Comment – Page 73
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CommentSeek out training initiatives to keep pace with change
There are plenty of options for freelancers, says Anne Morrison
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CommentWho wants to be cool anyway?
Now that TV is no longer hip, my weekends won’t be the same, says Steven D Wright
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CommentWe’re all suckers for the same old
Why not rip off formats when viewers often yearn for the familiar, asks Steven D Wright
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CommentOff Cuts at the Edinburgh TV Festival
Edinburgh hosted its own version of Room 101, with BBC2’s Janice Hadlow consigning “brainstorming” and Endemol’s Tim Hincks trying to bury “new shows trying to be funny”.
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CommentThe next rung on the ladder is just a step away
If you want to get ahead in this industry, you just have to ask, says Susie Worster
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CommentThe sunset of local commercial radio
Paul Robinson on the growth of the quasi-national network
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CommentDiary of an AP: Never quite good enough
AP Ollie Scarth on trying to make a difference in the TV industry
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CommentDEBATE: Is the BBC’s decision to premiere shows via iPlayer a nail in the coffin for linear TV?
Which shows should form part of the trial?
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CommentChildren’s TV should aspire to compete with the best
Budgets shouldn’t hold us back from making world-class shows
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CommentLocalise content – and its means of delivery
Tailoring to local markets makes for better engagement, says Jelmer Kleingeld
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CommentBlurred boundaries liven up broadcasters debate
Controversy at WCFSP showed how genre lines are blurring in US, says Leila Monks
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CommentA victory for women’s sport?
The success of female athletes at London 2012 has prompted a fresh look at women’s sport.
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CommentIP battles set to get more complex and interesting
Is ABC shooting itself in the foot with The Glass House victory, asks Jonathan Coad.
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CommentVision candidates require close look
Judging the candidates to become BBC director of Vision is a tricky task, writes Lisa Campbell.
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CommentLemurs of Madagascar / Live At The Electric / Afghanistan: The Great Game
Pulse Films’ Danny Carvalho and Turmeric Media’s Uzma Mir-Young on lemurs, new comedy and a personal take on Afghanistan
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CommentUS networks find fresh value in White Van Man
An open-minded attitude from ABC proved invaluable, says Adrian Poynton.
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CommentUK studios have long been American-owned
Your assertion (Broadcast 30.3.12) that the ‘new’ Warner Bros studio at Leavesden “marks the first time a US studio has set up a permanent production base in the UK” is not correct.
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CommentTalking to the Taliban
Finding Taliban fighters to talk on camera was always going to be the greatest challenge, writes Sam Collyns, series producer of Secret Pakistan (BBC2, 9pm).
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CommentChristopher Lunn plays final hand
In the protracted investigation into Christopher Lunn & Company, the firm’s proprietor may well have played his last hand, writes Jake Kanter.
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CommentBBC must tread lightly with industry training
Two recent stories in Broadcast (BBC ‘online resource to help bridge training gap’; ‘BBC keen to tackle freelancer skills gap’) have highlighted an interesting conundrum: what role should the BBC take in training the wider industry? And who should decide? writes Matt Born.