All Broadcasters articles – Page 28
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News
ITV profits slump despite ITVS revenues topping £1bn
Half year financial results reveal media and entertainment revenues down 9%
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News
In brief: Two Rivers; BBC Radio; BBC Scotland; Tom and Jerry
BFI funding for indie working on Barbie Uncovered doc
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News
C5 greenlights period drama from All Creatures Great and Small team
Playground to produce adaptation of novels by CL Skelton
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News
TalkTV hires James Haggar as head of studio output
Experienced exec makes switch after spell at GB News
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News
In brief: RTS Cambridge; BBC board; BritBox; Prime Video Craft Academy; Prime Video India; Banijay Italia
Lucy Frazer and Piers Morgan join this year’s convention lineup
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News
BBC leads Grierson Trust doc awards shortlist
Dublin Narcos among fifteen titles to receive multiple nominations
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News
Apple TV+ orders natural history duo
Latest ventures hail from Tailfeather Productions and Offspring Films
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News
Sony boards Black creative talent programme
Continued growth for We Are Parable and Channel 4’s Momentum initiative
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News
In brief: Sky News; Jeremy Vine; A+E; BBC podcast; Freevee
New presenter in place for Sunday political show
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Video
Trail: Physical, Apple TV+
Third series of Tomorrow Studios’ dark comedy about a woman who finds an unconventional path to power through the world of aerobics
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News
Ofcom launches yet another investigation into GB News
Regulator now has three open probes into the broadcaster
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News
Diamond report reveals decline in senior women since pandemic
Disabled people also still ‘very underrepresented’ in senior roles
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News
Dave, Yeti and Channel 4 win big at Broadcast Digital Awards
Judges called Dave ’a brilliant jewel in the UKTV crown’
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Features
Best Short Form Documentary: Kingpin Cribs: Drugs, Death And Pet Tigers
‘Eye-opening and terrifying, subversive and totally unexpected’
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Features
Best Specialist Factual Programme: Prehistoric Planet
‘An innovative approach to a very assured format’
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Features
Best Entertainment Programme: Don’t Hate The Playaz
‘An exhilarating watch, edged with a joyous sense of danger, in a format that is coming into its own’