Comment – Page 149
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CommentWhich drama has the might to take Downton’s crown?
Broadcasters have backed series they think will equal drama’s success, says Stephen Arnell
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CommentAutism is not just what you see on your television screen
Channel 4 gave me the chance to highlight the spectrum of the condition, says Olivia Hale
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CommentAdvertising’s millennial problem
In a world of ad-blocking, new models are emerging, says Kate Bulkley
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CommentBig doesn’t always mean better
Don’t let drama’s scale fixation squeeze out the middle ground
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CommentBrexit: there is too much to lose
Leaving the EU would mean job losses, restricted access to talent and a tougher export market, argues David Johnson
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CommentEscape To The Chateau: filming a French fairytale
Ahead of its final episode on Sunday, director Paul Crompton blogs on the experience of creating and making Channel 4 series Escape To The Chateau.
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CommentTV isn’t lacking ballsy women
Is confidence the issue, or old-fashioned sexism? asks Steven D Wright
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CommentPublic service content fund should not be limited to TV
White paper should allow us to cater for children on all platforms, says Matt Deegan
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CommentLongevity doesn’t stop a show being ‘distinctive’
BBC leads the way in daytime schedules that offer quality viewing, says Dan McGolpin
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CommentThe production talent conundrum
BBC Studios and mega-indies share challenge of energising staff
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CommentWhy the documentary musical?
Century Films managing director Brian Hill on the reasons he returns to song-based films.
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CommentSingle docs provide a perfect opportunity to be distinctive
This genre can hold its own against its series counterpart and drama, says Alisa Pomeroy
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CommentHidden worlds of the rich will prove a bigger draw
Factual shows around benefits will take a back seat to luxury lifestyles, says Dan Whitehead
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CommentPlaying Netflix at its own game
Subscription app is a shrewd move for Discovery, says Kate Bulkley
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CommentWhy companies should be content with owning content
The roles of creator and distributor are becoming interchangeable, but you need to play to your strengths, says Dan Ison
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CommentThe South Bank Show: opening up the arts
The South Bank Show has become one of the most important cultural records we have, says Phil Edgar Jones
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CommentHow impartiality stifles debate
EU debacle highlights why we need a free press, says David Graham
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CommentVice is no longer the outsider
Brand needs to retain its values as it edges towards mainstream, says Chris Curtis
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CommentBBC drama can only thrive with ambitious leadership
Whoever takes the helm will need to have strong creative vision - and a thick skin