Comment – Page 79
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CommentRedefining AI as Augmented Intelligence
Richard Wormwell at dock10 lays out the key strategic moves organisations should make to ensure AI doesn’t replace people, but amplifies them
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CommentEmbracing digital content creation requires a shift in mindset
There are plenty of challenges to tackle when embracing digital, but our traditional production skills will stand us in good stead
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CommentNurturing emerging talent in an AI world
Thomas Pearson, global director of people at Bitmovin, on how the industry can continue to train while integrating AI tools
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CommentTrue indies must partner with digital creators and each other to thrive
Indies without a global parent company need to shake up their way of thinking and embrace the digital world, says Lisa Chapman
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CommentWhy does TV ignore The Deaflympics?
Ashley Kendall at Lumo TV explains why he’s attempting to get broadcasters to pick up the tournament, which is celebrating its 100th anniversary
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CommentWhy engaging a colourist early can elevate a series
Residence Pictures co-founder and colourist Paul Harrison explains why a colour grade is just as vital as performance, cinematography, or sound design
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CommentWhy in-person events need to be designed around the at-home experience
Hicham Chahine, Ninjas In Pyjamas Group co-CEO, reveals what the esports company has learned from prioritising the viewer at home
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CommentHow BTS docuseries are reshaping the sport broadcast landscape
Daniel Funston, senior account director in the sport & fitness team at The PHA Group, looks at how documentaries are changing rights holder-fan relationships
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CommentWhat producers need to know after the Getty AI ruling
Benjamin Field, CEO of Deep Fusion Films, looks at the latest legal battle over AI and what it means
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CommentWhy live podcasts are the next big stage for brands
Oli Bealby, managing director at Stereo Creative, looks at the fast growth of touring podcasts
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CommentHow we impressed Hollywood with a $3k film produced in our garage
Navaz and Roman Dowling extensively used virtual production to produce Entrenched, a polished Star Wars fan film that has seen them gain work in film and TV
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CommentFatima Salaria: In difficult times, simple things make a difference
As resilience wears thin, we need to reach out and support each other
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CommentThe “speed of thought” era in TV and film production
Guy Gadney, co-founder and CEO of Charismatic.ai, looks at how AI could change production
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CommentIn an evolving media landscape, we must work together to amplify new voices
ITN Productions’ head of digital content Rubina Pabani on how the company is platforming new talent
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CommentAI should be seen as an asset for sport broadcasters, not an enemy
Pawel Osterreicher, CEO of ReSpo.Vision, looks at where AI could make a difference
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CommentWhy sport broadcasters should work with creators
Tom Cornish, global VP of group solutions at The Goat Agency looks at how creators are shaping the future of sport broadcasting
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CommentHow The Hundred has helped women’s sport become accessible, exciting and equal
Matt Farnworth, head of creative strategy at Multiple, looks at how cricket’s The Hundred has furthered women’s sport
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CommentWhy graphics need to be more than just aesthetics
Relo Metrics CEO Jay Prasad looks at the impact of Prime Video’s new Champions League graphics
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CommentAI from Greenlight to Glass: The implications for broadcasters
Kim Chua, partner at OC&C Strategy Consultants, specialist in media, broadcasting, and digital transformation, looks at how broadcasters should approach the technology
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CommentWhy we need to approach AI with a human agenda
Joe Lewis at The Voiceover Gallery says that when we embrace AI – not as a replacement, but as a tool – the future doesn’t feel quite as bleak