Comment – Page 99
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CommentGearing up for a world without traditional broadcast TV
Pierre de Lannoy at MiQ discusses how the industry can adapt to an internet-only TV environment
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CommentMike Darcey: Bob Iger has his work cut out to bring back Disney magic
The problems the former chief executive has been brought back to fix are the result of his own strategic calls
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CommentIs D2C the next frontier for sports streaming?
Johan Bolin, CTO at Agile Content, examines whether D2C is the right option for major rights holders
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CommentUsing Dolby Atmos to distribute production music
Garry Judd at Artful Production Music explains why libraries should look to offer Dolby Atmos music mixes
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CommentScott Bryan: Rebranding channels can create confusion rather than clarity
Updating long-established channel and platform names for the streaming age doesn’t always pay off
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CommentNo one wins if the balance of reboots tips too far out of kilter
It makes sense for broadcasters to play it safe, but reboots are limited and offer no guarantees
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CommentPaul Sumpter: Creating the new sound of ITV and ITVX
The creative director of the sound house behind the musical aspects of ITVX explains how it came about
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CommentWhy podcasts are vital for major sport events
Jim Salveson, director of sport at Sport Social Podcast Network, takes a look at how to approach audio during the Qatar 2022 World Cup
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CommentCOMMENT: A smarter way to work with metadata
Sunil Mudholkar, vice president of product management at EditShare on the value of handling metadata more efficiently
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CommentBroadcasters overlook the Midlands at their peril
The Midlands region accounts for more than a quarter of BBC licence fee income - it’s time some of that was reinvested, Will Hanrahan says
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CommentSign2Win is quietly revolutionary television
The gameshow featuring Deaf contestants, host and crew has challenged the industry to produce more gripping, inclusive TV
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CommentHow AI can automate multi-language dubbing
Jesse Shemen, co-founder and CEO of Papercup explains how AI can help your content reach big global audiences on FAST platforms
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CommentConfidence takes a hit as costs rise
‘The economic situation is having an impact on commissioners’ appetite for risk’
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CommentDanny Brocklehurst: Think hard before bringing a real-life murder case to screen
Audiences love true crime, but film-makers need to consider its impact on the community involved, says Danny Brocklehurst
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CommentHow live production can tackle sustainability
Norbert Paquet, head of live production for Sony Europe, looks at the steps that can be taken
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CommentLife rights – a ‘mostly true’ story
Adapting a real-life narrative often means navigating a complex range of legal issues, says Nick Swimer
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CommentTech updates offer a photo-real future for virtual production
Rob Chandler of Morden Wolf explains why Unreal Engine 5 and nVidia’s 4000 series graphic card will revolutionise virtual production
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CommentCOMMENT: The value of hands-on training for creative roles
Rachel Nicholson at Backstage Academy highlights the importance of a skills-based education
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CommentHow Jigsaw24 is tackling the skills shortage
Jason Cowan, Jigsaw24 Media business director, on the company’s post-production training scheme
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CommentWhy Shoot The Company launched a new studio for short-form
Shoot co-founder Henry Wilks outlines the vision behind Creative Shoots