Comment – Page 5
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CommentHints of optimism after a tough period
Commissioners in our survey see signs that the market is improving
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CommentThe Basics: why is a green room called a green room?
Danny Owens, client services coordinator at dock10, takes a look at one of the most well known terms in the industry
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CommentComment: why broadcasters & streamers should partner as subscriber ceiling approaches
Guy Meyers, director of customer success at Recurly, looks at how the pair can work together
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CommentThe future of intimacy coordination: beyond scripted TV
Dating Naked intimacy consultant Tommy Ross-Williams outlines their role on the MTV format and why it could be beneficial for the unscripted arena
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CommentWorld TV Day: What will the future of TV look like?
Figures from across the industry give their view on the future of the medium
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CommentComment: Why I believe remote working is the future of post-production
Steve Good, technical director at Hireworks, explains why he believes post-production houses will need to continue to expand remote working
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CommentJack Thorne: let's think twice about using ‘showrunner’
Writer urges industry to take Tim Davie’s concerns about the term ‘talent’ a step further
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CommentWhy & how VFX could use the tax rebate to boost diversity & inclusion
Simon Devereux, director and founder of Access:VFX, gives the case for using the money raised to encourage underrepresented talent into the industry
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CommentJames Durie: How a Leonard Cohen biopic became a case study in co-pro
For So Long, Marianne, Cineflix had to bring on board 16 different funding partners to get the project over the line
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CommentGet ready for a ruckus about AI - the rules need to be settled soon
The industry’s big players need to collaborate on a framework to harness the potential of AI rather than let it run wild
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CommentAlex Connock: The key AI battlegrounds that will transform the industry
From finding an audience to copyright, the arrival of AI throws up numerous issues that need to be addressed
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CommentPark the horror and hype and get hands on with AI
Artificial intelligence is a divisive subject, but in times of great change, it’s essential to keep an open mind, says Roy Ackerman
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CommentAdapting to Gen Z’s social viewing habits
Shaki Prasanna, Atomos creative collaboration director, looks at how broadcasters and production companies can keep up with new forms of content
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CommentHow to create the right conditions for creativity
Psychologist Janet Evans explains how to create the right environment for development
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CommentHow AI is enhancing the video experience
Stefan Lederer of Bitmovin lays out several areas where AI is currenly excelling in saving time and money in the media industry
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CommentSafety first in a new era for scripted
International editor John Elmes highlights the programmes likely to make the biggest splash in Cannes
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CommentThe Basics: A brief history of lighting in entertainment
Oliver Howe, duty operations manager at dock10, looks at the past and future of lighting in TV and film
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CommentHow next gen audio is transforming live sport
Yannick Olivier, lead broadcast engineer, France Télévisions, and Costa Nikols, strategy advisor, M&E, Telos Alliance, look at the future of sport audio
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CommentWhat do visualised podcasts mean for fiction?
To make audio fiction work financially, you have to understand its value & the challenges it poses, says Goldhawk Productions’ John Scott Dryden
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CommentAlly Castle: Ditch the disability doom and gloom
While we are not where we ultimately want to be, let’s not forget the advances made when it comes to disability