Comment – Page 80
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CommentThe Basics: From 30 lines to 8K UHD a brief history of television resolution
Darren Deans, media and broadcast marketing specialist, explores the evolution of television resolution
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CommentWhy the real battleground for sport has shifted
Gregg Oldfield, CEO of Engage Digital Partners, looks at how the sport content environment is evolving
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CommentHow Whisper brought data & insight to the Women’s Rugby World Cup
Tory Clarkson, new data & intelligence lead at Whisper looks at how the company and England Rugby have approached the Women’s Rugby World Cup
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CommentThe questions posed by AI-driven storytelling
Filippo Rizzante, CTO of Reply, looks at what the growing use of AI could mean for the industry
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CommentHow creators are reshaping the entertainment industry
Olly Lewis of The Fifth explains why creators are now leading the way with TV entertainment formats
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CommentWhen is the right time to trust AI in VFX?
James Pollock, creative technologist at VFX house Lux Aeterna, looks at when and when not to use automation
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CommentPSB chiefs: these measures can help secure distinct British broadcasting for the future
Traditional powerhouses reveal five-point plan for the future
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CommentMarcus Ryder: Generative AI poses a hidden threat to the industry’s mental health
Beyond prompting job loss fears, Gen AI could have a more insidious effect on how creative workers view themselves
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CommentOpen source meets AI: The future of film production?
Junaid Baig, chief innovation officer at Dimension Studio, reveals how it has innovated with AI
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CommentLessons from Channel 5’s NFL strategy
Alex Brown, head of sport and entertainment at EssenceMediacom, a WPP brand, looks at the broadcaster’s innovative approach to live sport
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CommentDon’t neglect infrastructure in the tech broadcast revolution
Broadcasters should move off proprietary platforms to be able to move swiftly when opportunities arise, says Nutanix Unified Storage’s lead Stuart Heade
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CommentThe broadcast industry must do more to promote talent diversity
Whisper chief executive Sunil Patel talks about going back to his roots to work on the British Grand Prix
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CommentDoes PPV have a place in the future of streaming?
After UFC moved away from PPV, what is it’s future, asks Recurly’s Markus Schmaus
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CommentHow we produced the world’s first live broadcast from Mt. Everest
Ben Ayers, co-founder at Rainshadow Films brought sport broadcasting techniques to the world’s highest peak
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CommentThe industry must fully commit to using access coordinators
Access coordinators are an established idea in TV production, but take-up remains bafflingly slow, says Sara Johnson
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CommentIt’s tough out there – indies have never worked harder or smarter
Even producers performing well are feeling the pressure – so let’s double down on fresh thinking, says Chris Curtis
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CommentNeurodiversity – overcoming challenges in the workspace
Vicky Chapman, an editor at Woodcut Media, explains how she turns challenges into positives in the workplace
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CommentWhy there’s still reluctance to jump onto the cloud
Xander Hartley from GlobalData explains some of the pros and cons of cloud workflows for producers and post houses
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CommentWhy brands are betting on the hype and not the score
Jaime Mandelbaum, chief creative officer of VML EMEA, looks at why the sport is becoming secondary for some brands
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CommentAll hail the virtual production revolution
Studio Ulster head of commercial operations Alyssa Boyle highlights the significance of a new way of working