Comment – Page 6
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David Cornwall on ‘serendipitous’ Diana doc
Navigating secretive contributors, demanding commissioners and NDAs were all worth it for the Scorpion TV founder
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Carlotta Rossi Spencer’s format trio
Every deal, good or bad, is a learning experience, says Banijay formats guru
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Don’t let Covid-19 derail nations and regions progress
Industry must not retreat to London post-pandemic, says Graham Sherrington
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My Mentor: Mel Bezalel on David Wise
Fresh One creative director steered the RDF development chief through her early career with ’generosity and genuine interest’
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TV will survive if we work together
Lockdown has been hard but starting up again is an even bigger challenge, says Craig Hunter
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Hitting a century: the benefits of a high volume returner
Inside the Ambulance has transformed Brown Bob and given us confidence to spread our wings, says Jacqueline Hewer
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‘I face five months of unemployment’
The production lockdown came at a terrible time for freelance entertainment producers
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Keeping Ireland’s Crimecall rolling on lockdown
A tenth of the entire population tuned into our live crime-fighting show but production required buy-in from many parties, says Stephen Stewart
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VE Day in Lockdown: we borrowed our neighbours wifi
With our presenter on lockdown and the edit moved to the shed, our Discovery doc became a domestic affair, says Kate Beal
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Hardy young producers deserve praise
The future careers of ITN producers are being forged in the white heat of the coronavirus crisis, says David Stanley
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Stakes are high as broadcasters seek right answers
Tricky questions in the offing about who should foot lockdown bills
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My Mentor: Meryl O’Rourke on Saskia Schuster
Saskia Schuster made me learn how to enjoy the writing skills I possess, says Meryl O’Rourke
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How Red Sky scored commissions during lockdown
The current climate forced us to essentially rip our indie up and start again, but new business shows we made the right choice, says Jane Rogerson
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Reality smash offers reasons to be cheerful
Too Hot to Handle should pave the way for a British boom in Netflix non-scripted
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Quibi bids to overcome mobile SVoD curse
Loud and vivid but lacking depth is Broadcast insights editor Jesse Whittock’s first impression of fledgling service
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The uncanny appeal of audience-free shows
Hosts and talent performing in isolation could very soon become the norm, says Robin Parker
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Colourisation brings history to life
Demand from buyers has surged as technique helps reach new audiences, says Lilla Hurst
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Remembering Tony Garnett
The drama producer’s funeral was a celebration of an uncompromising and influential man, writes Maggie Brown
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Gameshows are backbone of TV
International popularity makes genre perfect for platforms’ global expansion, says James Fox
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We need to bring back the fun
Shows like The Masked Singer deliver much-needed joy in serious times, says Steven D Wright