Comment – Page 100
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CommentBBC proves its worth with events that are unique
Who else would attempt something as ambitious as Music Day? asks Jane Marlow
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CommentC4 will benefit from bartering
Tapping into new ad revenues is a model for success, says Kate Bulkley
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CommentLet’s all work to make the BBC the best it can be
Corporation can lead the way in addressing regional imbalances, says Christine Payne
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CommentWe must lose TV's diversity blind-spot
It is a shocking waste to let diverse talent go unrecognised, says Marcus Ryder
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CommentThe Twitter verdict: Humans, C4
“Watching #Humans. It’s rather brilliant, isn’t it. And judging from how shite Siri is, still 100 years away from being reality. Phew.”
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CommentNew BBC Charter will call for new skills
With Charter review round the corner, the BBC needs to think carefully about what its organisational structure looks like, says Ben Bird
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CommentThings get political for C4 and ITV
Questions of privatisation and vertical integration tax broadcasters
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CommentLicence fee must not be frozen again
BBC needs to remind government of its strengths, says Gerry Morrissey
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CommentMusic would be lost without the BBC
From classical to pop, the BBC’s support is essential, says John Smith
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CommentOur access to fair, balanced news coverage is at risk
The Leveson inquiry showed how much pressure the Murdochs have put on successive governments to curb the BBC’s influence and to end the licence fee.
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CommentWe all need a voice in BBC debate
Broadcaster’s universality is too important to lose, says Colin Browne
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CommentKnow how to improve diversity? Pass it on
When it comes to broadening our industry’s horizons, sharing our knowledge can enrich us all, says Derren Lawford
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CommentIn defence of PBS
BBC supporters say cuts could turn the corporation into a UK version of the ad-free US network. Is this such a bad thing, asks Stephen Arnell
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CommentWant to write for the BBC? Welcome to the breadline
Bernie Corbett argues that the BBC’s offer of a 1% hike in fees for writers is derisory
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CommentCapturing reality to dramatic effect
Drama elements enhance a documentary, but it’s real life that packs the punch, says Ruth Kelly
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CommentBritish TV depends on a licence fee-funded BBC
If the corporation’s critics have their way, we will all be in trouble, says Andrew Chowns
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CommentThe start of a new romance
TV’s love affair with the online world is a win-win, says Kate Bulkley
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CommentTime to put BBC case before MPs
Campaign is also an opportunity to stimulate debate on industry
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CommentThe BBC must not die of neglect
Leaving the BBC to fend for itself in the wilderness would be cultural vandalism, argues screenwriter Peter Harness
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CommentBritain would be better off without the BBC
Back the BBC? This sinister organisation should be abolished, argues Martin Durkin