All Distributors articles – Page 35
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NewsChristine Keeler goes global with Keshet
BBC1 historical drama picked up by Australian, Dutch and Spanish broadcasters
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NewsMipTV draws up coronavirus contingency plans
Cannes event goes ahead as Reed Midem ‘monitors developments closely’
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FeaturesRoundtable: The new rules of distribution
Five major distributors discuss the fresh opportunities and challenges shaping the international content sales business
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NewsITVS sells Flesh and Blood to four territories
Silverprint Pictures’ drama among a slew of international deals for distributor’s scripted series
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NewsBBCS strikes big Asian content deals
Dramas including Father Brown and Luther form part of debut sales to Japanese service U-Next
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NewsFremantle dramas head to MENA
Channel 4’s Baghdad Central is among trio of titles sold to Starzplay
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NewsBanijay secures financing for ESG deal
French giant says it has had ‘positive’ reaction from investor landscape
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NewsBBCS ups Asia Pacific sales execs
Cheryl Png and Stanley Fernandes take on vice-president of distribution roles
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NewsBeat the Channel takes off with four sales
Red Arrow sells German entertainment format to Spain, Portugal, France and the Middle East
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NewsCurious Films ties with Cineflix Rights
Fledgling indie seals first-look development deal with distributor
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NewsBrassic heads to Hulu
Sky 1 comedy is among raft of ITV Studios scripted deals secured at Natpe Miami
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CommentThe heat’s on in Miami
Natpe proved its credentials as a proper sales market and avenue for an insight into the Americas, says Ben Barrett
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NewsRed Arrow Studios names factual exec
Ex-Sky Vision factual acquisitions head Niki Page joins distributor
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NewsBritBox snaps up DRG shows
The Detectorists and The Cry among comedy and drama package joining PSB SVoD
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NewsTwo Rivers buys out Kew Media investment
Glasgow-based indie exits as financial company reviews its future
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NewsAcorn picks up Deadwater Fell for US
Endemol Shine International sells Kudos’ C4 drama to AMC-owned SVoD
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NewsBattle heats up among mega-distributors
Relationships with rightsholders may need to be recalibrated amid a shrinking midsized content market