Comment – Page 162
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CommentCapturing reality to dramatic effect
Drama elements enhance a documentary, but it’s real life that packs the punch, says Ruth Kelly
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CommentBritish TV depends on a licence fee-funded BBC
If the corporation’s critics have their way, we will all be in trouble, says Andrew Chowns
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CommentThe start of a new romance
TV’s love affair with the online world is a win-win, says Kate Bulkley
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CommentTime to put BBC case before MPs
Campaign is also an opportunity to stimulate debate on industry
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CommentThe BBC must not die of neglect
Leaving the BBC to fend for itself in the wilderness would be cultural vandalism, argues screenwriter Peter Harness
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CommentBritain would be better off without the BBC
Back the BBC? This sinister organisation should be abolished, argues Martin Durkin
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CommentWhy US ownership works for Raw TV
Our relationship with Discovery has strengthened since it bought us, but we get no special favours, says Joely Fether
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CommentJimmy Mulville: Find alternatives to BBC3 cuts
I want to support a properly funded BBC that provides a comprehensive TV service – not just for the middle-aged viewer but also for a young adult audience.
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CommentJon Thoday: BBC3 plans could undermine funding model
Avalon wants to support a BBC that makes the broadcasting of innovative programmes for all audiences its priority.
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CommentLook at online short-form content as a parallel future
In the context of hours viewed, long-form content isn’t under threat, says Paul Lee
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CommentUKTV keeps it refreshingly simple
Content spend drives profits, as broadcaster sets itself new targets
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CommentWe need more opportunities for all
More structured training and clearer career paths are needed to help the creative industries continue to grow, says Dinah Caine
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CommentBeating Twitter to the punchline
Joel Morris hopes a majority government will reinvigorate TV satire
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CommentBattle for the licence fee shapes up
New culture secretary wants change, but is a considered critic of BBC
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CommentBafta 2015: a celebration of eccentricity
Broadcast editor Chris Curtis reflects on the big winners at the Bafta Television Awards.
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CommentAccess is easy when you’re Educating Joey Essex
Political parties’ hunger for publicity opened doors for the TOWIE star, says Phil Harris
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CommentFixed rig has always been about capturing drama
By using the kit on stage, we can put viewers at the heart of The Vote, says David Clews
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CommentKaty Jones: one of the best producers of her generation
Peter Salmon pays tribute to the creative force behind Hillsborough and Mark Of Cain
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CommentTelevised sport is on the ropes
Launch of Periscope has dealt a damaging blow, says Kate Bulkley