its editing team to 19. Formerly at the Moving Picture Company, Hicks worked on music videos for Brian May,
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Management rejig at Nats.
Nats managing director Charlie Leonard has appointed a general manager to enable him to step back from the day-to-day running of the Soho Square facility. Planet 24 head of post-production Duncan Smith
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New MD for C4's facility.
David Mann has been promoted to managing director of Channel 4's facility subsidiary, 124 Facilities, writes Barbara Marshall.
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HUMAN FACE TEAM BOOSTED.
Skaramoosh has appointed senior compositor Richard Scarlett, who joins the team behind a number of graphics sequences for the BBC flagship documentary Human Face. Fronted by John Cleese and featuring Liz
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5D adds 100 effects.
Effects developer 5D is to add a further 100 effects to its 5D Monsters range and is stepping up its marketing efforts with the appointment of a new business development manager
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Metro to launch new media arm.
Technology provider Metro Group will launch its webcasting and new media division, Metro Digital, at The Production Show later this month, writes Barbara Marshall.
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FREE TO AIR - Showing just remorse.
This week I have been mostly abasing myself. The problem, entirely of my own making, was one of insufficient fact checking and the result was that I credited Simon Nye, writer
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Govt must hold BBC to its word.
Media secretary Chris Smith is now facing the decision on the BBC's proposed digital services. The deadline for consultation passed on Wednesday (28 February) and, according to the guidelines Smith published
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TRADE TALK - Back in business.
Carlton producer Sharon Bloom has been in charge of the difficult task of renovating Crossroads to suit a younger audience. But will they check in?
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IN MY VIEW.
On whether broadcasters, politicians and policy makers will debate the white paper's grey areas.
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ON THE BOX - Brief encounters.
Lion Television company director Richard Bradley liked the story of M&S undies but wouldn't wear celebrities' frocks at any price.
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NEWS ANALYSIS - Regional enquiries.
Broadcasters are often accused of looking down on regional indies but now Channel 5 has surprised indie producers by committing part of its spend to the regions. Will the other channels follow its example?
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CAUSE-RELATED MARKETING - Lend a hand, build a brand.
The broadcast industry arguably has more to offer charities than any other - and never has the need for corporate brand building been greater. So isn't it about time broadcasters took a leaf from the book of the global marketers who are using good causes
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INTERVIEW - Facing the facts.
Factual commissioning controller Nicola Moody is looking for contemporary stories which are 'inventive and innovative' and 'really connect with viewers'. With a remit that extends from BBC 1 and 2 to Choice and Knowledge there should be no shortage of ord