Comment – Page 10
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Getting under the skin of the modern world
Strong journalism, docs and TV events will help BBC2 stand out, says Kim Shillinglaw
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Music steps up a gear for Christmas
How viewers access music is changing - but the festive season is where it really comes into its own, says Jan Younghusband
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Who benefits from CBBC's extended hours?
All channels will be affected by a decision made with no clear justifcation, says Adam Minns
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We all have a stake in the future of BBC radio
The radio sector needs to debate the disinctiveness,market share and regulation of the BBC, says Siobhan Kenny
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Alan Yentob: down but not out
Alan Yentob may be the most divisive man in television, but there is broad agreement that the BBC’s creative director has done the right thing in resigning.
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BBC3 move is better late than never
Radical step will protect the youth channel’s budget, reach and relevance, says Sam Barcroft
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Damian Kavanagh on BBC3's online move
Damian Kavanagh on why BBC3’s move online represents a new beginning for the youth channel.
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Making radio a fair place to compete
Radio indies are embedded across the UK and winning international awards. We must let them compete, says Will Jackson
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Radio offers a united front on jazz
Our collaboration between the BBC and commercial radio echoes the true spirit of jazz, say Alan Davy and Jonathan Arendt
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Scrutiny of BBC is no bad thing
Finding a way to ensure it is striking the right balance seems fair
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Alex Graham: madness to strip BBC of formats
The former Wall to Wall boss responds to ITV’s call for a ban on formats on the BBC.
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We need to talk about PSBs
Charter Review debate must not distract us from tackling the bigger challenges faced by all broadcasters, says Des Freedman
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Yentob case must not compromise BBC editorial values
The BBC has a duty to investigate its links with Kids Company but must be careful not to open the door to soft censorship, says Rebecca Scully
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BBC gives a voice to British Asians
Corporation has been serving the needs of the community for 50 years
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Popular leader will be missed
Time will be needed to assess the director of television’s legacy
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Strictly Come Dancing in 360 degrees
Christopher Nundy explains why, how and what challenges were involved in Strictly Come Dancing becoming one of the first BBC shows to use immersive technology to create a 360 degree viewing experience.
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BBC plays a vital creative role
But needs to modernise in face of global competition, says James Heath
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BBC has chance to set new goals
Charter renewal shouldn’t just be about where it can make cuts, says Chris Curtis
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How to avoid 24 hours in A&E on foreign shoots
Faced with a medical emergency in Athens, Paul Elston was confronted with a stark choice: to protect his health or the shoot?