Factual Features – Page 42
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Behind The ScenesT. Rex Autopsy, Nat Geo
Building a full-size, anatomically correct model of a T. rex that could be dissected on TV was a labour of love that took months of painstaking work. Olly Grant finds out how it was done
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The Broadcast InterviewRicochet
It’s been a busy time for Ricochet since Jo Ball became chief exec last year, with Katy Thorogood joining Simon Knight to help expand the indie’s slate. Hannah Gannagé-Stewart meets the trio
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Behind The ScenesChannel Patrol, BBC1
Drones and GoPros helped us capture the busy English channel on a daytime budget, says series producer Rebecca Nunn
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Behind The ScenesHunters of the South Seas, BBC2
When we gave our researcher his dream assignment, a new star presenter was born, says series producer/director Jamie Balment
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Behind The ScenesWho'd Be A Billionaire?, Sky Living
The super-rich aren’t very forthcoming about their lives, but their staff provided a fascinating insight into their world, says Remy Blumenfeld
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Behind The ScenesRichard E Grant's 7 Deadly Sins, Discovery
A genre-bending exploration of the animal instincts inside us all proved an eye-opening experience for Benedetta Pinelli
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FeaturesNations & Regions: Bristol
Best known as the home of natural history film-making, Bristol is an increasingly popular location for drama
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Behind The ScenesFilming My Father: In Life And Death, C5
To capture the intimacy of a man living with motor neurone disease, Liz Tucker trained up his son as a camera operator
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Behind The ScenesThe Kids Who Can't Stay Awake, C4
First-time producer/director Nicola Comber reflects on tacking the sensitive subject of childhood narcolepsy
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Behind The ScenesThis World: Surviving Sandy Hook, BBC2
Revisiting a tragedy that befell a community increasingly sceptical of media intrusion made gaining access tough, reveals Jezza Neumann
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Behind The ScenesWorld's Toughest Jobs, BBC3
Boundless’ small production team had to work as hard as our subjects in our global adventure
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The Broadcast InterviewRichard McKerrow, Love Productions
Creative director of the Benefits Street indie Richard McKerrow tells Chris Curtis why it is not afraid to tackle controversial subjects
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FeaturesBest Popular Factual Programme: The Great British Bake Off
The Great British Bake Off was a TV juggernaut before it moved to BBC One – but no one would have predicted what happened when its fifth series debuted on the flagship channel.
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FeaturesBest News & Current Affairs Programme: Dispatches: Nigeria’s Hidden War
The key international news stories of 2014 focused on the Middle East and Ukraine, so Nigeria’s Hidden War was both an aptly titled and incredibly revealing film.
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FeaturesBest Documentary Programme: Storyville: Pussy Riot – A Punk Prayer
Injecting a little punk rock into the BBC Four schedule, Storyville’s film raised important questions about the battle lines drawn between artistic freedom and state control in Russia.
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FeaturesBest Documentary Series: Bedlam
Other shows in this category may have attracted more viewers or generated more column inches, but Bedlam tackled mental health with a rare mixture of honesty and humour.
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Behind The ScenesInside The Commons, BBC2
Anthony Geffen reveals how winning trust was key to capturing parliament as it’s never been seen before
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Behind The ScenesThe Secret Life of Four Year Olds, C4
When we started filming a group of four year-olds, we had no idea what it would teach us, says Teresa Watkins.
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The Broadcast InterviewHelen Warner, ITV
ITV’s director of daytime is confident that Good Morning Britain can succeed where Daybreak failed
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The Broadcast InterviewTom Brisley, Iain Pelling & John Smithson, Arrow Media
The trio are revelling in their independence as they gear up to take TV into space