Comment – Page 6
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CommentDocs: the rock stars of non-fiction
Global non-fiction in film and TV is booming and British sensibilities mean indies can lead the way, writes Kate Collier
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CommentPlaying the long game
Andy Wilson reveals why he’s taken the unusual step of directing all 24 episodes of ITV police drama Unforgotten to date
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CommentNo need for Dutch courage if intimacy is handled correctly
Intimacy co-ordinators are vital to ensure actors feel comfortable enough on set to give an authentic performance, says Vanessa Coffey
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CommentHuman interaction can be just as gripping as crime
Success of series like Normal People and I Hate Suzie shows you don’t need cops and killers to attract a big audience, says Danny Brocklehurst
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CommentMemories of Michael Apted
Producer Claire Lewis reflects on four decades of collaboration with the legendary documentarian
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CommentRichard Bennett: a tribute
Roger Law says goodbye to an accountant extraordinaire, producer and a very good friend
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CommentWhy The Queen’s Gambit gets women so right
Female characters are often portrayed as dependent on men for their happiness, but Netflix’s chess drama makes no such mistakes, says Joanna Tilley
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CommentCollaborate to captivate audiences
Connecting producers to leaders in other fields will create better formats, says Donna Taberer
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CommentDon’t forget TV’s LGBTQ community
Broadcaster diversity pushes are great, but they are missing us out, says Greg Sanderson
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CommentThe stakes have never been higher for factual
The lack of specific Covid-related advice for unscripted directors led us to develop a new resource for all, says Nick Guttridge of Directors UK
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CommentGiving Sherlock a Russian makeover
We’ve reimagined the quintessentially British detective for a Russian audience but his beloved core attributes remain untouched, says Nurbek Egen
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CommentDiversity schemes are great – but they need to go further
A scheme launched my career and innovative new initiatives can do the same for the diverse voices we need in this industry, says Nacressa Swan
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CommentNo need to rush to judgement
New shows, and the new Broadcast, need time to settle, writes Ash Atalla
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CommentUnpicking ratings has never been trickier
Reaching younger viewers is hard – but still achievable, writes Danny Brocklehurst
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Comment‘Korea can become a co-pro Mecca’
The nation has steered clear of a full lockdown and is open for business, says Korea’s self-proclaimed pioneer of international co-productions
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CommentCovid can be catalyst for change in comedy
The lack of an Edinburgh Fringe this year forces us to find talent elsewhere, says Richard Watsham
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CommentObituary: Aidan Laverty
Jonathan Renouf remembers a producer who took James May to the edge of space
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CommentWhy I’m waving goodbye to TV
Production’s a wonderful way to make a living but it’s no longer worth the stress, says Gigi Eligoloff
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CommentThe co-production survival guide
Working with production partners isn’t perfect but it’s more necessary than ever, says Stuart Carter
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CommentMy Mentor: Greg Sanderson on Nick Fraser
The former BBC Storyville supremo taught me the true art of keeping filmmaking simple, says Greg Sanderson