All Comment articles – Page 152
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The cost of YouView's pricing
There is a contradiction at the heart of YouView that could hobble it, writes Alex Farber.
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Minority writers need a voice
We all play a part in changing the status quo, writes Carol Russell.
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BBC in safe hands with new DG
Creative credentials make Entwistle the right man for the job.
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Animation and licensing key to overseas success
Kids’ content has to travel well and have licensing potential, says Paul Robinson.
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Help us paint a picture of the industry in 2012
Our census of the creative media industries is vital for making change, says Dinah Caine.
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Who will have the last laugh?
ITV sends out ‘volume’ message at forum as Sky comes knocking.
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Premier League: how much is too much?
Sky and BT have taken big gambles on PL rights, says Kate Bulkley.
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Taking a risk in Japanese market can pay dividends
Japan is fascinating but can be a tough place to do business, says Danny Fenton.
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Very soon, I learned that bugger all had changed...
Returning to his editing career, Leo Carlyon found the outlook bleak.
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Learning to tap into a land of opportunity
There is a hunger for ideas at the Banff World Media Festival, says James Burstall.
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A meeting of great minds
No other festival has the pull of Sheffield Doc/Fest, says Tim Sparke.
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Speculative pitching is not the way to find partners
Broadcasters should rethink commissioning of interactive content, says Colin Anderson.
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Diversity key for the next DG
Issues of race, age and gender need to be driven from the top.
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What if Global acquired Smooth and Real Radio?
Paul Robinson considers the future for GMG’s Smooth and Real Radio if Global was to snap them up.
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The drama of DocFest
From the Chinese delegation pulling out, to ‘dead’ musician Rodriguez playing the opening night gig, it’s been a dramatic Sheffied DocFest this year
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How we turned The Voice into a tweet sensation
Garret Keogh passes on what he learned developing the BBC show’s online elements.
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Go East – as long as you’re flexible
Understanding Chinese regulations is crucial, says Kate Bulkley.
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Off Cuts: Spring Oddity
Having snuck song titles by The Smiths and The Cure into Springwatch, Chris Packham’s on a roll in the latest series.