All Broadcast Magazine articles
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RatingsGenres - 28-day consolidated (March 2021)
Including top 10 drama, entertainment and comedy programmes
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Ratings
Football on target with the young
Viewing bucks downward trend for TV consumption among 16-24s despite ESL claims
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Ratings
The Flight Attendant takes off for Sky 1
Comedy thriller soars while Matt Baker delivers More 4’s first 2 million-plus audience
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Ratings
Celebrity Bake Off dips after strong start
Charity series down on last year despite best ever debut, while The Terror tops recent BBC2 acquisitions
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Ratings
Thrillers and royal chat grip the nation
Spring boost for BBC1 and ITV as crime dramas and Harry and Meghan interview deliver bumper ratings
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Features
End Credits: Alex Segal
InterTalent Rights managing director on broken bones, ’90s crime and dad jokes
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Features
How Casualty took the lead on representation
The team behind a groundbreaking episode with a deaf director, writers and actors discuss how it came about and what it means for the industry
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Features
In Conversation: Turton and Mahon on navigating past the pandemic
The C4 and All3 chiefs kicked off Broadcast’s Restart conference with a discussion about the post-Covid future
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Features
Getting the greenlight: non-scripted boost as SVoDs expand slates
Netflix and Amazon are broadening their offerings but scripted remains the priority
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Features
Creative Review: Bugs, meerkats and music icons
From conjuring up CG cockroaches to remote production, recreating Victorian London and grading archive footage
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Behind The Scenes
Anne Boleyn: Bringing history up to date
Channel 5’s ambitious new original drama aims to reset the narrative around Henry VIII’s second wife
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Features
Glued to the Screen: ZeroZeroZero
The simple premise of following a cocaine shipment gives us three brilliantly realised universes in one cohesive story, says Katherine Butler
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Comment
Be nimble and open-minded to thrive in changing times
Argonon will adapt to new platforms, content providers and shifts in consumer behaviour as it enters its second decade, says James Burstall
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Features
How Netflix is looking after cast and crew
HR chief Emma Murphy explains how the SVoD giant is supporting freelancers as scrutiny of the industry’s working culture intensifies
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Comment
The UK should open up to the thrills of a writers’ room
There’s always a place for the singular vision but the US approach suits longer runs, says Danny Brocklehurst
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Features
Focus Group: What’s your go-to negotiation trick?
Our four panellists on ensuring talks run smoothly
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The Broadcast Interview
Nida Manzoor: The punk spirit behind We Are Lady Parts
Writer and director on taking inspiration from her own life for her new C4 comedy about a Muslim female punk band
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Comment
Industry must stand together to stamp out harassment
More anti-bullying measures and a truly united front could give workers greater confidence to raise concerns
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Ratings
Genres - 28-day consolidated (February 2021)
Including top 10 drama, entertainment and comedy programmes
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Features
Fresh formats with promise
Broadcast profiles four titles generating plenty of buzz at this year’s virtual Mip TV
